The Iconography of the Teotihuacan Tlaloc
Author | : Esther Pasztory |
Publisher | : Dumbarton Oaks |
Total Pages | : 28 |
Release | : 1974 |
Genre | : Art |
ISBN | : 9780884020592 |
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Author | : Esther Pasztory |
Publisher | : Dumbarton Oaks |
Total Pages | : 28 |
Release | : 1974 |
Genre | : Art |
ISBN | : 9780884020592 |
Author | : Peter T. Markman |
Publisher | : Univ of California Press |
Total Pages | : 304 |
Release | : 1989-01-01 |
Genre | : Social Science |
ISBN | : 9780520064188 |
Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.
Author | : Ernest Novato |
Publisher | : |
Total Pages | : 114 |
Release | : 2019-09-14 |
Genre | : |
ISBN | : 9781693219252 |
*Includes pictures *Includes a bibliography for further reading Gilgamesh, Hercules, Aeneas, and Lancelot are instantly recognized as mythological heroes in the West, evoking visions of Persian monsters, ghastly labors, and the founding and glorification of cities, but the name Quetzalcoatl is as mysterious as its spelling. Even those who have come across his name when learning about the history of Mesoamerica - particularly the Aztec and the god's role in the Spanish conquest of their empire - are often unaware that the Mesoamerican deity has tales that equal any of those in the repertoire of the mythological figures mentioned above, and the tale of his transmission into modern times is no less fascinating. As archaeologists quickly learned, there are numerous temples dedicated to gods all across Mesoamerica, from the Olmec and Toltec to the Aztec and Maya. Furthermore, thousands of people still gather in the ruins of Mesoamerican cities, even as researchers learn more about the civilizations that continue to generate interest among modern societies. Gods and myths reflect the societies that created them. The lustrous Garden of Eden was dreamed up by those for whom such verdant plenty could only be magical when compared with their usually arid environment. Peoples who endured harsh winters sang of eternal hearth fires and those who were threatened by dangerous animals told stories of humans who could tame them. Of course, these deities also often reflected the nuanced difficulties their creators experienced in their daily lives, and this is the case with the Aztec god Tlaloc. As the great scholar of Mesoamerican history and religion Kay Almere Read put it, "Rain and water deities constitute perhaps the largest, one of the oldest, most pervasive and complex group of gods and goddesses in Mesoamerica." The Valley of Mexico is the central elevated basin that contains Mexico City at its heart today. Surrounded by mountains and volcanoes, the Valley's lowest point is actually some 2200 meters above sea level and just like the plains of Mesopotamia or the Nile Delta, it is one of humanity's great birthplaces of civilization. Inhabited for over 12,000 years, it was the home to such creative cultures as the Teotihuacan, the Toltec, and the Aztec. These cultures built vast empires and colored them with sophisticated art and architecture, which is invaluable for scholars who study the groups today, and symbols of Tlaloc have been pervasive across their ruins. One of the reasons for the prevalence of Tlaloc in the Valley of Mexico is that in the semi-arid climate, water was a powerful daily symbol. Although there were no naturally occurring water connections to the sea, the high altitude of the mountains and volcanoes that surrounded it caught the rain water well and formed five important lakes: Xochimilco, Xaltocan, Zumpango, Chalco and Texcoco. As the largest, Texcoco was where the Aztecs eventually built their capital city Tenochtitlan. Since this was not a desert culture, their god Tlaloc was not just a reflection of an opposite extreme they desired; instead, he was a complex god that reflected the duality of water as both a boon and a force for destruction. From his home in Tlalocan, Tlaloc was able to send good and bad waters to the people of the Valley of Mexico and beyond. He was the lord of the chthonic powers of Mexico even as far south as the Maya, who called him Chaac and connected him with warfare and agriculture much the same way the Aztec did. The Aztec tell the story of Tlaloc blessing their rise to regional dominance by sending a famine to the Toltec, and his duality of good waters vs. bad waters was a product of the largely two-season system in Mexico. Tlaloc: The History of the Aztec God of Rain and Giver of Life examines the origins of the deity and his place in the pantheon of gods.
Author | : Karen Bassie-Sweet |
Publisher | : University Press of Colorado |
Total Pages | : 341 |
Release | : 2021-06-01 |
Genre | : Social Science |
ISBN | : 1646421329 |
Numerous archaeological projects have found substantial evidence of the military nature of Maya society, and warfare is a frequent theme of Maya art. Maya Gods of War investigates the Classic period Maya gods who were associated with weapons of war and the flint and obsidian from which those weapons were made. Author Karen Bassie-Sweet traces the semantic markers used to distinguish flint from other types of stone, surveys various types of Chahk thunderbolt deities and their relationship to flint weapons, and explores the connection between lightning and the ruling elite. Additional chapters review these fire and solar deities and their roles in Maya warfare and examine the nature and manifestations of the Central Mexican thunderbolt god Tlaloc, his incorporation into the Maya pantheon, and his identification with meteors and obsidian weapons. Finally, Bassie-Sweet addresses the characteristics of the deity God L, his role as an obsidian merchant god, and his close association with the ancient land route between the highland Guatemalan obsidian sources and the lowlands. Through analysis of the nature of the Teotihuacán deities and exploration of the ways in which these gods were introduced into the Maya region and incorporated into the Maya worldview, Maya Gods of War offers new insights into the relationship between warfare and religious beliefs in Mesoamerica. This significant work will be of interest to scholars of Maya religion and iconography.
