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| Author | : Richard W. Wrangham |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 372 |
| Release | : 1996 |
| Genre | : Nature |
| ISBN | : 9780395877432 |
Whatever their virtues, men are more violent than women. Why do men kill, rape, and wage war, and what can be done about it? Drawing on the latest discoveries about human evolution and about our closest living relatives, the great apes, "Demonic Males" offers some startling new answers to these questions.
| Author | : John Bryant |
| Publisher | : University of Michigan Press |
| Total Pages | : 481 |
| Release | : 2008 |
| Genre | : |
| ISBN | : 0472115928 |
Typee: A Peep at Polynesian Life was published in 1846 and was Melville's most popular work, offering Victorian readers startling and romantic glimpses of island people and practices. The Typee manuscript was discovered only in 1983, and is considered one of the most important literary manuscripts in nineteenth-century American studies. Melville Unfolding offers a new approach to literary analysis, focusing on how the "invisible text of revision" is made visible in the critical construction of the novel. This volume is linked to an electronic edition of Typee, providing a model for how critical analysis and textual editing work synergistically and how print and online technologies can complement one another. Melville Unfolding walks readers through the intriguing twists and turns of Melville's writing process, detailing the delights and frustrations of reading a writer in manuscript. In jargon-free prose, John Bryant introduces the scholarship of manuscript study, the use of the revision narrative, and the benefits of the fluid-text analysis---asking readers to consider what a text is, how it comes into being, how it evolves, and how the study of a fluid text enhances our understanding of writers, writing, and culture. John Bryant is Professor of English at Hofstra University and Editor of the Melville Society. His books include The Fluid Text: A Theory of Revision and Editing for Book and Screen and the Modern Library editions of Melville's Tales, Poems, and Other Writings and The Confidence-Man.
| Author | : Kevin J. Hayes |
| Publisher | : Cambridge University Press |
| Total Pages | : 124 |
| Release | : 2007-03-08 |
| Genre | : Literary Criticism |
| ISBN | : 113946230X |
Despite its indifferent reception when it was first published in 1851, Moby Dick is now a central work in the American literary canon. This introduction offers readings of Melville's masterpiece, but it also sets out the key themes, contexts, and critical reception of his entire oeuvre. The first chapters cover Melville's life and the historical and cultural contexts. Melville's individual works each receive full attention in the third chapter, including Typee, Moby Dick, Billy Budd and the short stories. Elsewhere in the chapter different themes in Melville are explained with reference to several works: Melville's writing process, Melville as letter writer, Melville and the past, Melville and modernity, Melville's late writings. The final chapter analyses Melville scholarship from his day to ours. Kevin J. Hayes provides comprehensive information about Melville's life and works in an accessible and engaging book that will be essential for students beginning to read this important author.
| Author | : Bruce A. Harvey |
| Publisher | : Stanford University Press |
| Total Pages | : 348 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : 9780804740463 |
This book is the first comprehensive study of antebellum depictions of the non-European world. Harvey proposes that U.S. cultural history cannot be fully understood without considering how Americans regarded tropical America, the Holy Land, Polynesia, and Africa.
| Author | : Christopher McBride |
| Publisher | : Routledge |
| Total Pages | : 281 |
| Release | : 2004-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 1135877394 |
Looking at a diverse series of authors--Herman Melville, Richard Henry Dana, Jr., Mark Twain, Charles Warren Stoddard, and Jack London--"The Colonizer Abroad" claims that as the U.S. emerged as a colonial power in the nineteenth and twentieth centuries, the literature of the sea became a literature of imperialism. This book applies postcolonial theory to the travel writing of some of America's best-known authors, revealing the ways in which America's travel fiction and nonfiction have both reflected and shaped society.
| Author | : Laurie A. Sterling |
| Publisher | : Infobase Publishing |
| Total Pages | : 305 |
| Release | : 2009 |
| Genre | : Criticism |
| ISBN | : 0791097447 |
Although he spent much of his career in obscurity, Herman Melville, the author of classics such as ""Moby-Dick"", ""Billy Budd"", and ""Bartleby, the Scrivener,"" has since become known as one of America's greatest writers. ""How to Write about Herman Melville"" offers valuable paper-topic suggestions, clearly outlined strategies on how to write a strong essay, and an insightful introduction by Harold Bloom on writing about Melville. This new volume is designed to help students develop their analytical writing skills and critical comprehension of the author and his major works.
