Tintoretto In Venice A Guide
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| Author | : Thomas Dalla Costa |
| Publisher | : Marsilio |
| Total Pages | : 144 |
| Release | : 2019-02-19 |
| Genre | : Art |
| ISBN | : 9788831729468 |
Unlike the other two master Renaissance painters associated with Venice, Titian and Veronese, Tintoretto (1519-94) alone was born in Venice and he left his mark there more than either artist. His paintings can still be found everywhere in the city: not only in museums, but as part of the original decorative cycles in public buildings such as the Scuola Grande di San Rocco, the Doge's Palace and the Liberia Marciana, and serving as altarpieces or chapel decorations in Venetian churches. Over one hundred and twenty of Tintoretto's breathtaking paintings spill out of the pages, divided into sections that correspond to the Venetian Sestieri or districts. Each painting is accompanied by entries written by an international team of art historians covering major issues and placing them in their artistic and cultural context.
| Author | : Frederick Ilchman |
| Publisher | : Gower Publishing Company, Limited |
| Total Pages | : 324 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : |
"For nearly four decades in the sixteenth century, the careers of Renaissance Venice's three greatest painters - Titian, Tintoretto, and Veronese - overlapped, encouraging mutual influences and bitter rivalries that changed the course of art history. Venice was then among Europe's richest cities, and its plentiful commissions fostered an exceptionally fertile and innovative climate. In this environment, the three artists - brilliant, ambitious, and fiercely competitive - vied with each other for primacy, deploying the new combination of oil on canvas, with its unique expressive possibilities, and such new approaches as a personal and identifiable signature touch. They also pioneered the use of easel painting, a newly portable format that allowed for unprecedented fame in their lifetimes. With more than 160 stunning examples by the three masters and their contemporaries, Titian, Tintoretto, Veronese elucidates the technical and aesthetic innovations that helped define the "Venetian style"--Characterized by loose technique. rich coloring, and often sensual subject matter - as well as the social, political, and economic context in which it flourished. Essays range from examinations of new approaches to studies of such crucial institutions as state commissions and the private patronage system. Most of all, by concentrating on the lives and careers of Venice's three greatest painters, the volume presents a vibrant human portrait - one brimming with intense competition, one-upmanship, humor, and passion."--Jacket.
| Author | : David Rosand |
| Publisher | : |
| Total Pages | : 346 |
| Release | : 1982 |
| Genre | : Painting, Italian |
| ISBN | : 9780300026269 |
| Author | : John Marciari |
| Publisher | : |
| Total Pages | : |
| Release | : 2018-11-19 |
| Genre | : Art |
| ISBN | : 9780875981895 |
Jacopo Tintoretto (1518-1594) was among the most distinctive artists of the Italian Renaissance. Yet, although his bold paintings are immediately recognizable, his drawings remain unfamiliar even to many scholars. Drawing in Tintoretto's Venice offers a complete overview of Tintoretto as a draftsman. It begins with a look at drawings by Tintoretto's precedents and contemporaries, a discussion intended to illuminate Tintoretto's sources as well as his originality, and also to explore the historiographical and critical questions that have framed all previous discussion of Tintoretto's graphic work. Subsequent chapters explore Tintoretto's evolution as a draftsman and the role that drawings played in his artistic practice--both preparatory drawings for his paintings and the many studies after sculptures by Michelangelo and others--thus examining the use of drawings within the studio as well as teaching practices in the workshop. Later chapters focus on the changes to Tintoretto's style as he undertook ever larger commissions and accordingly began to manage a growing number of assistants, with special attention paid to Domenico Tintoretto, Palma Giovane, and other artists whose drawing style was influenced by their time working with the master. The book is published in conjunction with the exhibition Drawing in Tintoretto's Venice, opening at the Morgan Library & Museum, New York, in 2018 and travelling to the National Gallery of Art, Washington, in early 2019. All of the drawings in the exhibition are discussed and illustrated, and a checklist of the exhibition is also included in the volume, but the book is a far more widely ranging account of Tintoretto's drawings and a comprehensive account of his work as a draftsman.
| Author | : Giorgio Vasari |
| Publisher | : Getty Publications |
| Total Pages | : 264 |
| Release | : 2019-05-07 |
| Genre | : Art |
| ISBN | : 1606066005 |
Born Jacopo Comin, Tintoretto (ca. 1519–1594) was one of the great painters of the late Renaissance. This book presents the first biographies of Tintoretto, by Giorgio Vasari and Carlo Ridolfi, as well as accounts from individuals who knew the artist personally. This volume also includes a translation of the marginal notes El Greco wrote in his copy of Vasari’s Life of Tintoretto, which have never before been published. Richly illustrated, with an introduction by the scholar Carlo Corsato that reconstructs Tintoretto’s career and contextualizes the contemporary sources, Lives of Tintoretto enhances our understanding of this influential Renaissance artist, who helped establish the Mannerist style.
| Author | : Robert Echols |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 9780300230406 |
Considered one of the three greatest painters of sixteenth-century Venice, along with Titian and Veronese, Tintoretto was a bold innovator. His free, expressive brushwork made his work look unfinished to contemporaries but is now recognized as a key step in the development of oil-on-canvas painting. Even today's audiences are astonished by the superhuman scale, painterly dynamism, and visionary qualities of his work. On the 500th anniversary of Tintoretto's birth, this volume provides a comprehensive overview of his career and achievement, with fifteen essays and reproductions of more than 140 paintings--many newly conserved--as well as a selection of his finest drawings. One special contribution is a focus on the artist's portraiture.--Provided by publisher.
