Tixall Poetry
Author | : Arthur Clifford |
Publisher | : |
Total Pages | : 472 |
Release | : 1813 |
Genre | : English poetry |
ISBN | : |
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Author | : Arthur Clifford |
Publisher | : |
Total Pages | : 472 |
Release | : 1813 |
Genre | : English poetry |
ISBN | : |
Author | : Arthur Clifford |
Publisher | : Legare Street Press |
Total Pages | : 0 |
Release | : 2023-07-18 |
Genre | : |
ISBN | : 9781020958076 |
This anthology of poetry was compiled by Arthur Clifford and focuses on the works of the Tixall poets, a group of Catholic English poets who lived in the late 16th and early 17th centuries. The book includes a comprehensive introduction to the Tixall poets and their work, as well as detailed annotations and illustrations. Whether you're a student of literature or simply a lover of poetry, this book is a must-read. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Jane Stevenson |
Publisher | : Oxford University Press, USA |
Total Pages | : 644 |
Release | : 2001 |
Genre | : Literary Criticism |
ISBN | : 9780199242573 |
This anthology represents a re-examination of its field, based on extensive archival research. Each woman's work is accompanied by a headnote which combines biographic information with some guidance as to the context, intended audience and genre.
Author | : Grosvenor Library |
Publisher | : |
Total Pages | : 136 |
Release | : 1902 |
Genre | : American poetry |
ISBN | : |
Author | : Ralph Griffiths |
Publisher | : |
Total Pages | : 572 |
Release | : 1815 |
Genre | : Periodicals |
ISBN | : |
Editors: May 1749-Sept. 1803, Ralph Griffiths; Oct. 1803-Apr. 1825, G. E. Griffiths.
Author | : Will Bowers |
Publisher | : Springer |
Total Pages | : 248 |
Release | : 2016-11-24 |
Genre | : Literary Criticism |
ISBN | : 1137545534 |
This book is about the literary and friendship networks that were active in Britain for a 250 year period. Patterns in the nature of literary social circles emerge: they may centre upon a location, like Christ Church, or a person, like Aaron Hill; they may suffer stress when private relationships become public knowledge, as Caroline Lamb’s Glenarvon shows; and they may model themselves on a preceding age, as the relationship between the Sidney circle and Lady Mary Wroth exemplifies. Despite these similarities, no two coteries are the same. The circles this volume examines even differ in their acceptance of their own status as a coterie: someone like Constance Fowler was certainly part of a strict familial coterie; the Scriberlians were a more informal set who were also members of other groups; and although Byron’s years of fame are regularly associated with Holland House, he often denied being of their party. With an Afterword by Helen Hackett
Author | : Margaret J. M. Ezell |
Publisher | : JHU Press |
Total Pages | : 220 |
Release | : 1996-11-08 |
Genre | : Literary Criticism |
ISBN | : 9780801855085 |
Ezell critically examines these successful women's literary histories and applies to them the same self-conscious feminism that critics have applied to more traditional methods. Drawing both on French feminisms and on recent historicist scholarship, Ezell points us to new possibilities for the recovery of early modern women's literary history. By championing the recovery of "lost" women writers and insisting on reevaluating the past, women's studies and feminist theory have effected dramatic changes in the ways English literary history is written and taught. In Writing Women's Literary History, Margaret Ezell critically examines these successful women's literary histories and applies to them the same self-conscious feminism that critics have applied to more traditional methods. According to Ezell, by relying not only on past male scholarship but also on inherited notions of "tradition," some feminist historicists replicate the evolutionary, narrative model of history that originally marginalized women who wrote before 1700. Drawing both on French feminisms and on recent historicist scholarship, Ezell points us to new possibilities for the recovery of early modern women's literary history.