To Make A Poet Black
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| Author | : J. Saunders Redding |
| Publisher | : Cornell University Press |
| Total Pages | : 179 |
| Release | : 2018-08-06 |
| Genre | : Literary Criticism |
| ISBN | : 1501732145 |
This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes.
| Author | : Jay Saunders Redding |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1988 |
| Genre | : Literary Criticism |
| ISBN | : 9780801419829 |
This classic study of American Black poetry, first published in 1939 and long out of print, is the work of perhaps the pre-eminent figure in Black Studies of the past two generations. A major contribution to the history of Black thought in America, it ranges widely, beginning in the late eighteenth century with Jupiter Hammon, the first American Black writer, and ending in the 1930s with Countee Cullen and Langston Hughes.
| Author | : Keith D. Leonard |
| Publisher | : University of Virginia Press |
| Total Pages | : 300 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : 9780813925066 |
In Fettered Genius, Keith D. Leonard identifies how African American poets' use and revision of traditional poetics constituted an antiracist political agency. Comparing this practice to the use of poetic mastery by the ancient Celtic bards to resist British imperialism, Leonard shows how traditional poetics enable African American poets to insert racial experience, racial protest, and African American culture into public discourse by making them features of validated artistic expression. As with the Celtic bards, these poets' artistry testified to their marginalized people's capacity for imagination and reason within and against the terms of the dominant culture. In an ambitious survey that moves from slavery to the cultural nationalism of the 1960s, Leonard examines numerous poets, placing each in the context of his or her time to demonstrate the antiracist meaning of their accomplishments. The book offers new insight on the conservatism of Phillis Wheatley, Paul Laurence Dunbar, and the genteel members of the Harlem Renaissance, how their rage for assimilation functioned to refute racist notions of difference and, paradoxically, to affirm a distinctive racial experience as valid material for poetry. Leonard also demonstrates how the more progressive and ethnically distinctive poetics of Langston Hughes, Sterling Brown, Gwendolyn Brooks, Robert Hayden, and Melvin B. Tolson share some of the same ambivalence about cultural achievement as those of the earlier poets. They also have in common the self-conscious pursuit of an affirmation of the African American self through the substitution of African American vernacular language and cultural forms for traditional poetic themes and forms. The evolution of these poetics parallels the emergence of notions of ethnic identity over racial identity and, indeed, in some ways even motivated this shift. Leonard recognizes poetic mastery as the African American bardic poet's most powerful claim of ethnic tradition and of social belonging and clarifies the full hybrid complexity of African American identity that makes possible this political self-assertion. The development that is traced in Fettered Genius illustrates nothing less than the defining artistic coherence and political significance of the African American poetic tradition.
| Author | : Michael S. Harper |
| Publisher | : Vintage |
| Total Pages | : 450 |
| Release | : 2012-02-01 |
| Genre | : Poetry |
| ISBN | : 030776513X |
In The Vintage Book of African American Poetry, editors Michael S. Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets. From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka. Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself. Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.
| Author | : Major Jackson |
| Publisher | : University of Michigan Press |
| Total Pages | : 185 |
| Release | : 2022-08-02 |
| Genre | : Literary Collections |
| ISBN | : 0472039067 |
In this collection of essays, interviews, and notes, Major Jackson reveals and revels in the work of poetry to not only limn and give access to the intellectual width and spiritual depth of poets, but also to amplify the controversies and inner conflicts that define our age: political unrest, climate crises, the fallout from bewildering traumas, and the social function of the art itself. Accessible and critically minded, Jackson avoids pedantry and provisional judgments by returning to the poem as an unparalleled source of linguistic pleasure that structures a multilayered "lyric self." In his interviews, Jackson illustrates poetry's distinct ability, through metaphor and expressive language, to mediate the inexplicable while foregrounding the possibilities of human song. Collected over several decades, these essays find Jackson praising mythmaking in Frank Bidart and Ai's poetry, expressing bafflement at the silence of white-identified poets in the cause of social and racial justice, unearthing the politics behind Gwendolyn Brooks's Pulitzer Prize, and marveling at the "hallucinatory speed of thought" in the poetry of a diverse range of poets including Mei-Mei Berssenbrugge, Brenda Hillman, Afaa Weaver, Forrest Gander, and Terrance Hayes. This collection passionately surveys the radical shifts of the art and notes poetry's ardor and cultural value as a necessity for a modern sensibility.
| Author | : D. Quentin Miller |
| Publisher | : Routledge |
| Total Pages | : 195 |
| Release | : 2016-02-12 |
| Genre | : Literary Criticism |
| ISBN | : 1135037515 |
The Routledge Introduction to African American Literature considers the key literary, political, historical and intellectual contexts of African American literature from its origins to the present, and also provides students with an analysis of the most up-to-date literary trends and debates in African American literature. This accessible and engaging guide covers a variety of essential topics such as: Vernacular, Oral, and Blues Traditions in Literature Slave Narratives and Their Influence The Harlem Renaissance Mid-twentieth century black American Literature Literature of the civil rights and Black Power era Contemporary African American Writing Key thematic and theoretical debates within the field Examining the relationship between the literature and its historical and sociopolitical contexts, D. Quentin Miller covers key authors and works as well as less canonical writers and themes, including literature and music, female authors, intersectionality and transnational black writing.
