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| Author | : Thomas G. Burton |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 256 |
| Release | : 2005-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781572334342 |
Based on a deep understanding of several genres of music, Burton shows the diversity of traditional music, and particularly singing styles, in the state that is the gateway for blues, country, and folk music.
| Author | : Ted Anthony |
| Publisher | : Simon and Schuster |
| Total Pages | : 323 |
| Release | : 2007-07-13 |
| Genre | : Music |
| ISBN | : 1416539301 |
Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing "The Rising Sun Blues." Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded "House of the Rising Sun," and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence "Tom" Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound.
| Author | : Charles K. Wolfe |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 212 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : 9780870499586 |
"Folk Songs of Middle Tennessee ... is superior to most collections because Boswell cast a wide net in his collecting, recording many items from people not usually thought of as folksingers, and because, unlike most collectors of his day, he was equally skilled at music and lyric transcription". -- W. K. McNeil, The Ozark Folk Center This volume brings together, for the first time, more than one hundred traditional songs from Middle Tennessee -- a region that is synonymous in the popular mind with music but one that has been curiously neglected in folksong scholarship. The songs presented here were originally collected in the late 1940s and early 1950s by George Boswell, a distinguished scholar and field researcher who died in 1995. While living in Nashville, Boswell scoured the city and surrounding counties for old ballads and folk songs. Sometimes using a wire or tape recorder, at other times employing a stenographer, he visited numerous singers and transcribed the words and tunes to hundreds of songs. Even after moving from Tennessee to assume a teaching position at the University of Mississippi, Boswell continued to work on his collection, annotating and comparing texts, and publishing occasional samples. In 1950, he noted that Tennessee, virtually alone among southern states, had no published collection of its folk songs. That has remained the case until now. The songs chosen for this book are presented with musical notation and extensive backgound notes, including biographical data on the original informants (many of whom were business and professional people) and fascinating histories of each song. A number of the songs are rare and previously uncollected; others arelocal variants of long-popular ballads. The publication of this volume -- the first major collection of southern folk songs in many years -- is not only a testament to Boswell's scholarship but a marvelous contribution to our understanding of southern folk culture and
| Author | : Robert Ford |
| Publisher | : Routledge |
| Total Pages | : 1401 |
| Release | : 2008-03-31 |
| Genre | : Art |
| ISBN | : 1135865086 |
This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene.
| Author | : Roman Iwaschkin |
| Publisher | : Routledge |
| Total Pages | : 726 |
| Release | : 2016-04-14 |
| Genre | : Music |
| ISBN | : 1317223446 |
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
| Author | : Ted Gioia |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 464 |
| Release | : 2009-10-27 |
| Genre | : Music |
| ISBN | : 0393337502 |
Analyzes the influence of Mississippi Delta music, tracing its rise from the plantation songs of the nineteenth century through the achievements of modern performers.
