Time Memory Consciousness And The Cinema Experience
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| Author | : Martha Blassnigg |
| Publisher | : Rodopi |
| Total Pages | : 249 |
| Release | : 2010-03 |
| Genre | : Art |
| ISBN | : 9042026413 |
Preliminary Material -- Introduction -- Wings of Time: an Associative Prelude -- Bergson's Philosophy as Interdisciplinary Nexus with Catalytic Impact: Time, Memory, Consciousness and the Relation between 'Spirit' (l'Esprit) and 'Matter' (Matière) -- The Analysis and Synthesis of Movement in Relation to Time: Revisiting Étienne-Jules Marey's Work in a Virtual Dialogue with the Philosophy of Henri Bergson -- The Subordination of Time to Movement: From the Eye-Brain Model to the Mind-Consciousness Correlate -- The 'Image in Motion' Beyond the 'Cinematographical Tendency' of the Intellect: Dynamism, Intuition and Consciousness in Warburg, Marey and Bergson -- Time, Memory, Consciousness: Resituating the 'Spiritual' Dimension in the Perceptual Processes of the Spectators -- Bibliography -- Index.
| Author | : Helen Billinghurst |
| Publisher | : Triarchy Press |
| Total Pages | : 426 |
| Release | : 2020-09-01 |
| Genre | : Art |
| ISBN | : 1913743101 |
A curated collection of papers, provocations and actions from the 'Walking's New Movements' conference held at the University of Plymouth in November 2019
| Author | : Russell J.A. Kilbourn |
| Publisher | : Routledge |
| Total Pages | : 289 |
| Release | : 2013-10-18 |
| Genre | : Performing Arts |
| ISBN | : 1134550154 |
Since its inception, cinema has evolved into not merely a ‘reflection’ but an indispensable index of human experience – especially our experience of time’s passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn provides a comparative theorization of the representation of memory in both mainstream Hollywood and international art cinema within an increasingly transnational context of production and reception. Focusing on European, North and South American, and Asian films, Kilbourn reads cinema as providing the viewer with not only the content and form of memory, but also with its own directions for use: the required codes and conventions for understanding and implementing this crucial prosthetic technology — an art of memory for the twentieth-century and beyond.
| Author | : Herbert Grabes |
| Publisher | : |
| Total Pages | : 368 |
| Release | : 2009 |
| Genre | : Aufsatzsammlung |
| ISBN | : 9783823341802 |
| Author | : Gilles Deleuze |
| Publisher | : A&C Black |
| Total Pages | : 377 |
| Release | : 2013-12-19 |
| Genre | : Philosophy |
| ISBN | : 147251260X |
"The second volume of Gilles Deleuze's landmark reassessment of the art of film, now available in the Bloomsbury Revelations series"--
| Author | : Andrey Tarkovsky |
| Publisher | : University of Texas Press |
| Total Pages | : 260 |
| Release | : 1989-04 |
| Genre | : Performing Arts |
| ISBN | : 9780292776241 |
A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity
| Author | : Gennady Estraikh |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2017-07-05 |
| Genre | : Foreign Language Study |
| ISBN | : 1351538152 |
Der Nister (Pinkhes Kahanovitsh, 1884-1950) is widely regarded as the most enigmatic author in modern Yiddish literature. His pseudonym, which translates as 'The Hidden One', is as puzzling as his diverse body of works, which range from mystical symbolist poetry and dark expressionist tales to realist historical epic. Although part of the Kiev Group of Yiddish writers, which also included David Bergelson and Peretz Markish, Der Nister remained at the margins of the Yiddish literary world throughout his life, mainstream success eluding him both in- and outside the Soviet Union. Yet, to judge from the quantity of recent research and translation work, der Nister is today one of the best remembered Yiddish modernists. The present collection of twelve original articles by international scholars re-examines Der Nister's cultural and literary legacy, bringing to light new aspects of his life and creative output.
| Author | : Joanna Page |
| Publisher | : University of Michigan Press |
| Total Pages | : 247 |
| Release | : 2016-03-29 |
| Genre | : Fiction |
| ISBN | : 0472053108 |
This book examines an unprecedented range of science fiction texts-including literature, cinema, theater, and comics-produced in Argentina from the nineteenth to the twenty-first centuries. These works address themes common to the genre across the industrialized world, including techno-authoritarianism, new modes of posthuman subjectivity, and apocalyptic visions of environmental catastrophe. At the same time, Argentine science fiction is fully grounded in the social and political life of the nation. The texts discussed here explore the impact of an uneven modernization, mass migration, dictatorships, crises in national identity, the rise and fall of the Left, the question of Argentina's indigenous heritage, the impact of neoliberalism, and the most recent economic crisis of 2001. Argentine science fiction is also highly reflexive, debating within its pages the role of science fiction and fantasy in the society of its day, and the nature of the text in a world of advancing technology. This book makes important contributions to our understanding of science fiction as a genre, as well as to materialist theories of cultural texts. It will also interest students and scholars researching the culture, history, and politics of Argentina and Latin America. Book jacket.
| Author | : John H. Mace |
| Publisher | : |
| Total Pages | : 225 |
| Release | : 2019 |
| Genre | : Medical |
| ISBN | : 0198784848 |
This book explores the organization and structure of autobiographical memory. Based on over thirty years of research, and the latest empirical findings, it presents the major theories and problems in the science of autobiographical memory organization.
| Author | : Shane Denson |
| Publisher | : transcript Verlag |
| Total Pages | : 433 |
| Release | : 2014-07-31 |
| Genre | : Social Science |
| ISBN | : 3839428173 |
»Postnaturalism« offers an original account of human-technological co-evolution and argues that film and media theory, in particular, needs to be re-evaluated from the perspective of our material interfaces with a constantly changing environment. Extrapolating from Frankenstein films and the resonances they establish between a hybrid monster and the spectator hooked into the machinery of the cinema, Shane Denson engages debates in science studies and philosophy of technology to rethink histories of cinema, media, technology, and ultimately of the affective channels of our own embodiment. With a foreword by media theorist Mark B. N. Hansen.
