Three Lays Of Marie De France
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Author | : Marie De France |
Publisher | : |
Total Pages | : 142 |
Release | : 2019-11-07 |
Genre | : Fiction |
ISBN | : 9781420964493 |
Though little is known about Marie de France, her work changed romantic writing forever. "The Lais of Marie de France" challenged social norms and the views of the church during the twelfth century concerning both love and the role of women. She wrote within a court unknown to scholars, in a form of Anglo-Norman French. Inspired by the Greeks and Romans long before her, Marie de France sought to write something not only morally instructive, but memorable, leaving an indelible imprint on the reader's memory. In her "Lais", Marie de France confronts the issue of love as a topic of suffering and misery, fraught with infidelity. What was revolutionary about this, however, was the fact that the infidelity she addressed was committed by women, and in some circumstances condoned. This challenged the submissive role of women in her time, and illustrated them with a sense of power and free will. Her condensed yet powerful imagery remains timeless, still relevant and evocative to modern day readers. This edition follows the translation of Eugene Mason and is printed on premium acid-free paper.
Author | : Marie de France |
Publisher | : Penguin |
Total Pages | : 182 |
Release | : 1999-06-01 |
Genre | : Poetry |
ISBN | : 9780140447590 |
The leading edition of the work of the earliest known French woman poet—the subject of Lauren Groff’s bestselling novel Matrix Marie de France (fl. late twelfth century) is the earliest known French woman poet and her lais—stories in verse based on Breton tales of chivalry and romance—are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblewoman who embroiders her sad tale on the shroud for a nightingale killed by a jealous and suspicious husband. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author | : Marie (de France) |
Publisher | : |
Total Pages | : 106 |
Release | : 1911 |
Genre | : |
ISBN | : |
Author | : Marie France |
Publisher | : Penguin UK |
Total Pages | : 150 |
Release | : 2011-10-27 |
Genre | : Poetry |
ISBN | : 0141389346 |
Marie de France (fl. late twelfth century) is the earliest known French woman poet and her lais - stories in verse based on Breton tales of chivalry and romance - are among the finest of the genre. Recounting the trials and tribulations of lovers, the lais inhabit a powerfully realized world where very real human protagonists act out their lives against fairy-tale elements of magical beings, potions and beasts. De France takes a subtle and complex view of courtly love, whether telling the story of the knight who betrays his fairy mistress or describing the noblewoman who embroiders her sad tale on the shroud for a nightingale killed by a jealous and suspicious husband.
Author | : Logan Whalen |
Publisher | : BRILL |
Total Pages | : 351 |
Release | : 2011-05-10 |
Genre | : Biography & Autobiography |
ISBN | : 900420217X |
Presenting traditional views alongside new critical approaches, the chapters in this book present fresh perspectives on the poetics of the 12th-century author, Marie de France, the first woman of letters to write in French.
Author | : Claire M. Waters |
Publisher | : Broadview Press |
Total Pages | : 434 |
Release | : 2018-02-15 |
Genre | : Poetry |
ISBN | : 1554810825 |
Composed in French in twelfth-century England, these twelve brief verse narratives center on the joys, sorrows, and complications of love affairs in a context that blends the courtly culture of tournaments and hunting and otherworldly elements such as self-steering boats, shape-shifting lovers, and talking animals. Popular with readers across countries and languages since their composition, the Lais have made their author, Marie, one of the most famous women writers of the Middle Ages, renowned for her brilliant use of language and cultural allusion as well as her keen eye for human behavior. This new edition provides a complete facing-page edition with the original text alongside a new modern English translation. A single manuscript, Harley 978, is used as the copy text. Appendices include contemporary literature on love, animals, and courtly life, as well as a list of textual variants in other manuscripts.
Author | : Marie de France |
Publisher | : Hackett Publishing |
Total Pages | : 227 |
Release | : 2010-03-01 |
Genre | : Poetry |
ISBN | : 1603842985 |
This edition includes Edward Gallagher's prose translations of The Lays of Marie de France; a general introduction; a map; commentaries on the lays; two anonymous Breton lays—-The Lay of Melion and The Lay of Tyolet; a glossary of proper names; a glossary of specialized terms; and an appendix of selected texts in the Old French, including Marie's Prologue, Guigemar, Bisclavret, and Yonec.
Author | : Marie (de France) |
Publisher | : Summa Publications, Inc. |
Total Pages | : 278 |
Release | : 1984 |
Genre | : Literary Collections |
ISBN | : 9780917786341 |
Esopische fabels van de 12e eeuwse Bretonse dichteres.
Author | : |
Publisher | : McFarland |
Total Pages | : 300 |
Release | : 2014-01-10 |
Genre | : History |
ISBN | : 0786451475 |
Preserved in a single manuscript in the British library, the Life of Saint Audrey or Vie Seinte Audree is the story of an Anglo-Saxon princess, who, though twice married, remains a virgin until her death. Her tale reveals that spiritual marriage was not an easy path to sainthood, particularly with an unwilling husband. The text is a fine example of what some critics have called a hagiographical romance--a saint's life that borrows many characteristics from secular romance. Recent scholarship, thoroughly discussed in this book's introduction, suggests that the Vie Seinte Audree is a fourth text by Marie de France, to whom the Fables, the Lais, and the Espurgatoire Seint Patriz have been attributed. Written in the late twelfth or early thirteenth century, the Vie Seinte Audree is published here for the first time in English, along with the Old French text. The editors of this new edition provide helpful material on the life of the historical Saint Etheldreda (as St. Audrey is called in Latin) and her Anglo-Saxon world. They also discuss women's writing in Anglo-Norman England as well as the subject of spiritual marriage. In addition, they examine secondary sources that have focused on the Vie Seinte Audree. A map of seventh-century England, a table of proper names and a genealogical chart of the Royal Lineage of Saint Audrey are all included.
Author | : William E. Burgwinkle |
Publisher | : Cambridge University Press |
Total Pages | : 314 |
Release | : 2004-07-08 |
Genre | : Literary Criticism |
ISBN | : 1139454765 |
William Burgwinkle surveys poetry and letters, histories and literary fiction - including Grail romances - to offer a historical survey of attitudes towards same-sex love during the centuries that gave us the Plantagenet court of Henry II and Eleanor of Aquitaine, courtly love, and Arthurian lore. Burgwinkle illustrates how 'sodomy' becomes a problematic feature of narratives of romance and knighthood. Most texts of the period denounce sodomy and use accusations of sodomitical practice as a way of maintaining a sacrificial climate in which masculine identity is set in opposition to the stigmatised other, for example the foreign, the feminine, and the heretical. What emerges from these readings, however, is that even the most homophobic, masculinist and normative texts of the period demonstrate an inability or unwillingness to separate the sodomitical from the orthodox. These blurred boundaries allow readers to glimpse alternative, even homoerotic, readings.