Tokyo A Cultural And Literary History
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| Author | : John Dougill |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 265 |
| Release | : 2006 |
| Genre | : History |
| ISBN | : 0195301374 |
Kyoto, the ancient former capital of Japan, breathes history and mystery. Its temples, gardens and palaces are testimony to many centuries of aristocratic and religious grandeur. Under the veneer of modernity, the city remains filled with countless reminders of a proud past. John Dougillexplores this most venerable of Japanese cities, revealing the spirit of place and the individuals that have shaped its often dramatic history. Courtiers and courtesans, poets and priests, samurai and geisha people the pages of his account. Covering twelve centuries in all, the book not onlyprovides a historical overview but also brings to life the cultural magnificence of the city of "Purple Hills and Crystal Streams."
| Author | : Stephen Mansfield |
| Publisher | : Tuttle Publishing |
| Total Pages | : 241 |
| Release | : 2016-10-25 |
| Genre | : History |
| ISBN | : 1462918964 |
The history of Tokyo is as eventful as it is long. A concise yet detailed overview of this fascinating, centuries-old city, Tokyo: A Biography is a perfect companion volume for history buffs or Tokyo-bound travelers looking to learn more about their destination. In a whirlwind journey through Tokyo's past from its earliest beginnings up to the present day, this Japanese history book demonstrates how the city's response to everything from natural disasters to regime change has been to reinvent itself time and again. A calamitous fire results in a massive expansion of the city's territory. A debate over the Samurai code creates far-reaching social change. A malleable boy becomes the figurehead for powerful forces which change an ancient feudal society into a modern industrialized power within a generation. Utter destruction wipes the slate clean again so Tokyoites may start all over. And so it goes. Tokyo's story is riveting, and by the end of Tokyo: A Biography, readers see a city almost unrivaled in its uniqueness, a place that--despite its often tragic history--still shimmers as it prepares to face the future.
| Author | : Stephen Mansfield |
| Publisher | : Andrews UK Limited |
| Total Pages | : 374 |
| Release | : 2023-01-06 |
| Genre | : Travel |
| ISBN | : 190495586X |
From its obscure origins as a fishing village along a marshy estuary, Tokyo grew into one of the world's largest and most culturally vibrant metropolises. For all its modernity and craving for the new, it is a city impregnated with the past. In the backstreets of districts that have inspired the setting for science fiction novels are wooden temples, fox shrines, mouldering steles and statues of Bodhisattvas that evoke a different age. The point where time past, present and future coexist, Tokyo's thirst for the contemporary is moderated by nostalgia for the past. As an urban laboratory where the cultures of the East and West are remixed into perceptibly Japanese forms, Tokyo embraces sudden transitions, constant flux and transformation. The courtesans of its pleasure quarters inspired Edo-period woodblock artists, novelists and poets. In a later age, its experimental artists, feminist writers and Modern Girls of 1920s Ginza both shocked and electrified the capital. Stephen Mansfield explores a city rich in diversity, tracing its evolution from the founding of its massive stone citadel through rise of a merchant class whose wealth transformed Edo into a home for artists, writers and performers. In contemporary Tokyo he explores the unique crossbred cultures of taste that make the giant conurbation one of the most exciting and creative cities in the world. * City of Literature, Theatre and Art: The print masters Hokusai, Hiroshige and Utamaro; the Kabuki theatre; authors Nagai Kafu, Tanizaki Junichiro, Mishima Yukio, Murukami Haruki; foreign writers Angela Carter, William Gibson and Donald Richie. * City of Architecture: From the fortifications of Edo Castle, great temples and shrines, via the western hybrids of the Meiji era to the post-modernist skyscrapers, giant neon screens and digitalized surfaces of today s city. * City of Calamities: The great fires of the Edo period; floods, famines and typhoons; the 1923 Earthquake, coups and rising militarism in the 1930s; the fire bombings of the Second World War; the 1995 subway gas attack by members of a death cult and the fatalism of residents living on one of the earth's largest fault lines.
| Author | : Alisa Freedman |
| Publisher | : Stanford University Press |
| Total Pages | : 350 |
| Release | : 2011 |
| Genre | : Literary Criticism |
| ISBN | : 0804771456 |
This work discusses literary depictions of mass transit in 20th century Tokyo in the decades preceding WWII. It cuts across literary and historical/sociological analysis, and contributes to the growing body of work examining Japanese urbanism, gender, and modernism.
| Author | : Sumie Jones |
| Publisher | : University of Hawaii Press |
| Total Pages | : 530 |
| Release | : 2017-02-28 |
| Genre | : Art |
| ISBN | : 0824855906 |
The city of Tokyo, renamed after the Meiji Restoration, developed an urban culture that was a dynamic integration of Edo’s highly developed traditions and Meiji renovations, some of which reflected the influence of Western culture. This wide-ranging anthology—including fictional and dramatic works, essays, newspaper articles, political manifestos, and cartoons—tells the story of how the city’s literature and arts grew out of an often chaotic and sometimes paradoxical political environment to move toward a consummate Japanese “modernity.” Tokyo’s downtown audience constituted a market that demanded visuality and spectacle, while the educated uptown favored written, realistic literature. The literary products resulting from these conflicting consumer bases were therefore hybrid entities of old and new technologies. A Tokyo Anthology guides the reader through Japanese literature’s journey from classical to spoken, pictocentric to logocentric, and fantastic to realistic—making the novel the dominant form of modern literature. The volume highlights not only familiar masterpieces but also lesser known examples chosen from the city’s downtown life and counterculture. Imitating the custom of creative artists of the Edo period, scholars from the United States, Canada, England, and Japan have collaborated in order to produce this intriguing sampling of Meiji works in the best possible translations. The editors have sought out the most reliable first editions of texts, also reproducing most of their original illustrations. With few exceptions the translations presented here are the first in the English language. This rich anthology will be welcomed by students and scholars of Japan studies and by a wide general audience interested in Japan’s popular culture, media culture, and literature in translation.
