Thomas Mann And Shakespeare
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Author | : Tobias Döring |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 281 |
Release | : 2015-10-22 |
Genre | : Literary Criticism |
ISBN | : 1628922109 |
Bringing together scholars from diverse disciplines and countries, Thomas Mann and Shakespeare is the first book-length study to explore the always fascinating, if sometimes disturbing, connections between Shakespeare and Mann. It establishes startling resonances between the central works of these two authors, pairing, for instance, Der Zauberberg with The Tempest, Der Tod in Venedig with The Merchant of Venice, Tonio Kröger with Othello and Love's Labour's Lost with Doktor Faustus. Showing how the conjunction of Shakespeare and Mann affords new, alternative perspectives on fundamental issues such as modernity, irony, art, desire, authorship and religion, Thomas Mann and Shakespeare challenges the increasingly walled-in specialism of literary topics and periodization and demonstrates the scope for new ways of reading in literary studies.
Author | : Tobias D�ring |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 281 |
Release | : 2017-08-24 |
Genre | : Literary Criticism |
ISBN | : 1501336088 |
"The first ever comparative reading of Shakespeare and Thomas Mann in view of key questions in modern culture"--
Author | : Tobias Boes |
Publisher | : Cornell University Press |
Total Pages | : 482 |
Release | : 2019-11-15 |
Genre | : Literary Criticism |
ISBN | : 1501745018 |
In Thomas Mann's War, Tobias Boes traces how the acclaimed and bestselling author became one of America's most prominent anti-fascists and the spokesperson for a German cultural ideal that Nazism had perverted. Thomas Mann, winner of the 1929 Nobel Prize in literature and author of such world-renowned novels as Buddenbrooks and The Magic Mountain, began his self-imposed exile in the United States in 1938, having fled his native Germany in the wake of Nazi persecution and public burnings of his books. Mann embraced his role as a public intellectual, deftly using his literary reputation and his connections in an increasingly global publishing industry to refute Nazi propaganda. As Boes shows, Mann undertook successful lecture tours of the country and penned widely-read articles that alerted US audiences and readers to the dangers of complacency in the face of Nazism's existential threat. Spanning four decades, from the eve of World War I, when Mann was first translated into English, to 1952, the year in which he left an America increasingly disfigured by McCarthyism, Boes establishes Mann as a significant figure in the wartime global republic of letters. Open access edition funded by the National Endowment for the Humanities.
Author | : Irvin Leigh Matus |
Publisher | : Courier Corporation |
Total Pages | : 339 |
Release | : 2013-09-05 |
Genre | : Drama |
ISBN | : 0486320790 |
Virtuoso presentation of available evidence of the Bard's life. "Written with wit and panache, this erudite tome dismantles the arguments claiming that someone other than Shakespeare wrote his plays." — Publishers Weekly.
Author | : Stanley Corngold |
Publisher | : Princeton University Press |
Total Pages | : 280 |
Release | : 2024-11-19 |
Genre | : Biography & Autobiography |
ISBN | : 0691232571 |
A unique look at Thomas Mann’s intellectual and political transformation during the crucial years of his exile in the United States In September 1938, Thomas Mann, the Nobel Prize–winning author of Death in Venice and The Magic Mountain, fled Nazi Germany for the United States. Heralded as “the greatest living man of letters,” Mann settled in Princeton, New Jersey, where, for nearly three years, he was stunningly productive as a novelist, university lecturer, and public intellectual. In The Mind in Exile, Stanley Corngold portrays in vivid detail this crucial station in Mann’s journey from arch-European conservative to liberal conservative to ardent social democrat. On the knife-edge of an exile that would last fully fourteen years, Mann declared, “Where I am, there is Germany. I carry my German culture in me.” At Princeton, Mann nourished an authentic German culture that he furiously observed was “going to the dogs” under Hitler. Here, he wrote great chunks of his brilliant novel Lotte in Weimar (The Beloved Returns); the witty novella The Transposed Heads; and the first chapters of Joseph the Provider, which contain intimations of his beloved President Roosevelt’s economic policies. Each of Mann’s university lectures—on Goethe, Freud, Wagner—attracted nearly 1,000 auditors, among them the baseball catcher, linguist, and O.S.S. spy Moe Berg. Meanwhile, Mann had the determination to travel throughout the United States, where he delivered countless speeches in defense of democratic values. In Princeton, Mann exercised his “stupendous capacity for work” in a circle of friends, all highly accomplished exiles, including Hermann Broch, Albert Einstein, and Erich Kahler. The Mind in Exile portrays this luminous constellation of intellectuals at an extraordinary time and place.
