Those Terrible First Hours
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Cyclopaedia of English Literature: First period, from the earliest times to 1400
Author | : Robert Chambers |
Publisher | : |
Total Pages | : 712 |
Release | : 1847 |
Genre | : Authors, English |
ISBN | : |
The Hunters of Blood – The First Hunt
Author | : Veronica U St. Claire |
Publisher | : Writers Republic LLC |
Total Pages | : 910 |
Release | : 2022-11-02 |
Genre | : Fiction |
ISBN | : |
Arven Fiercis is a young boy who dreams of becoming a worldrenowned hunter along with his friends Seravanna and Ferran. However, when an attack on Shoren, his hometown, causes him to be separated from his friends, Arven is forced to join the legendary Scarlet Blades all on his own. Over the course of his journey, Arven goes on a number of different hunts and is on the road to becoming a hunter known all throughout the world of Ivaria. That is until a demon presents herself to Arven and tells him that he is meant to serve a higher purpose than simply hunting for the rest of his life and that it is her responsibility to train him to be prepared for that purpose, though she will not tell him what that purpose is. Now, Arven must fight to live the life he wants to live instead of the life that is forced upon him.
The First Collection of Criticism by a Living Female Rock Critic
Author | : Jessica Hopper |
Publisher | : MCD x FSG Originals |
Total Pages | : 295 |
Release | : 2021-07-06 |
Genre | : Music |
ISBN | : 0374722633 |
"Jessica Hopper's criticism is a trenchant and necessary counterpoint not just on music, but on our culture at large." —Annie Clark, St. Vincent An acclaimed, career-spanning collection from a fiercely feminist and revered contemporary rock critic, reissued with new material Throughout her career, spanning more than two decades, Jessica Hopper, a revered and pioneering music critic, has examined women recording and producing music, in all genres, through an intersectional feminist lens. The First Collection of Criticism by a Living Female Rock Critic features oral histories of bands like Hole and Sleater Kinney, interviews with the women editors of 1970s-era Rolling Stone, and intimate conversations with iconic musicians such as Björk, Robyn, and Lido Pimienta. Hopper journeys through the truths of Riot Grrrl's empowering insurgence; decamps to Gary, Indiana, on the eve of Michael Jackson's death; explodes the grunge-era mythologies of Nirvana and Courtney Love; and examines the rise of emo. The collection also includes profiles and reviews of some of the most-loved, and most-loathed, women artists making music today: Fiona Apple, Kacey Musgraves, M.I.A., Miley Cyrus, Lana Del Rey. In order for the music industry to change, Hopper writes, we need “the continual presence of radicalized women . . . being encouraged and given reasons to stay, rather than diminished by the music which glues our communities together.” The First Collection of Criticism by a Living Female Rock Critic—published to acclaim in 2015, and reissued now with new material and an introduction by Samantha Irby—is a rallying cry for women-centered history and storytelling, and a groundbreaking, obsessive, razor-sharp panorama of music writing crafted by one of the most influential critics of her generation.