Women’s Economic Thought in the Romantic Age

Women’s Economic Thought in the Romantic Age
Author: Joanna Rostek
Publisher: Routledge
Total Pages: 277
Release: 2021-01-21
Genre: Business & Economics
ISBN: 0429665318

This book examines the writings of seven English women economists from the period 1735–1811. It reveals that contrary to what standard accounts of the history of economic thought suggest, eighteenth- and early nineteenth-century women intellectuals were undertaking incisive and gender-sensitive analyses of the economy. Women’s Economic Thought in the Romantic Age argues that established notions of what constitutes economic enquiry, topics, and genres of writing have for centuries marginalised the perspectives and experiences of women and obscured the knowledge they recorded in novels, memoirs, or pamphlets. This has led to an underrepresentation of women in the canon of economic theory. Using insights from literary studies, cultural studies, gender studies, and feminist economics, the book develops a transdisciplinary methodology that redresses this imbalance and problematises the distinction between literary and economic texts. In its in-depth readings of selected writings by Sarah Chapone, Mary Wollstonecraft, Mary Hays, Mary Robinson, Priscilla Wakefield, Mary Ann Radcliffe, and Jane Austen, this book uncovers the originality and topicality of their insights on the economics of marriage, women and paid work, and moral economics. Combining historical analysis with conceptual revision, Women’s Economic Thought in the Romantic Age retrieves women’s overlooked intellectual contributions and radically breaks down the barriers between literature and economics. It will be of interest to researchers and students from across the humanities and social sciences, in particular the history of economic thought, English literary and cultural studies, gender studies, economics, eighteenth-century and Romantic studies, social history, and the history of ideas.

Dreaming in Books

Dreaming in Books
Author: Andrew Piper
Publisher: University of Chicago Press
Total Pages: 321
Release: 2009-08
Genre: Education
ISBN: 0226669726

Examining novels, critical editions, gift books, translations, and illustrated books, as well as the communities who made them, Dreaming in Books tells a wide-ranging story of the book's identity at the turn of the nineteenth century. In so doing, it shows how many of the most pressing modern communicative concerns are not unique to the digital age but emerged with a particular sense of urgency during the bookish upheavals of the romantic era. In revisiting the book's rise through the prism of romantic literature, Piper aims to revise our assumptions about romanticism, the medium of the printed book, and, ultimately, the future of the book in our so-called digital age."--Pub. desc.

Towards the Romantic Age

Towards the Romantic Age
Author: R. Neuhauser
Publisher: Springer Science & Business Media
Total Pages: 272
Release: 1974-05-31
Genre: History
ISBN: 9789024715497

Russian literature between 1750 and the romantic age presents a confus ing picture. Various literary movements arose and existed side by side, while new trends made themselves felt. At no other time in the history of Russian literature was there a similar influx of widely disparate literary and intellectual influences from the West. The complex evolution of literature is reflected in the area of literary classification. Period terms have been used in great variety, yet without general agreement as to the extent, or even the nature of the trends described. The essays of this study are devoted to two major literary trends of the 18th and early 19th century, -sentimentalism and preromanticism. They aim to elucidate their evolu tion as well as at defining and describing the conceptual framework on which they rest. Since the 18th century did not draw a sharp line between translated and original literature, both have been included here. Literary, philosophical, and general cultural influences from the West were of consi derable importance for Russian literature. The concepts, motifs and themes which reached Russian writers in translations moulded their own original works. The 18th century witnessed the formation of an adequate literary language which culminated in Kararnzin's style. The distinction of two stages in the development of sentimentalism as suggested here and the differentiation between both of them and a third literary trend, preroman ticism, is an attempt to reflect adequately the rapid change in stylistic and poetic norms.

The Romantic Period

The Romantic Period
Author: Robin Jarvis
Publisher: Routledge
Total Pages: 232
Release: 2015-12-22
Genre: Literary Criticism
ISBN: 1317877438

The Romantic Period was one of the most exciting periods in English literary history. This book provides a comprehensive and up-to-date account of the intellectual and cultural background to Romantic literature. It is accessibly written and avoids theoretical jargon, providing a solid foundation for students to make their own sense of the poetry, fiction and other creative writing that emerged as part of the Romantic literary tradition.

Transfiguring the Arts and Sciences

Transfiguring the Arts and Sciences
Author: Jon Klancher
Publisher: Cambridge University Press
Total Pages: 325
Release: 2013-08
Genre: History
ISBN: 1107029104

This book discusses how Romantic-age writers and new cultural institutions transformed ideas of knowledge inherited from the early-modern period.

A Concise Companion to the Romantic Age

A Concise Companion to the Romantic Age
Author: Jon Klancher
Publisher: John Wiley & Sons
Total Pages: 312
Release: 2009-04-06
Genre: Literary Criticism
ISBN: 9781444308570

A Concise Companion to the Romantic Age provides newperspectives on the relationships between literature and culture inBritain from 1780 to 1830 Provides original essays from a variety of multi-disciplinaryscholars on the Romantic era Includes fresh insights into such topics as religiouscontroversy and politics, empire and nationalism, and therelationship of Romanticism to modernist aesthetics Ranges across the Romantic era's literary, visual, andnon-fictional genres

The Cambridge History of Russian Literature

The Cambridge History of Russian Literature
Author: Charles Moser
Publisher: Cambridge University Press
Total Pages: 724
Release: 1992-04-30
Genre: Literary Criticism
ISBN: 9780521425674

An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.

Cultural Interactions in the Romantic Age

Cultural Interactions in the Romantic Age
Author: Gregory Maertz
Publisher: SUNY Press
Total Pages: 276
Release: 1998-02-05
Genre: Literary Criticism
ISBN: 9780791435601

Charts the interactive contours of European culture of the late eighteenth to mid-nineteenth centuries, extending the chronological limits of Romanticism by identifying fresh links among works, authors, contexts, and institutions across national and linguistic borders.

The Penguin Book of Romantic Poetry

The Penguin Book of Romantic Poetry
Author: Jonathan Wordsworth
Publisher: Penguin UK
Total Pages: 1048
Release: 2005-05-26
Genre: Poetry
ISBN: 0141905654

The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.