| Author | : Jennifer Putzi |
| Publisher | : University of Georgia Press |
| Total Pages | : 208 |
| Release | : 2012-06-01 |
| Genre | : Literary Criticism |
| ISBN | : 0820343447 |
What we know of the marked body in nineteenth-century American literature and culture often begins with The Scarlet Letter's Hester Prynne and ends with Moby Dick's Queequeg. This study looks at the presence of marked men and women in a more challenging array of canonical and lesser-known works, including exploration narratives, romances, and frontier novels. Jennifer Putzi shows how tattoos, scars, and brands can function both as stigma and as emblem of healing and survival, thus blurring the borderline between the biological and social, the corporeal and spiritual. Examining such texts as Typee, Uncle Tom's Cabin, Captivity of the Oatman Girls, The Morgesons, Iola Leroy, and Contending Forces, Putzi relates the representation of the marked body to significant events, beliefs, or cultural shifts, including tattooing and captivity, romantic love, the patriarchal family, and abolition and slavery. Her particular focus is on both men and women of color, as well as white women-in other words, bodies that did not signify personhood in the nineteenth century and thus by their very nature were grotesque. Complicating the discourse on agency, power, and identity, these texts reveal a surprisingly complex array of representations of and responses to the marked body--some that are a product of essentialist thinking about race and gender identities and some that complicate, critique, or even rebel against conventional thought.
| Author | : Hildegard Hoeller |
| Publisher | : UPNE |
| Total Pages | : 298 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 1611683114 |
In this rich interdisciplinary study, Hildegard Hoeller argues that nineteenth-century American culture was driven by and deeply occupied with the tension between gift and market exchange. Rooting her analysis in the period's fiction, she shows how American novelists from Hannah Foster to Frank Norris grappled with the role of the gift based on trust, social bonds, and faith in an increasingly capitalist culture based on self-interest, market transactions, and economic reason. Placing the notion of sacrifice at the center of her discussion, Hoeller taps into the poignant discourse of modes of exchange, revealing central tensions of American fiction and culture.
| Author | : John Bryant |
| Publisher | : Oxford University Press |
| Total Pages | : 331 |
| Release | : 1993-10-28 |
| Genre | : Literary Criticism |
| ISBN | : 0195360206 |
John Bryant's book is a strong and significant argument for the centrality of the comic and repose in Melville's novels. The purpose of Melville and Repose is dual: to ground the uses of romantic humor in Melville in sensitive readings of contemporaneous European and American writings, and to offer a definitive account of the comic as the shaping force of Melville's narrative voice throughout the major phase of his literary career. Bryant argues that Melville fused a "rhetoric of geniality" and "picturesque sensibility" adopted from the British with a "rhetoric of deceit" borrowed from the American tall tale in order to create his own amiably cosmopolitan "rhetoric of aesthetic repose." Thorough research into American culture and recent Melville manuscript findings, an engaging style, and full, scholarly readings combine to make this historicist study a welcome addition to the libraries of Americanists and Melville scholars and enthusiasts.
| Author | : John Carlos Rowe Professor of English University of California at Irvine |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 398 |
| Release | : 2000-06-12 |
| Genre | : Literary Criticism |
| ISBN | : 0195351231 |
John Carlos Rowe, considered one of the most eminent and progressive critics of American literature, has in recent years become instrumental in shaping the path of American studies. His latest book examines literary responses to U.S. imperialism from the late eighteenth century to the 1940s. Interpreting texts by Charles Brockden Brown, Poe, Melville, John Rollin Ridge, Twain, Henry Adams, Stephen Crane, W. E. B Du Bois, John Neihardt, Nick Black Elk, and Zora Neale Hurston, Rowe argues that U.S. literature has a long tradition of responding critically or contributing to our imperialist ventures. Following in the critical footsteps of Richard Slotkin and Edward Said, Literary Culture and U.S. Imperialism is particularly innovative in taking account of the public and cultural response to imperialism. In this sense it could not be more relevant to what is happening in the scholarship, and should be vital reading for scholars and students of American literature and culture.
