Tracing The Shadow Of Secrecy And Government Transparency In Eighteenth Century France
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| Author | : Nicole Bauer |
| Publisher | : Springer Nature |
| Total Pages | : 233 |
| Release | : 2022-11-30 |
| Genre | : History |
| ISBN | : 3031122364 |
This book traces changing attitudes towards secrecy in eighteenth-century France, and explores the cultural origins of ideas surrounding government transparency. The idea of keeping secrets, both on the part of individuals and on the part of governments, came to be viewed with more suspicion as the century progressed. By the eve of the French Revolution, writers voicing concerns about corruption saw secrecy as part and parcel of despotism, and this shift went hand in hand with the rise of the idea of transparency. The author argues that the emphasis placed on government transparency, especially the mania for transparency that dominated the French Revolution, resulted from the surprising connections and confluence of changing attitudes towards honour, religious movements, rising nationalism, literature, and police practices. Exploring religious ideas that associated secrecy with darkness and wickedness, and proto-nationalist discourse that equated foreignness with secrecy, this book demonstrates how cultural shifts in eighteenth-century France influenced its politics. Covering the period of intense fear during the French Revolution and the paranoia of the Reign of Terror, the book highlights the complex interplay of culture and politics and provides insights into our attitudes towards secrecy today.
| Author | : Shelby Thomas McCloy |
| Publisher | : |
| Total Pages | : 274 |
| Release | : 1957 |
| Genre | : |
| ISBN | : |
| Author | : William Doyle |
| Publisher | : Oxford University Press on Demand |
| Total Pages | : 343 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 9780198205364 |
In ancien regime France almost all posts of public responsibility had to be bought or inherited. Rather than tax their richer subjects directly, French kings preferred to sell them privileged public offices, which further payments allowed them to sell or bequeath at will. By the eighteenthcentury there were 70,000 venal offices, comprising the entire judiciary, most of the legal profession, officers in the army, and a wide range of other professions - from financiers handling the king's revenues down to auctioneers and even wigmakers. Though now yielding diminishing returns to theking, offices were more in demand than ever for the privileges and prestige, profit and power, that they conferred; and although it was widely accepted that selling public authority was undesirable, nobody imagined that those who had invested in offices could ever be bought out. The Revolutionbrought an unexpected opportunity to do so, but the legacy of venality has marked French institutions down to our day. William Doyle, one of the foremost historians of early modern Europe, has written the first comprehensive history of the last century of venality. He traces the evolution and dissolution of a system which was fundamental to the workings of state and society in France for over threecenturies.
| Author | : Louis Ducros |
| Publisher | : |
| Total Pages | : |
| Release | : 1926 |
| Genre | : |
| ISBN | : |
| Author | : Shelby T. Mac Cloy |
| Publisher | : |
| Total Pages | : 496 |
| Release | : 1946 |
| Genre | : |
| ISBN | : |
| Author | : Paul Lacroix |
| Publisher | : |
| Total Pages | : 564 |
| Release | : 2012-05-01 |
| Genre | : |
| ISBN | : 9781258354237 |
Illustrated With Over 300 Wood Engravings.
| Author | : Joanna Ruth Silverberg |
| Publisher | : |
| Total Pages | : 88 |
| Release | : 1964 |
| Genre | : |
| ISBN | : |
| Author | : Stefanos Geroulanos |
| Publisher | : Cultural Memory in the Present |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 9780804799744 |
This book argues against the widely celebrated utopia of "transparency" by showing, across a panorama of postwar French thought, how attempts to show the perils of transparency in politics, ethics, and knowledge led to major conceptual inventions, many of which we now take for granted.
| Author | : Paul Ricoeur |
| Publisher | : Berghahn Books |
| Total Pages | : 228 |
| Release | : 1996 |
| Genre | : Communication |
| ISBN | : 9781571811363 |
It seems more urgent than ever before to fend off the rising wave of intolerance and at the same time determine the nature of tolerance and its limits. As Ricoeur says in his Foreword: "Tolerance is a tricky subject: too easy or too difficult. It is indeed too easy to deplore intolerance, without putting oneself into question, oneself and the different allegiances with which each person identifies." In order to explore these complexities, he has gathered together a number of prominent thinkers from various parts of the world and areas of activity and invited them to reflect on the "obstacles and limits to tolerance." The Declaration of Principles on Tolerance, issued by the United Nations in 1995, rounds up this remarkable collection of essays. Contributors: Norberto Bobbio, Vaclav Havel, Jeanne Hersch, Bernard Williams, Octavio Paz, Ghislain Waterlot, Antoine Garapon, Mario Bettati, Yehudi Menuhin, Ramin Jahanbegloo, Abdelwahab Bouhdiba, Hans Küng, Wole Soyinka, Ionna Kuçuradi, Monique Canto-Sperber, Paul Ricoeur, Desmond Tutu. DIOGENES LIBRARY
| Author | : Arie Wallert |
| Publisher | : Getty Publications |
| Total Pages | : 241 |
| Release | : 1995-08-24 |
| Genre | : Art |
| ISBN | : 0892363223 |
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
