Time History And Philosophy In The Works Of Wilson Harris
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| Author | : Gianluca Delfino |
| Publisher | : Columbia University Press |
| Total Pages | : 255 |
| Release | : 2016-05-31 |
| Genre | : Literary Criticism |
| ISBN | : 3838269055 |
Gianluca Delfino’s study of one of the Caribbean’s most controversial authors paves the way for looking at Wilson Harris’s body of work in a new light. Harris’s imaginative approach to reality is discussed in relation to the categories of history and time with reference to several novels, with a special focus on The Infinite Rehearsal, Jonestown, and The Dark Jester, spanning more than forty years of his vast literary production. Delfino’s analysis, encompassing critical perspectives ranging from African philosophy to Jungian readings through historiography and anthropology, demonstrates that Harris’s works as a whole show a remarkable unity of thought rooted in their author’s complex imagination. As a result, the cross-cultural quality of Harris’s thought emerges as a healing outcome of the traumatic colonial encounter, bringing together elements of Amerindian, African, and European origin in an ongoing dialogue with time, nature, and the psyche.
| Author | : Gianluca Delfino |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : |
| ISBN | : |
| Author | : Shafquat Towheed |
| Publisher | : Columbia University Press |
| Total Pages | : 342 |
| Release | : 2007-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 389821673X |
The contributions to this book amply demonstrate the richness, vitality, and complexity of the colonial transactions between Britain and India over the last two centuries, and they do so by approaching the topic from a specific perspective: by interpreting the rubric 'new readings' as broadly, creatively, and productively as possible. They cover a wide range of literary responses and genres: eighteenth-century drama, the gothic novel, verse, autobiography, history, religious writing, journalism, women's memoirs, travel writing, popular fiction, and the modernist novel. Brought together in one volume, these essays offer a small, but representative sample of the multifaceted literary and cultural traffic between Britain and India in the colonial period. In the richness and diversity of the various contributors' strategies and interpretations, these new readings urge us to return once again to texts that we think we know, as well as to explore those that we do not, with a freshly renewed sense of their complexity, immediacy, and relevance.
| Author | : Jason R. Marley |
| Publisher | : University of Virginia Press |
| Total Pages | : 390 |
| Release | : 2023-09-07 |
| Genre | : Literary Criticism |
| ISBN | : 0813950155 |
Difficult Reading offers a new approach to formal experimentation in Caribbean literature. In this insightful study, Jason Marley demonstrates how the aggressive, antagonistic elements common to the mid-twentieth-century Caribbean novel foster emotional responses that spark new forms of communal resistance against colonial power. Marley illustrates how experimental Caribbean writers repeatedly implicate their readers in colonial domination in ways that are intended to unsettle and discomfort. In works such as Denis Williams’s The Third Temptation, Wilson Harris’s The Secret Ladder, and Vera Bell’s overlooked prose poem Ogog, acts of colonial atrocity—such as the eradication of Indigenous populations in Guyana, the construction of the Panama Canal, or the disenfranchisement of Afro-Jamaican communities—become mired in aesthetic obfuscation, forcing the reader to confront and rethink their own relationship to these events. In this way, new literary forms engender new forms of insight and outrage, fostering a newly inspired relation to resistance.
| Author | : Madeleine Scherer |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 540 |
| Release | : 2021-09-20 |
| Genre | : Literary Criticism |
| ISBN | : 3110675196 |
Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that.
| Author | : Paul D'Anieri |
| Publisher | : Columbia University Press |
| Total Pages | : 236 |
| Release | : 2007-11-22 |
| Genre | : Political Science |
| ISBN | : 3898216985 |
Ukraine's 2004 presidential election was falsified, spurring the Orange Revolution. To many observers, the Orange Revolution was a shock, and the stolen election a recent development. However, both the election fraud and the effort to topple the government of Leonid Kuchma emerged from political dynamics that had appeared in earlier Ukrainian elections.In this path breaking volume, leading scholars place Ukraine's 2004 Orange Revolution in the longer perspective of Ukraine's post-Soviet electoral politics. Covering both presidential and parliamentary elections over the entire post-Soviet period, the chapters clarify the manner in which earlier elections had emerged as part of the battle for power in Ukraine well before 2004. The opposition that came to power in 2004 had also won the 2002 elections and had developed its strategies during opposition protests that had been catalyzed by the Kuchmagate crisis in 2000. The evolution of the dynamics that led to the fraudulent 2004 election reveals that the events of 2004 represented continuity as well as change. By placing the 2004 elections within a longer trajectory, the volume enriches our understanding of the Orange Revolution and helps us to understand the difficulties faced in consolidating Ukraine's democratic breakthrough following the Orange Revolution.The volume contains an introduction to "Aspects of the Orange Revolution I-VI" by Andreas Umland, followed by eight chapters by Robert K. Christensen, Edward R. Rakhimkulov and Charles Wise, Paul D'Anieri, Robert Kravchuk and Victor Chudowsky, Paul Kubicek, Taras Kuzio, Lucan Way, and Anna Makhorkina. These authors bring complex and varied perspectives that situate Ukraine's post-Soviet elections in economic reforms, constitutional law, foreign policy objectives of integrating into Europe, as well as in the broader context of the rough and tumble competition for political control of Ukraine.