| Author | : Peter Humfrey |
| Publisher | : Yale University Press |
| Total Pages | : 338 |
| Release | : 1995-01-01 |
| Genre | : Art |
| ISBN | : 9780300067156 |
The Renaissance was a golden age in the long history of Venetian painting, and the art that came from Venice during that era includes some of the most visually exciting works in the whole of western art. This attractive book - a comprehensive account of painting in Venice from Bellini to Titian to Tintoretto - is an accessible introduction to the paintings of this period. Peter Humfrey surveys the development of a distinctly Venetian artistic tradition from the middle years of the fifteenth century to the end of the sixteenth century. He discusses the work of Jacopo and Giovanni Bellini, Giorgione, Titian, Veronese and Tintoretto as well as the paintings of those less well known - such as the three Vivarini, Cima, Carpaccio, Palma Vecchio, Lorenzo Lotto and Jacopo Bassano. Humfrey analyses these painters' works in terms of their pictorial style, technique, subject matter, patronage and function. He also sets the art against the background of the political, social and religious conditions of Renaissance Venice, as outlined in his Introduction. The book includes an appendix that provides brief biographies of thirty-six of the most important painters active in Renaissance Venice.
| Author | : Bastian Eclercy |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-04-30 |
| Genre | : Art |
| ISBN | : 3791358138 |
This dazzling survey of 16th-century Venetian painting captures the striking colors and revolutionary characteristics of one of art history's greatest chapters. It is hard to imagine more profoundly influential artists than the Venetian painters of the 16th century. Whether creating sweeping devotional altarpieces or intimate portraits, the Venetian painters changed the way artists employed color and composition. These defining qualities are on brilliant display in this book that covers fascinating aspects of the work of Titian, Veronese, Tintoretto, Lorenzo Lotto, Jacopo Bassano, and many others. More than one hundred paintings, drawings, and prints are reproduced in stunning detail. Side-by-side comparisons draw readers into the conversations between Venetian artists as they tackled similar subjects and vied for commissions. The book opens with fascinating essays about the history of 16th-century Venice, the Venetian School of painting, and the techniques of the Venetian masters. As beautiful as it is informative, this book features all of the excitement and splendor of one of the most prolific and important chapters in the history of European art.
| Author | : Loren Partridge |
| Publisher | : Univ of California Press |
| Total Pages | : 372 |
| Release | : 2015-03-14 |
| Genre | : Art |
| ISBN | : 0520281799 |
"A comprehensive and richly illustrated survey of Venetian Renaissance architecture, sculpture, and painting created between 1400 and 1600 addressed to students, travellers, and the general public. The works of art are analysed within Venice's cultural circumstances--political, economic, intellectual, and religious--and in terms of function, style, iconography, patronage, classical sources, gender, art theories, and artist's innovations, rivalries, and social status. The text has been divided into two parts--the fifteenth century and the sixteenth century--each part preceded by an introduction that recounts the history of Venice to 1500 and to 1600 respectively, including the city's founding, ideology, territorial expansion, social classes, governmental structure, economy, and religion. The twenty-six chapters have been organized to lead readers systematically through the major artistic developments within the three principal categories of art--governmental, ecclesiastic, and domestic--and have been arranged sequentially as follows: civic architecture and urbanism, churches, church decoration (ducal tombs and altarpieces), refectories and refectory decoration (section two only), confraternities (architecture and decoration), palaces, palace decoration (devotional works, portraits, secular painting, and halls of state), villas, and villa decoration. The conclusion offers an overview of the major types of Venetian art and architectural patronage and their funding sources"--Provided by publisher.
| Author | : John Ruskin |
| Publisher | : DAP Artbooks Editions |
| Total Pages | : 176 |
| Release | : 2019-02-15 |
| Genre | : Art |
| ISBN | : 9788831790000 |
For Ruskin, some dates represented turning points in his personal and working life: 23rd September 1845 is one such date. In letters written from Venice to his father that autumn he writes of being overwhelmed by the power of Tintoretto, and of feeling called to safeguard his paintings together with the fate of the city itself. Ruskin's discovery of Tintoretto's work plays a central role in his aesthetics, and was to inspire some of his best writing. Through 'Modern Painters and The Stones of Venice', works that were to be deeply influential throughout mid 19th-century Europe, Ruskin contributed to the establishment of Tintoretto's international fame and his insights still inform our ways of looking at his painting. The collection of writings published here appears for the first time in a well-organised and easily consultable form, a form that Ruskin himself had planned for English visitors. It takes us to paintings in churches throughout the city, though it is the Church and Scuola di San Rocco which stand out as having been the focus of extended and concentrated attention on Ruskin?s part. Neglected by Ruskin scholars, his "Venetian Index", in particular, meticulously records the state of conservation of Tintoretto's canvases at a time of neglect and conflict, while surveying the artist's oeuvre as a whole and minutely examining individual paintings.0Quintessentially Ruskinian in its investigation of the language of sacred iconography and the origins of landscape painting, this guide to Tintoretto's painting generates interpretations which art historians will find stimulating, but will also prove illuminating for non-expert readers wishing to explore a great painter through the sensibility of the critic who first introduced him to the English.
