Titian and the Altarpiece in Renaissance Venice

Titian and the Altarpiece in Renaissance Venice
Author: Patricia Meilman
Publisher: Cambridge University Press
Total Pages: 284
Release: 2000-03-13
Genre: Art
ISBN: 9780521640954

This study examines the development of the altarpiece in sixteenth-century Venice. Focusing closely on Titian's St. Peter Martyr Altarpiece, which was the most famous work by this painter, destroyed in 1867, Patricia Meilman considers how this painting irrevocably changed the course of altar decoration. Demonstrating the legacy of the St. Peter Martyr Altarpiece with a younger generation of painters, she also examines the social, religious and historical events of the decades just before the Tridentine reforms and their impact on devotional imagery and practices.

The Altarpiece in Renaissance Venice

The Altarpiece in Renaissance Venice
Author: Peter Humfrey
Publisher:
Total Pages: 382
Release: 1993
Genre: Art
ISBN: 9780300053586

The painting and carving of altarpieces was one of the most important and characteristic tasks of Italian Renaissance artists.

Titian

Titian
Author: Tom Nichols
Publisher: Reaktion Books
Total Pages: 257
Release: 2013-11-15
Genre: Art
ISBN: 1780232276

Titian is best known for paintings that embodied the tradition of the Venetian Renaissance—but how Venetian was the artist himself? In this study, Tom Nichols probes the tensions between the individualism of Titian’s work and the conservative mores of the city, showing how his art undermined the traditional self-suppressing approach to painting in Venice and reflected his engagement with the individualistic cultures emerging in the courts of early modern Europe. Ranging widely across Titian’s long career and varied works, Titian and the End of the Venetian Renaissance outlines his radical innovations to the traditional Venetian altarpiece; his transformation of portraits into artistic creations; and his meteoric breakout from the confines of artistic culture in Venice. Nichols explores how Titian challenged the city’s communal values with his competitive professional identity, contending that his intensely personalized way of painting resulted in a departure that effectively brought an end to the Renaissance tradition of painting. Packed with 170 illustrations, this groundbreaking book will change the way people look at Titian and Venetian art history.

Painting in Renaissance Venice

Painting in Renaissance Venice
Author: Peter Humfrey
Publisher: Yale University Press
Total Pages: 338
Release: 1995-01-01
Genre: Art
ISBN: 9780300067156

The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.

Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting

Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting
Author: David Alan Brown
Publisher: Yale University Press
Total Pages: 364
Release: 2006-01-01
Genre: Art
ISBN: 9780300116779

Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.

Titian And Venetian Painting, 1450-1590

Titian And Venetian Painting, 1450-1590
Author: Bruce Cole
Publisher: Routledge
Total Pages: 291
Release: 2018-03-05
Genre: Art
ISBN: 0429964188

This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own.

Titian

Titian
Author: Peter Humfrey
Publisher: Phaidon
Total Pages: 248
Release: 2007-11-21
Genre: Art
ISBN:

A beautiful and informative overview of Titian's life and works.

The Italian Renaissance Altarpiece

The Italian Renaissance Altarpiece
Author: David Ekserdjian
Publisher:
Total Pages: 496
Release: 2021-06-22
Genre:
ISBN: 9780300253641

The altarpiece is one of the most distinctive and remarkable art forms of the Renaissance period. It is difficult to imagine an artist of the time--whether painter or sculptor, major or minor--who did not produce at least one. Though many have been displaced or dismembered, a substantial proportion of these works still survive. Despite the volume of material available, no serious attempt has ever been made to examine the whole subject in depth until now. The Italian Renaissance Altarpiece is the first comprehensive study of the genre to examine its content and subject matter in real detail, from the origins of the altarpiece in the 13th century to the time of Caravaggio in the early 1600s. It discusses major developments in the history of these objects throughout Italy, covers the three key categories of Renaissance altarpiece--"immagini" (icons), "historie" (narratives), and "misteri" (mysteries)--and is illustrated with 250 beautiful reproductions of the artworks.