| Author | : Rana Tekcan |
| Publisher | : Columbia University Press |
| Total Pages | : 178 |
| Release | : 2010-03-01 |
| Genre | : Literary Criticism |
| ISBN | : 389821995X |
A good biography is a well-staged illusion. It creates—on paper—a vivid, rounded, and immediate sense of lived life. In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in the creative act. Ideally, a biography's backbone is formed by accurate historical facts. But its soul lies elsewhere. Since the concern is life, something more is needed: Nothing dry, cold or dead, but a vibrant impression of life that is left in the air after one turns over the last page. But how does a biographer do it? The way a biographer creates a subject is largely dictated by the historical distance between them. There are three types of distance in biographical writing: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated, in some cases by hundreds of years. Tekcan explores how some of the most accomplished biographers manage to "recreate life" across time and space. She closely examines Samuel Johnson's "Life of Mr. Richard Savage", James Boswell's "Life of Samuel Johnson", Lytton Strachey's "Eminent Victorians", Michael Holroyd's "Lytton Strachey", Park Honan's "Jane Austen", and Andrew Motion's "Keats".
| Author | : Maria Festa |
| Publisher | : BoD – Books on Demand |
| Total Pages | : 197 |
| Release | : 2020-10-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3838214331 |
This monograph examines Caryl Phillips’s The Nature of Blood (1997), a novel exploring recurring expressions of exclusion and discrimination throughout history with particular focus on Jewish and African diasporas and the storytelling of its migrant characters. Particular attention is given to the analysis of characters revealing different facets of the Jewish question. Maria Festa also provides a historical excursus on the notion of race and considers another character alluding to Shakespeare’s Othello to expose the paradoxes of the relationship between subjugator and subjugated. The study makes the case that among the novel’s most remarkable achievements is Phillips’s effort to redress the absence of the Other from our history, that by depicting experiences of displacement, and by confronting readers with seemingly disconnected narrative fragments, The Nature of Blood is a reminder of the missing stories, the voices—marginalised and often racialized—that Western history has consistently failed to include in its accounts of the past and arguably its present.
| Author | : Paul Fox |
| Publisher | : ibidem-Verlag / ibidem Press |
| Total Pages | : 285 |
| Release | : 2014-05-01 |
| Genre | : Literary Criticism |
| ISBN | : 3838265939 |
The essays in this revised and expanded volume explore a variety of structuring taxonomies, the relationships between the aesthetic forms, styles and methodologies of detective and crime fiction in the late-Victorian and Edwardian period. The influences on the artists in the genre are as varied as the interests of the period in scientific method, forensics, archaeology, aesthetics, medicine, and the paranormal. But the formalizing tendencies of investigative process remain, and it is this adherence, in artist and detective alike, to seeing crime and its resolution as a stylistic imposition of structure on disorder that is under examination.
| Author | : Rana Tekcan |
| Publisher | : Columbia University Press |
| Total Pages | : 195 |
| Release | : 2014-08-01 |
| Genre | : Literary Criticism |
| ISBN | : 3838267354 |
The dynamic between the biographer and the subject is, perhaps, one of the most fascinating aspects of biography as a genre. How does the biographer stage the illusion that is the narrative life, the illusion that the subject assumes a living form through words? In contrast to purely fictional forms, biography writing does not allow total freedom to the biographer in this creative act. Ideally, a biography's backbone is structured by accurate historical facts. But its spirit lies elsewhere. The way a biographer captures the spirit of a subject is intriguingly shaped by the historical distance between the two. We find three types of distance in biographical narrative: First, where the biographer and the subject personally know one another; second, where the biographer is a near contemporary of the subject; and third, where biographer and subject are distinctly separated; in some cases, by hundreds of years.In this revised and expanded edition, Rana Tekcan explores how some of the most accomplished biographers manage to recreate "life" across time and space. She looks at their illusionary art through the narrative strategies in Samuel Johnson's Life of Savage, James Boswell's Life of Johnson, Lytton Strachey's Eminent Victorians, Michael Holroyd's Lytton Strachey, Park Honan's Jane Austen, and Andrew Motion's Keats.