| Author | : Kōjin Karatani |
| Publisher | : Duke University Press |
| Total Pages | : 244 |
| Release | : 1993 |
| Genre | : Literary Criticism |
| ISBN | : 9780822313236 |
Karatani Kojin is one of Japan's leading critics. In his work as a theoretician, he has described Modernity as have few others; he has re-evaluated the literature of the entire Meiji period and beyond. As one critic has said, Karatani's thought "has had a profound effect on the way we formulate the questions we ask about modern literature and culture ... [his] argument is compelling, moving even, and in the end the reader comes away with a different understanding not only of modern Japanese literature but of modern Japan itself." Among the many authors discussed are Soseki Natsume, Doppo Kunikida, Katai Tayama, and Shoyo Tsubouchi.
| Author | : Haruo Shirane |
| Publisher | : Columbia University Press |
| Total Pages | : 316 |
| Release | : 2012-03-20 |
| Genre | : Literary Criticism |
| ISBN | : 0231526520 |
Elegant representations of nature and the four seasons populate a wide range of Japanese genres and media—from poetry and screen painting to tea ceremonies, flower arrangements, and annual observances. In Japan and the Culture of the Four Seasons, Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery. Refuting the belief that this tradition reflects Japan's agrarian origins and supposedly mild climate, Shirane traces the establishment of seasonal topics to the poetry composed by the urban nobility in the eighth century. After becoming highly codified and influencing visual arts in the tenth and eleventh centuries, the seasonal topics and their cultural associations evolved and spread to other genres, eventually settling in the popular culture of the early modern period. Contrasted with the elegant images of nature derived from court poetry was the agrarian view of nature based on rural life. The two landscapes began to intersect in the medieval period, creating a complex, layered web of competing associations. Shirane discusses a wide array of representations of nature and the four seasons in many genres, originating in both the urban and rural perspective: textual (poetry, chronicles, tales), cultivated (gardens, flower arrangement), material (kimonos, screens), performative (noh, festivals), and gastronomic (tea ceremony, food rituals). He reveals how this kind of "secondary nature," which flourished in Japan's urban architecture and gardens, fostered and idealized a sense of harmony with the natural world just at the moment it was disappearing. Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane clarifies the use of natural images and seasonal topics and the changes in their cultural associations and function across history, genre, and community over more than a millennium. In this fascinating book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world.
| Author | : Stephen Mansfield |
| Publisher | : Oxford University Press |
| Total Pages | : 289 |
| Release | : 2009-06-01 |
| Genre | : History |
| ISBN | : 0199729654 |
Tokyo seems like an ultra modern--even postmodern--city, with its inventive skyscrapers and digitized surfaces. But it is also a city where past, present, and future coexist--where backstreets both inspire science fiction and host wooden temples, fox shrines, and Buddhist statues that evoke past ages. In this addition to Oxford's Cityscapes series, Stephen Mansfield explores a city rich in diversity, tracing its evolution from the founding of its massive stone citadel, when it was known as Edo, through the rise of a merchant class who transformed the town into a center for art, to the emergence of modern Tokyo. Mansfield traces a city of print masters, Kabuki theater, novelists and great architecture, which has overcome many disasters, from the 1923 earthquake through the fire-bombings of World War II to the 1995 subway gas attacks.
| Author | : Ian Buruma |
| Publisher | : Penguin |
| Total Pages | : 258 |
| Release | : 2018-03-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 1101981423 |
A classic memoir of self-invention in a strange land: Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn’t so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible. Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated—neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had levelled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma’s Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free. A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him. With his signature acuity, Ian Buruma brilliantly captures the historical tensions between east and west, the cultural excitement of 1970s Tokyo, and the dilemma of the gaijin in Japanese society, free, yet always on the outside. The result is a timeless story about the desire to transgress boundaries: cultural, artistic, and sexual.
| Author | : Christina Yi |
| Publisher | : Columbia University Press |
| Total Pages | : 226 |
| Release | : 2018-03-06 |
| Genre | : Literary Criticism |
| ISBN | : 0231545363 |
With the outbreak of the Sino-Japanese War in 1894, Japan embarked on a policy of territorial expansion that would claim Taiwan and Korea, among others. Assimilation policies led to a significant body of literature written in Japanese by colonial writers by the 1930s. After its unconditional surrender in 1945, Japan abruptly receded to a nation-state, establishing its present-day borders. Following Korea’s liberation, Korean was labeled the national language of the Korean people, and Japanese-language texts were purged from the Korean literary canon. At the same time, these texts were also excluded from the Japanese literary canon, which was reconfigured along national, rather than imperial, borders. In Colonizing Language, Christina Yi investigates how linguistic nationalism and national identity intersect in the formation of modern literary canons through an examination of Japanese-language cultural production by Korean and Japanese writers from the 1930s through the 1950s, analyzing how key texts were produced, received, and circulated during the rise and fall of the Japanese empire. She considers a range of Japanese-language writings by Korean colonial subjects published in the 1930s and early 1940s and then traces how postwar reconstructions of ethnolinguistic nationality contributed to the creation of new literary canons in Japan and Korea, with a particular focus on writers from the Korean diasporic community in Japan. Drawing upon fiction, essays, film, literary criticism, and more, Yi challenges conventional understandings of national literature by showing how Japanese language ideology shaped colonial histories and the postcolonial present in East Asia. A Center for Korean Research Book
