Topography And Other Poems
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| Author | : Jay Deshpande |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Poetry |
| ISBN | : 9781936919338 |
Poetry. Top Debut Collection of 2015, Poets and Writers. "This is a book of great beauty and of terrible suspicion regarding that beauty. This is a poet of intensifying linguistic gift and of terrible suspicion regarding that gift. Is there, yet, an Auto-Voyeuristic school of poetry? If not, then Jay Deshpande's troubling and gorgeous LOVE THE STRANGER 'watch yourself grow muscle in your failures / and hate it' could be the founding document." Josh Bell "Deshpande tracks those moments when we become strange to ourselves, when indecision and failure wrench us open. He writes with a kind of glowing, dreamlike clarity about desire, distraction, regret the ways we rush past ourselves, the ways we hurt each other. This book is full of searching and light." Joanna Klink "Elegant, dreamy, and hauntingly charismatic, Deshpande's poems captivate the way the recordings of their patron saint Chet Baker do, insisting time after time that exceptional artistry can spin even radical loneliness and excruciating sensitivity into music that radiates and affirms. Provoking 'a hunger become so animal' then tranquilizing it with 'orchestrated moonlight, ' LOVE THE STRANGER is a book, a shady neighborhood, and a mood that readers will return to again and again." Timothy Donnelly"
| Author | : Tom Conley |
| Publisher | : U of Minnesota Press |
| Total Pages | : 261 |
| Release | : 2011 |
| Genre | : Science |
| ISBN | : 0816669643 |
Deciphering maps as poetry, and poems as maps.
| Author | : Matthew Graham |
| Publisher | : |
| Total Pages | : 60 |
| Release | : 2019-04-15 |
| Genre | : |
| ISBN | : 9780981751924 |
Poetry. "With longing, elegiac notes, wry humor, and an Edward Hopper-esque paint brush, Matthew Graham traverses the topography of a life made satisfyingly whole through a steadfast examination of the everyday, the cosmopolitan, and the contemplative. It's a potent combination that reminds me, in this moment of political divisiveness, that unwavering interiority is the first step toward bridging the invisible boundaries that divide us. THE GEOGRAPHY OF HOME marks a poet at the height of his powers: wise, stinging, and wonderfully alive. You have to read these poems."--Marcus Wicker
| Author | : Kristina Malmio |
| Publisher | : Springer Nature |
| Total Pages | : 315 |
| Release | : 2019-10-14 |
| Genre | : Literary Criticism |
| ISBN | : 3030233537 |
This open access collection offers a detailed mapping of recent Nordic literature and its different genres (fiction, poetry, and children’s literature) through the perspective of spatiality. Concentrating on contemporary Nordic literature, the book presents a distinctive view on the spatial turn and widens the understanding of Nordic literature outside of canonized authors. Examining literatures by Danish, Norwegian, Swedish, and Finnish authors, the chapters investigate a recurrent theme of social criticism and analyze this criticism against the welfare state and power hierarchies in spatial terms. The chapters explore various narrative worlds and spaces—from the urban to parks and forests, from textual spaces to spatial thematics, studying these spatial features in relation to the problems of late modernity.
| Author | : Sumita Chakraborty |
| Publisher | : Carcanet Press Ltd |
| Total Pages | : 95 |
| Release | : 2020-09-24 |
| Genre | : Poetry |
| ISBN | : 1800170599 |
Winner of the Seamus Heaney First Collection Poetry Prize 2021 Shortlisted for the Michael Murphy Memorial Poetry Prize 2021 Arrow is a debut volume extraordinary in ambition, range and achievement. At its centre is 'Dear, beloved', a more-than-elegy for her younger sister who died suddenly: in the two years she took to write the poem, much else came into play: 'it was my hope to write the mood of elegy rather than an elegy proper,' following the example of the great elegists including Milton, to whose Paradise Lost she listened during the period of composition, also hearing the strains of Brigit Pegeen Kelly's Song, of Alice Oswald and Marie Howe. The poem becomes a kind of kingdom, 'one that is at once evil, or blighted, and beautiful, not to mention everything in between'. As well as elegy, Chakraborty composes invocations, verse essays, and the strange extended miracle of the title poem, in which ancient and modern history, memory and the lived moment, are held in a directed balance. It celebrates the natural forces of the world and the rapt experience of balance, form and - love. She declares a marked admiration for poems that 'will write into being a world that already in some way exists'. This is what her poems achieve.
| Author | : dg nanouk okpik |
| Publisher | : University of Arizona Press |
| Total Pages | : 112 |
| Release | : 2012-11-10 |
| Genre | : Poetry |
| ISBN | : 081659936X |
A self-proclaimed “vessel in which stories are told from time immemorial,” poet dg nanouk okpik seamlessly melds both traditional and contemporary narrative, setting her apart from her peers. The result is a collection of poems that are steeped in the perspective of an Inuit of the twenty-first century—a perspective that is fresh, vibrant, and rarely seen in contemporary poetics. Fearless in her craft, okpik brings an experimental, yet poignant, hybrid aesthetic to her first book, making it truly one of a kind. “It takes all of us seeing, hearing, touching, tasting, and smelling to be one,” she says, embodying these words in her work. Every sense is amplified as the poems, carefully arranged, pull the reader into their worlds. While each poem stands on its own, they flow together throughout the collection into a single cohesive body. The book quickly sets up its own rhythms, moving the reader through interior and exterior landscapes, dark and light, and other spaces both ecological and spiritual. These narrative, and often visionary, poems let the lives of animal species and the power of natural processes weave into the human psyche, and vice versa. Okpik’s descriptive rhythms ground the reader in movement and music that transcend everyday logic and open up our hearts to the richness of meaning available in the interior and exterior worlds.
