Symphonic repertoire for timpani

Symphonic repertoire for timpani
Author: Ludwig van Beethoven
Publisher: Hal Leonard Corporation
Total Pages: 76
Release: 2005
Genre: Music
ISBN: 9781574630374

(Meredith Music Percussion). Carlyss has provided a comprehensive performance analysis for the timpani parts of Beethoven's nine symphonies. His easy-to-understand explanations are based on countless performances under many of the world's finest conductors. Includes complete parts for practice and performance.

Percussion

Percussion
Author: Dieter Bajzek
Publisher: Metuchen, N.J. : Scarecrow Press
Total Pages: 208
Release: 1988
Genre: Music
ISBN:

Teaching Percussion

Teaching Percussion
Author: Gary Cook
Publisher: Schirmer
Total Pages: 542
Release: 1997
Genre: Education
ISBN:

Designed as a core text for college level courses in percussion methods and pedagogy, Teaching Percussion is a comprehensive, up-to-date introduction to teaching methodology and performance techniques. Now updated, Teaching Percussion helps students and performers develop musical understanding and performance skills on some fifty percussion instruments. The Second Edition includes coverage of new developments in world music instruments and performance. In addition, Norman Weinberg, cofounder of the PAS World Percussion Network, has contributed a discussion of electronic percussion and new technology. The outstanding exercises, musical examples, photographs, illustrations, practical advice, and bibliographies - popular features in the first edition - have been retained and enhanced. Teaching Percussion, Second Edition, is an invaluable resource for students, faculty, and performers alike.

Duo for timpani

Duo for timpani
Author: Alexander Lepak
Publisher:
Total Pages: 32
Release: 1977
Genre: Percussion ensembles
ISBN:

3 Dances for Solo Timpani

3 Dances for Solo Timpani
Author: Robert M. McCormick
Publisher: Alfred Music
Total Pages: 16
Release:
Genre: Music
ISBN: 9781457402791

Three Dances for Solo Timpani was written in 1998 and dedicated to percussionist Neil Grover. The dances can be performed as individual solo works or together as a suite. Melodic intervals and timbre contrasts provide color for each dance. Subtle ambiguity in rhythm, pulse, and pacing create a challenge for the performer and listener. The composer was influenced by several different styles and periods of music in the writing of "Three Dances."

Timpani Tone and the Interpretation of Baroque and Classical Music

Timpani Tone and the Interpretation of Baroque and Classical Music
Author: Steven L. Schweizer
Publisher: Oxford University Press
Total Pages: 210
Release: 2010-06-28
Genre: Music
ISBN: 0199750416

Timpani Tone and the Interpretation of Baroque and Classical Music explores the nature, production, and evolution of timpani tone and provides insights into how to interpret the music of J. S. Bach, Handel, Haydn, and Mozart. In drawing on 31 years of experience, Steven L. Schweizer focuses on the components of timpani tone and methods for producing it. In so doing, he discusses the importance of timpani bowl type; mallets; playing style; physical gestures; choice of drums; mallet grip; legato, marcato, and staccato strokes; playing different parts of the timpano head; and psychological openness to the music in effectively shaping and coloring timpani parts. In an acclaimed chapter on interpretation, Schweizer explores how timpanists can use knowledge of the composer's style, psychology, and musical intentions; phrasing and articulation; the musical score; and a conductor's gestures to effectively and convincingly play a part with emotional dynamism and power. The greater part of the book is devoted to the interpretation of Baroque and Classical orchestral and choral music. Meticulously drawing on original sources and authoritative scores from the seventeenth through nineteenth centuries, Schweizer convincingly demonstrates that timpanists were capable of producing a broader range of timpani tone earlier than is normally supposed. The increase in timpani size, covered timpani mallets, and thinner timpani heads increased the quality of timpani tone; therefore, today's timpanist's need not be entirely concerned with playing with very articulate sticks. In exhaustive sections on Bach, Handel, Haydn, and Mozart, Schweizer takes the reader on an odyssey through the interpretation of their symphonic and choral music. Relying on Baroque and Classical performance practices, timpani notation, the composer's musical style, and definitive scores, he interprets timpani parts from major works of these composers. Schweizer pays particular attention to timpani tone, articulation, phrasing, and dynamic contouring: elements necessary to effectively communicate their part to listeners.