Author | : Frederic Spotts |
Publisher | : Yale University Press |
Total Pages | : 361 |
Release | : 2016-04-26 |
Genre | : Biography & Autobiography |
ISBN | : 0300220979 |
Son of the famous Thomas Mann, homosexual, drug-addicted, and forced to flee from his fatherland, the gifted writer Klaus Mann’s comparatively short life was as artistically productive as it was devastatingly dislocated. Best-known today as the author of Mephisto, the literary enfant terrible of the Weimar era produced seven novels, a dozen plays, four biographies, and three autobiographies—among them the first works in Germany to tackle gay issues—amidst a prodigious artistic output. He was among the first to take up his pen against the Nazis, as a reward for which he was blacklisted and denounced as a dangerous half-Jew, his books burnt in public squares around Germany, and his citizenship revoked. Having served with the U.S. military in Italy, he was nevertheless undone by anti-Communist fanatics in Cold War-era America and Germany, dying in France (though not, as all other books contend, by his own hand) at age forty-two. Powerful, revealing, and compulsively readable, this first English-language biography of Klaus Mann charts the effects of reactionary politics on art and literature and tells the moving story of a supreme talent destroyed by personal circumstance and the seismic events of the twentieth century.
Author | : Sara Danius |
Publisher | : Cornell University Press |
Total Pages | : 263 |
Release | : 2019-01-24 |
Genre | : Literary Criticism |
ISBN | : 150172116X |
In The Senses of Modernism, Sara Danius develops a radically new theoretical and historical understanding of high modernism. The author closely analyzes Thomas Mann's The Magic Mountain, Marcel Proust's Remembrance of Things Past, and James Joyce's Ulysses as narratives of the sweeping changes that affected high and low culture in the age of technological reproduction. In her discussion of the years from 1880 to 1930, Danius proposes that the high-modernist aesthetic is inseparable from a technologically mediated crisis of the senses. She reveals the ways in which categories of perceiving and knowing are realigned when technological devices are capable of reproducing sense data. Sparked by innovations such as chronophotography, phonography, radiography, cinematography, and technologies of speed, this sudden shift in perceptual abilities had an effect on all arts of the time.Danius explores how perception, notably sight and hearing, is staged in the three most significant modern novels in German, French, and British literature. The Senses of Modernism connects technological change and formal innovation to transform the study of modernist aesthetics. Danius questions the longstanding acceptance of a binary relationship between high and low culture and describes the complicated relationship between modernism and technology, challenging the conceptual divide between a technological culture and a more properly aesthetic one.
Author | : Barry J. Scherr |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 366 |
Release | : 2018-07-27 |
Genre | : Literary Criticism |
ISBN | : 1527515451 |
This book is the first to examine the influence of Shakespeare—particularly Hamlet—on D. H. Lawrence. Using the Bloomian theory of the “anxiety of influence” to probe the startling depths of Lawrence’s agon with his towering precursor Shakespeare, it closely examines Lawrence’s crypto-Jewish identity, as well as that of many of his highly individual characters, who embody the characteristics of Old Testament figures, and in so doing infuse a patriarchal strength and divine “religious” sublimity into civilized life. Lawrence’s claims about the self-sacrificing influence of Christianity on Shakespeare’s Hamlet, on the other hand, demonstrate how this influence carries over into the submission of the subject and the decline of Western Civilization. The book extrapolates this decline into a critique of the modern-day left-wing ideology that appropriates the self-abnegating individual to its collectivist ends. In responding agonistically to Shakespeare’s Hamlet, Lawrence claims a far more complete, vital, and salubrious “consciousness” and a Weltanschauung that makes for greater, more fulfilling “life” thanks to the inner strength, psychic and sexual power of the Lawrentian “Self Supreme.” The book will appeal to Lawrence and Shakespeare scholars and enthusiasts who wish to appreciate Lawrence and Shakespeare as supremely profound writers and thinkers. Its unique demonstration of Bloomian literary theory makes it come poignantly alive for both graduate students and college professors.
Author | : James Shapiro |
Publisher | : Harper Collins |
Total Pages | : 618 |
Release | : 2009-10-13 |
Genre | : History |
ISBN | : 0061840904 |
Winner of the Baillie Gifford Prize’s 25th Anniversary Winner of Winners award What accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, "succeed[ing] where others have fallen short." (Boston Globe) 1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen. James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.
Author | : David Torevell |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 194 |
Release | : 2021-03-05 |
Genre | : Literary Criticism |
ISBN | : 1527567052 |
This volume investigates how literary texts have reflected, in ground-breaking ways, distinctive features of a Catholic philosophy of life. It demonstrates how literature, by its ability to capture the imagination, is able to evoke facets of human experience related specifically to a Catholic understanding of life.