Author | : Rubén G. Mendoza |
Publisher | : Springer Nature |
Total Pages | : 530 |
Release | : |
Genre | : |
ISBN | : 303136600X |
Author | : Shawn G. Morton |
Publisher | : University Press of Colorado |
Total Pages | : 327 |
Release | : 2019-11-29 |
Genre | : Social Science |
ISBN | : 1607328879 |
Seeking Conflict in Mesoamerica focuses on the conflicts of the ancient Maya, providing a holistic history of Maya hostilities and comparing them with those of neighboring Mesoamerican villages and towns. Contributors to the volume explore the varied stories of past Maya conflicts through artifacts, architecture, texts, and images left to posterity. Many studies have focused on the degree to which the prevalence, nature, and conduct of conflict has varied across time and space. This volume focuses not only on such operational considerations but on cognitive and experiential issues, analyzing how the Maya understood and explained conflict, what they recognized as conflict, how conflict was experienced by various groups, and the circumstances surrounding conflict. By offering an emic (internal and subjective) understanding alongside the more commonly researched etic (external and objective) perspective, contributors clarify insufficiencies and address lapses in data and analysis. They explore how the Maya defined themselves within the realm of warfare and examine the root causes and effects of intergroup conflict. Using case studies from a wide range of time periods, Seeking Conflict in Mesoamerica provides a basis for understanding hostilities and broadens the archaeological record for the “seeking” of conflict in a way that has been largely untouched by previous scholars. With broad theoretical reach beyond Mesoamerican archaeology, the book will have wide interdisciplinary appeal and will be important to ethnohistorians, art historians, ethnographers, epigraphers, and those interested in human conflict more broadly. Contributors: Matthew Abtosway, Karen Bassie-Sweet, George J. Bey III, M. Kathryn Brown, Allen J. Christenson, Tomás Gallareta Negrón, Elizabeth Graham, Helen R. Haines, Christopher L. Hernandez, Harri Kettunen, Rex Koontz, Geoffrey McCafferty, Jesper Nielsen, Joel W. Palka, Kerry L. Sagebiel, Travis W. Stanton, Alexandre Tokovinine
Author | : Joel W. Palka |
Publisher | : Scarecrow Press |
Total Pages | : 238 |
Release | : 2000 |
Genre | : History |
ISBN | : 9780810837157 |
"This historical dictionary covers some of the major discoveries of the diverse investigations that have taken place throughout ancient Mesoamerican over the last 100 years."--Preface.
Author | : Brigitte Faugère |
Publisher | : University Press of Colorado |
Total Pages | : 419 |
Release | : 2020-02-15 |
Genre | : Social Science |
ISBN | : 1607329956 |
In Anthropomorphic Imagery in the Mesoamerican Highlands, Latin American, North American, and European researchers explore the meanings and functions of two- and three-dimensional human representations in the Precolumbian communities of the Mexican highlands. Reading these anthropomorphic representations from an ontological perspective, the contributors demonstrate the rich potential of anthropomorphic imagery to elucidate personhood, conceptions of the body, and the relationship of human beings to other entities, nature, and the cosmos. Using case studies covering a broad span of highlands prehistory—Classic Teotihuacan divine iconography, ceramic figures in Late Formative West Mexico, Epiclassic Puebla-Tlaxcala costumed figurines, earth sculptures in Prehispanic Oaxaca, Early Postclassic Tula symbolic burials, Late Postclassic representations of Aztec Kings, and more—contributors examine both Mesoamerican representations of the body in changing social, political, and economic conditions and the multivalent emic meanings of these representations. They explore the technology of artifact production, the body’s place in social structures and rituals, the language of the body as expressed in postures and gestures, hybrid and transformative combinations of human and animal bodies, bodily representations of social categories, body modification, and the significance of portable and fixed representations. Anthropomorphic Imagery in the Mesoamerican Highlands provides a wide range of insights into Mesoamerican concepts of personhood and identity, the constitution of the human body, and human relationships with gods and ancestors. It will be of great value to students and scholars of the archaeology and art history of Mexico. Contributors: Claire Billard, Danièle Dehouve, Cynthia Kristan-Graham, Melissa Logan, Sylvie Peperstraete, Patricia Plunket, Mari Carmen Serra Puche, Juliette Testard, Andrew Turner, Gabriela Uruñuela, Marcus Winter