Third Digital Documentary
Download Third Digital Documentary full books in PDF, epub, and Kindle. Read online free Third Digital Documentary ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Anita Chang |
Publisher | : |
Total Pages | : |
Release | : 2020 |
Genre | : Digital cinematography |
ISBN | : 9781789973303 |
"In Third Digital Documentary: A Theory and Practice of Transmedia Arts Activism, Critical Design and Ethics Anita Chang offers a theory and methodology of transmedia arts activism within the technocultural and sociopolitical landscape of expanded documentary production, distribution, reception and participation. Through a detailed analysis of her transmedia project on indigenous and minority language endangerment and revival that consists of the feature-length documentary Tongues of Heaven, and the companion web application Root Tongue: Sharing Stories of Language Identity and Revival, she reveals the layers and depths that comprise a critical arts practice when confronted with complex sociopolitical issues while working with multiple communities across territorial/national boundaries. In the context of the growing field of transmedia documentaries, Chang discusses the potentials and benefits of a critical design practice and production ethics that can transform this field to pilot new collaborations in documentary and digital media platforms towards a third digital documentary"--
Author | : Anita Chang |
Publisher | : |
Total Pages | : |
Release | : 2020 |
Genre | : Digital cinematography |
ISBN | : 9781789973310 |
"In Third Digital Documentary: A Theory and Practice of Transmedia Arts Activism, Critical Design and Ethics Anita Chang offers a theory and methodology of transmedia arts activism within the technocultural and sociopolitical landscape of expanded documentary production, distribution, reception and participation. Through a detailed analysis of her transmedia project on indigenous and minority language endangerment and revival that consists of the feature-length documentary Tongues of Heaven, and the companion web application Root Tongue: Sharing Stories of Language Identity and Revival, she reveals the layers and depths that comprise a critical arts practice when confronted with complex sociopolitical issues while working with multiple communities across territorial/national boundaries. In the context of the growing field of transmedia documentaries, Chang discusses the potentials and benefits of a critical design practice and production ethics that can transform this field to pilot new collaborations in documentary and digital media platforms towards a third digital documentary"--
Author | : Kathleen M. Ryan |
Publisher | : Routledge |
Total Pages | : 226 |
Release | : 2022-03-17 |
Genre | : Social Science |
ISBN | : 1000563073 |
Interactive documentary is still an emerging field that eludes concise definitions or boundaries. Grounded in practice-based research, this collection seeks to expand the sometimes exclusionary field, giving voice to scholars and practitioners working outside the margins. Editors Kathleen M. Ryan and David Staton have curated a collection of chapters written by a global cohort of scholars to explore the ways that interactive documentary as a field of study reveals an even broader reach and definition of humanistic inquiry itself. The contributors included here highlight how emerging digital technologies, collaborative approaches to storytelling, and conceptualizations of practice as research facilitate a deeper engagement with the humanistic inquiry at the center of documentary storytelling, while at the same time providing agency and voice to groups typically excluded from positions of authority within documentary and practice-based research, as a whole. This collection represents a key contribution to the important, and vocal, debates within the field about how to avoid replicating colonial practices and privileging. This is an important book for practice-based researchers as well as advanced-level media and communication students studying documentary media practices, interactive storytelling, immersive media technologies, and digital methodologies.
Author | : Bill Nichols |
Publisher | : Indiana University Press |
Total Pages | : 365 |
Release | : 2010-12-07 |
Genre | : Performing Arts |
ISBN | : 025300487X |
This new edition of Bill Nichols’s bestselling text provides an up-to-date introduction to the most important issues in documentary history and criticism. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the distinguishing qualities of documentary and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Carefully revised to take account of new work and trends, this volume includes information on more than 100 documentaries released since the first edition, an expanded treatment of the six documentary modes, new still images, and a greatly expanded list of distributors.