| Author | : Ted Olson |
| Publisher | : Univ. of Tennessee Press |
| Total Pages | : 458 |
| Release | : 2009 |
| Genre | : Social Science |
| ISBN | : 1572336684 |
Since 1934 the Tennessee Folklore Society Bulletin has been a respected source on the wonderfully diverse history and traditions of the Volunteer State, but until now that publication's wide-ranging articles have been largely restricted to the society's membership. With the appearance of A Tennessee Folklore Sampler, editors Ted Olson and Anthony P. Cavender provide a broad audience with a rich selection of the work published over the course of this acclaimed journal's seventy-five-year history. Packed with colorful descriptions and analysis of the state's folkways, A Tennessee Folklore Sampler covers all three of the grand divisions of Tennessee--East, Middle, and West-- and includes articles by some prominent students of folklore, among them Charles Wolfe, Charles Faulkner Bryan, Thomas Burton, Donald Davidson, Herbert Halpert, Mildred Haun, Michael Lofaro, Michael Montgomery, and Tom Rankin. Following an introductory section that places the book into historical, cultural, and socioeconomic contexts, A Tennessee Folklore Sampler is divided into ten parts covering material culture, medicine, beliefs and practices, customs, play and recreation lore, speech, legends, ballad and song, instrumental traditions and music collecting, and folk communities. Each part begins with an introduction that places the selections in context and concludes with suggestions for further reading. The appendix features an essay that explores the history of the Tennessee Folklore Society and the evolution of folklore studies of the state. The anthology will be a welcome resource for folklorists and scholars in many fields as well as a special treasure for general readers. With more than sixty illustrations complementing the text, A Tennessee Folklore Sampler presents a vivid overview of Tennessee folk culture that illuminates the very soul of the state. Ted Olson is the author of Blue Ridge Folklife and Breathing in Darkness: Poems, and the coeditor of The Bristol Sessions: Writings about the Big Bang of Country Music. He teaches at East Tennessee State University. Anthony P. Cavender is professor of anthropology in the Department of Sociology and Anthropology at East Tennessee State University. He is the author of Folk Medicine in Southern Appalachia and has published articles in Social Science and Medicine, Journal of Folklore Research, Journal of Ethnopharmacology, Human Organization, Appalachian Journal, and American Speech, among others.
| Author | : Bill C. Malone |
| Publisher | : University of Texas Press |
| Total Pages | : 769 |
| Release | : 2018-06-04 |
| Genre | : Music |
| ISBN | : 1477315373 |
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.” —Ken Burns and Dayton Duncan, Country Music: An American Family Story From reviews of previous editions: “Considered the definitive history of American country music.” —Los Angeles Times “If anyone knows more about the subject than [Malone] does, God help them.” —Larry McMurtry, from In a Narrow Grave “With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.” —Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com “Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.” —William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
| Author | : Michael D. Doubler |
| Publisher | : University of Illinois Press |
| Total Pages | : 388 |
| Release | : 2018-08-14 |
| Genre | : Music |
| ISBN | : 025205069X |
One of the earliest performers on WSM in Nashville, Uncle Dave Macon became the Grand Ole Opry's first superstar. His old-time music and energetic stage shows made him a national sensation and fueled a thirty-year run as one of America's most beloved entertainers. Michael D. Doubler tells the amazing story of the Dixie Dewdrop, a country music icon. Born in 1870, David Harrison Macon learned the banjo from musicians passing through his parents' Nashville hotel. After playing local shows in Middle Tennessee for decades, a big break led Macon to Vaudeville, the earliest of his two hundred-plus recordings and eventually to national stardom. Uncle Dave--clad in his trademark plug hat and gates-ajar collar--soon became the face of the Opry itself with his spirited singing, humor, and array of banjo picking styles. For the rest of his life, he defied age to tour and record prolifically, manage his business affairs, mentor up-and-comers like David "Stringbean" Akeman, and play with the Delmore Brothers, Roy Acuff, and Bill Monroe.
| Author | : Neil V. Rosenberg |
| Publisher | : University of Illinois Press |
| Total Pages | : 516 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : 9780252072451 |
The twentieth anniversary paperback edition, updated with a new preface Winner of the International Bluegrass Music Association Distinguished Achievement Award and of the Country Music People Critics' Choice Award for Favorite Country Book of the Year Beginning with the musical cultures of the American South in the 1920s and 1930s, Bluegrass: A History traces the genre through its pivotal developments during the era of Bill Monroe and his Blue Grass Boys in the forties. It describes early bluegrass's role in postwar country music, its trials following the appearance of rock and roll, its embracing by the folk music revival, and the invention of bluegrass festivals in the mid_sixties. Neil V. Rosenberg details the transformation of this genre into a self-sustaining musical industry in the seventies and eighties is detailed and, in a supplementary preface written especially for this new edition, he surveys developments in the bluegrass world during the last twenty years. Featuring an amazingly extensive bibliography, discography, notes, and index, this book is one of the most complete and thoroughly researched books on bluegrass ever written.
