Tis Pity Shes A Whore And Other Plays
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| Author | : John Ford |
| Publisher | : Routledge |
| Total Pages | : 167 |
| Release | : 2006-07-13 |
| Genre | : Literary Criticism |
| ISBN | : 1134944489 |
The last decade has seen a revival of interest in John Ford and especially 'Tis Pity She's a Whore, his tragedy of religious scepticism, incestuous love, and revenge. This text in particular has provided a focus for scholarship as well as being the subject of a number of major theatrical productions. Simon Barker guides the reader through the full range of previous interpretations of the play; moving from an overview of traditional readings he goes on to enlarge upon new questions that have arisen as a consequence of critical and cultural theory.
| Author | : John Ford |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 420 |
| Release | : 1998 |
| Genre | : Incest |
| ISBN | : 9780192834492 |
Ford's tragedy, originally printed in 1633, was the first major English play to take as its theme fulfilled incest between brother and sister.
| Author | : John Ford |
| Publisher | : Manchester University Press |
| Total Pages | : 186 |
| Release | : 1985 |
| Genre | : Drama |
| ISBN | : 9780719015335 |
| Author | : John Ford |
| Publisher | : U of Nebraska Press |
| Total Pages | : 136 |
| Release | : 1966-01-01 |
| Genre | : Drama |
| ISBN | : 9780803252615 |
The central situation of 'Tis Pity She's a Whore is an incestuous love between brother and sister, and it is hardly surprising that critics have differed widely in their interpretation of the exact meaning and significance of the play. . . . All the love affairs in the play end in disaster . . . it would even be possible to read the play as a series of warnings against the destructive effects of passion."--N. W. Bawcutt
| Author | : Emma Josephine Smith |
| Publisher | : Cambridge University Press |
| Total Pages | : 293 |
| Release | : 2010-08-12 |
| Genre | : Drama |
| ISBN | : 0521519373 |
Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.
| Author | : John Webster |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2015-09-29 |
| Genre | : Drama |
| ISBN | : 0141392231 |
A new volume of the greatest revenge tragedies of the seventeenth-century stage These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores power, sex, and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo themes of incest and forbidden love in a daring reworking of Romeo and Juliet. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
| Author | : John Ford |
| Publisher | : |
| Total Pages | : 86 |
| Release | : 1633 |
| Genre | : |
| ISBN | : |
| Author | : Ingo Berensmeyer |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 750 |
| Release | : 2019-10-08 |
| Genre | : Literary Criticism |
| ISBN | : 3110444887 |
This handbook of English Renaissance literature serves as a reference for both students and scholars, introducing recent debates and developments in early modern studies. Using new theoretical perspectives and methodological tools, the volume offers exemplary close readings of canonical and less well-known texts from all significant genres between c. 1480 and 1660. Its systematic chapters address questions about editing Renaissance texts, the role of translation, theatre and drama, life-writing, science, travel and migration, and women as writers, readers and patrons. The book will be of particular interest to those wishing to expand their knowledge of the early modern period beyond Shakespeare.
| Author | : Martin White |
| Publisher | : Routledge |
| Total Pages | : 276 |
| Release | : 2013-05-13 |
| Genre | : Performing Arts |
| ISBN | : 1134917813 |
Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.
| Author | : John Webster |
| Publisher | : |
| Total Pages | : 186 |
| Release | : 1896 |
| Genre | : Brothers and sisters |
| ISBN | : |
John Webster's play "The Duchess of Malfi" is a violent play that presents a dark, disturbing portrait of the human condition... The title character is a widow with two brothers: Ferdinand and the Cardinal. In the play's opening act, the brothers try to persuade their sister not to seek a new husband. Her resistance to their wishes sets in motion a chain of secrecy, plotting, and violence. The relationship between Ferdinand and the Duchess is probably one of the most unsettling brother-sister relationships in literature. The play is full of both onstage killings and great lines. The title character is one of stage history's intriguing female characters; she is a woman whose desires lead her to defy familial pressure. Another fascinating and complex character is Bosola, who early in the play is enlisted to act as a spy. Overall, a compelling and well-written tragedy. --Michael J. Mazza at Amazon.com.