Author | : Maxine Baker |
Publisher | : Taylor & Francis |
Total Pages | : 319 |
Release | : 2006 |
Genre | : Computers |
ISBN | : 0240516885 |
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author | : Anita Chang |
Publisher | : Peter Lang Limited, International Academic Publishers |
Total Pages | : 218 |
Release | : 2020 |
Genre | : Digital cinematography |
ISBN | : 9781789973297 |
This book offers a model for social justice documentary and transmedia arts activism called third digital documentary. Drawing on the author's own transmedia project on indigenous and minority language endangerment and revival, the author explores the potential of this critical art practice.
Author | : Bill Nichols |
Publisher | : Indiana University Press |
Total Pages | : 278 |
Release | : 2017-03-27 |
Genre | : Performing Arts |
ISBN | : 0253026903 |
The third edition of Bill Nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals. Designed for students in any field that makes use of visual evidence and persuasive strategies, Introduction to Documentary identifies the genre's distinguishing qualities and teaches the viewer how to read documentary film. Each chapter takes up a discrete question, from "How did documentary filmmaking get started?" to "Why are ethical issues central to documentary filmmaking?" Here Nichols has fully rewritten each chapter for greater clarity and ease of use, including revised discussions of earlier films and new commentary on dozens of recent films from The Cove to The Act of Killing and from Gasland to Restrepo.
Author | : John Ellis |
Publisher | : Routledge |
Total Pages | : 193 |
Release | : 2011-07-20 |
Genre | : Art |
ISBN | : 1136668780 |
Documentary: Witness and Self-Revelation takes an audience-centred approach to documentary, arguing that everyday experiences of what it feels like to film and to be filmed have developed a new sophistication and skepticism in today’s viewers. The book argues that documentary has developed a new third phase of its century long history: films now tend to document the encounters between filmers and the filmed. But what do we really know about those encounters?
Author | : Alan Rosenthal |
Publisher | : SIU Press |
Total Pages | : 449 |
Release | : 2007-06-26 |
Genre | : Performing Arts |
ISBN | : 0809387727 |
As Alan Rosenthal states in the preface to this new edition of his acclaimed resource for filmmakers, Writing, Directing, and Producing Documentary Films and Videos is “a book about storytelling—how to tell great and moving stories about fascinating people, whether they be villains or heroes.” In response to technological advances and the growth of the documentary hybrid in the past five years, Rosenthal reconsiders how one approaches documentary filmmaking in the twenty-first century. Simply and clearly, he explains how to tackle day-to-day problems, from initial concept through distribution. He demonstrates his ideas throughout the book with examples from key filmmakers’ work. New aspects of this fourth edition include a vital new chapter titled "Making Your First Film," and a considerable enlargement of the section for producers, "Staying Alive," which includes an extensive discussion of financing, marketing, festivals, and distribution. This new edition offers a revised chapter on nonlinear editing, more examples of precise and exacting proposals, and the addition of a complex budget example with explanation of the budgeting process. Discussion of documentary hybrids, with suggestions for mastering changes and challenges, has also been expanded, while the “Family Films” chapter includes updated information that addresses rapid expansion in this genre.
Author | : Gerda Cammaer |
Publisher | : Springer |
Total Pages | : 342 |
Release | : 2018-10-30 |
Genre | : Performing Arts |
ISBN | : 3319967673 |
This collection of essays presents new formulations of ideas and practices within documentary media that respond critically to the multifaceted challenges of our age. As social media, augmented reality, and interactive technologies play an increasing role in the documentary landscape, new theorizations are needed to account for how such media both represents recent political, socio-historical, environmental, and representational shifts, and challenges the predominant approaches by promoting new critical sensibilities. The contributions to this volume approach the idea of “critical distance” in a documentary context and in subjects as diverse as documentary exhibitions, night photography, drone imagery, installation art, mobile media, nonhuman creative practices, sound art and interactive technologies. It is essential reading for scholars, practitioners and students working in fields such as documentary studies, film studies, cultural studies, contemporary art history and digital media studies.