| Author | : George B. Nesbitt |
| Publisher | : University of Chicago Press |
| Total Pages | : 355 |
| Release | : 2021-11-22 |
| Genre | : Biography & Autobiography |
| ISBN | : 022678312X |
"Like many twentieth-century Black families, the Nesbitts achieved an incredible transformation over the course of a single generation: from performing manual labor on the rural farms of the deep south to holding advanced degrees and owning property in the urban midwest, their family's story was lived or dreamed of by many who moved north during the Great Migration. In Being Somebody and Black Besides, George B. Nesbitt recounts the extraordinary struggles he, his parents, and his five siblings faced in their upwardly mobile journey from the Great Migration through the Freedom Struggle. Born in Champaign, Illinois, Nesbitt earned a law degree at the University of Illinois, enduring racist lectures and administrators who sought to penalize him when he advocated for racial equality. After graduating, he served in World War II, facing discrimination and harassment like many Black soldiers. And when the war was over, despite his education he held many jobs, some quite lowly, before he became deputy assistant to the secretary of Housing and Urban Development in the Kennedy administration. A keen observer and narrator of race, Nesbitt recounts with righteous and justified anger his bitter struggles and incredible triumphs, shared by Black men and women in America. His beautifully written memoir is a rare example of a sustained first-person narrative about black life in this era. While many of his experiences will resonate with today's readers, others will provide a crucial glimpse into a chapter of Black life and its place in the unfinished struggle for racial justice in our country"--
| Author | : Virginia Jackson |
| Publisher | : Princeton University Press |
| Total Pages | : 320 |
| Release | : 2023-02-14 |
| Genre | : History |
| ISBN | : 0691232806 |
"In Before Modernism: Inventing American Lyric, Virginia Jackson argues that in the late eighteenth and early nineteenth centuries, Black poetics, in antagonism with White poetics, produced the conditions for the invention of modern American poetry. This is not a history of American poetry that begins with the Puritans and stretches to the present, or that jumps from the British Romantics to Walt Whitman, or that restricts the influence of African American poetry to a separate tradition; instead, this book emphasizes the many ways in which early Black poets invented what Phillis Wheatley Peters called "the deep design" of American lyric. Through readings of the poetics of Wheatley Peters, George Moses Horton, James Monroe Whitfield, and Frances Ellen Watkins Harper-as well as the poetics of now-neglected but once-popular White poets William Cullen Bryant and Henry Wadsworth Longfellow-Jackson suggests that Black poetics inspired the direction that American poetics has taken for the last two centuries. Thus this book represents not only a new history but a new theory of American poetry. Over the late eighteenth and early nineteenth centuries, as an idea of poetry based on genres of poems (ballads, elegies, odes, hymns, drinking songs, epistles, etc.) gave way to an idea of poetry based on genres of people (Black, White, male, female, Indigenous, etc.), almost all poetry became lyric poetry. Like everything else in America, what we now think lyric is can be traced back to the twisted paths that have determined what we now think people are and can be. This book tells that story, the story of American lyric"--
| Author | : Maurice A. Lee |
| Publisher | : Universitat de València |
| Total Pages | : 157 |
| Release | : 2011-11-28 |
| Genre | : Literary Criticism |
| ISBN | : 8437085446 |
Aquest llibre explora l'estètica de LeRoi Jones / Amiri Baraka des dels seus primers dies com poeta 'beat' fins a l'actualitat. Baraka ha estat considerat com el poeta rebel, el que sempre ataca la política, denuncia l'abús de poder i les errònies polítiques administratives dels Estats Units. Aquest volum examina alguns dels més importants assajos i obres de ficció, amb l'objectiu de clarificar la importància en el desenvolupament de l'obra de Baraka.
| Author | : Thomas J. Davis |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 431 |
| Release | : 2021-01-13 |
| Genre | : History |
| ISBN | : |
This book explores the transformative energy and excitement that African Americans expressed in aesthetic and civic currents that percolated during the opening of the 20th century and proved to be a force in the modernization of America. This engaging reference text represents the voices of the era in poetry and prose, in full or excerpted from anecdotes, editorials, essays, manifestoes, orations, and reminiscences, with appearances by major figures and often overlooked contributors to the Harlem Renaissance. Organized topically and, within topics, chronologically, the volume reaches beyond the typical representation of the spirit and substance of the movement, examinations of which are typically confined to the New York City community and from U.S. entry into World War I in 1917 to the depths of the Great Depression in 1935. It carries readers from the opening of the Harlem Renaissance, which began at the top of the 20th century, to its heights in the 1920s and '30s and through to its artistic and literary echoes in the shadows of World War II (1939–1945).