| Author | : Neal Alexander |
| Publisher | : Oxford University Press |
| Total Pages | : 281 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 1846318645 |
Drawing on the recent focus on spatial imagination in the humanities and social sciences, Poetry and Geography looks at the significance of space, place, and landscape in the works of British and Irish poets, offering interpretations of poems by Roy Fisher, R. S. Thomas, John Burnside, Thomas Kinsella, Jo Shapcott, and many others. Its fourteen essays collectively sketch a series of intersections between language and location, form and environment, and sound and space, exploring poetry's unique capacity to invigorate and expand our spatial vocabularies and the many relationships we have with the world around us.
| Author | : Ruth Stone |
| Publisher | : |
| Total Pages | : 154 |
| Release | : 1991 |
| Genre | : Fiction |
| ISBN | : |
Second-hand coat -- Where I came from -- At the center -- Poetry -- How to catch Aunt Harriette -- Scars -- What can you do? -- Drought in the lower fields -- Moving right along -- Pokeberries -- Mother's picture -- Liebeslied -- Curtains -- Something -- From the arboretum -- Winter -- Shadows -- The miracle -- You may ask -- Names -- Why kid yourself -- Message from your toes -- Sunday -- Pine cones -- Father's day -- Orange poem praising brown -- The room -- American milk -- How Aunt Maud took to being a woman -- Comments of the mild -- An academic life -- Procedure -- When the furnace toes on in a California tract house -- Icons from Indianapolis -- Snow trivia -- The latest hotel guest walks over particles that revolve in seven other dimentsions controlling latticed space -- Years later -- Surviving in Earlysville with a broken window -- Turning -- Happiness -- Turn your eyes away -- Body among trees -- Some things you'll need to know before you join the union -- Women laughing -- Translations -- A last cloud -- Ceam -- Codicle -- Loss -- From the other side -- The tree -- Habit -- Illinois -- Fading -- U of my -- Drams of wild birds -- Vegetables I -- Vegetables II -- Periphery -- Separate -- Overlapping Edges -- Communion -- And yet -- Being a woman -- Cocks and mares -- Shotgun wedding -- Family -- Mine -- The infant -- Laguna beach -- Out of Lost Angeles -- The nost -- Bazook -- Something deeper -- The song of Absinthe granny -- Dream of light in the shade -- The talking fish -- Memory of knowledge and death at the mother of scholars -- Being human -- Tenacity -- The excuse -- Salt -- Denouement -- Between th elines -- The plan -- Poles -- Emily -- Green apples -- Haying -- Habitat -- Eclat -- The principle of mirrors -- behind the facade -- I have three daughters -- A mother looks at her child -- Advice -- End of summer -- Seat belt fastened? -- Disappeared child -- The sotry of the churn -- It -- Metamorphosis -- Topography -- The magnet -- In an iridescent time -- The season -- The burned bridge -- Orchard -- The splinter -- The mold -- An old song -- Love's relative -- Vernal Equinox.
| Author | : Daniel Spoerri |
| Publisher | : Atlas Press LLC |
| Total Pages | : 254 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : |
This book is about the collaborative work by four artists associated with the FLUXUS and Nouveau Réalisme movements.
| Author | : |
| Publisher | : Bellevue Literary Press |
| Total Pages | : 137 |
| Release | : 2017-05-02 |
| Genre | : Photography |
| ISBN | : 194265829X |
“When you first view Rose-Lynn Fisher’s photographs, you might think you’re looking down at the world from an airplane, at dunes, skyscrapers or shorelines. In fact, you’re looking at her tears. . . . [There’s] poetry in the idea that our emotional terrain bears visual resemblance to the physical world; that our tears can look like the vistas we see out an airplane window. Fisher’s images are the only remaining trace of these places, which exist during a moment of intense feeling—and then vanish.” —NPR “[A] delicate, intimate book. . . . In The Topography of Tears photographer Rose-Lynn Fisher shows us a place where language strains to express grief, longing, pride, frustration, joy, the confrontation with something beautiful, the confrontation with an onion.” —Boston Globe Does a tear shed while chopping onions look different from a tear of happiness? In this powerful collection of images, an award-winning photographer trains her optical microscope and camera on her own tears and those of men, women, and children, released in moments of grief, pain, gratitude, and joy, and captured upon glass slides. These duotone photographs reveal the beauty of recurring patterns in nature and present evocative, crystalline imagery for contemplation. Underscored by poetic captions, they translate the mysterious act of crying into an atlas mapping the structure and magnificence of our interior lives. Rose-Lynn Fisher is an artist and author of the International Photography Award-winning studies Bee and The Topography of Tears. Her photographs are exhibited in galleries, festivals, and museums across the world and have been featured by the Dr. Oz Show, NPR, Smithsonian, Harper’s, New Yorker, Time, Wired, Reader’s Digest, Discover, Brain Pickings, and elsewhere. She received her BFA from Otis Art Institute and lives in Los Angeles.
