Theory Of The Film
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Author | : Siegfried Kracauer |
Publisher | : Princeton University Press |
Total Pages | : 492 |
Release | : 1997 |
Genre | : Performing Arts |
ISBN | : 9780691037042 |
This study explores the distinctive qualities of the cinematic medium. It includes an introduction which examines "Theory of Film" in the context of Kracauer's extensive film criticism from the 1920s, and provides a framework for appreciating its significance in contemporary film theory.
Author | : Rushton, Richard |
Publisher | : McGraw-Hill Education (UK) |
Total Pages | : 219 |
Release | : 2010-02-01 |
Genre | : Performing Arts |
ISBN | : 0335234232 |
'What is Film Theory? is an introduction to the key elements of film theory. So, what is film theory as a subject? Film studies is divided in to key subjects and themes: there's film art which looks at the aesthetics of film; cinema studies which looks at institutions, films themeselves and the industry; film theory which looks at the concepts, philosophies and disciplines which underline film studies. As such, the book will look at subjects including semiotics and strucutalism, psychoanalysis, formalist film theory, cognitive approaches and neoformalism. In the light of the readers' reports it will also address more 'cultural' issues such as queer theory, ethnicity, postcolonialism and world cinema..
Author | : Béla Balázs |
Publisher | : Berghahn Books |
Total Pages | : 318 |
Release | : 2010 |
Genre | : Performing Arts |
ISBN | : 9781845456603 |
Béla Balázs was a Hungarian Jewish film theorist, author, screenwriter and film director who was at the forefront of Hungarian literary life before being forced into exile for Communist activity after 1919. His German-language theoretical essays on film date from the mid-1920s to the mid-1930s, the period of his early exile in Vienna and Berlin"-- Publisher description
Author | : Robert Stam |
Publisher | : John Wiley & Sons |
Total Pages | : 392 |
Release | : 2017-11-20 |
Genre | : Performing Arts |
ISBN | : 1119491576 |
This book is a lively and provoking introduction to film theory. It is suitable for students from any discipline but is particularly aimed at students studying film and literature as it examines issues common to both subjects such as realism, illusionism, narration, point of view, style, semiotics, psychoanalysis and multiculturalism. It also includes coverage of theorists common to both, Barthes, Lacan and Bakhtin among others. Robert Stam, renowned for his clarity of writing, will also include studies of cinema specialists providing readers with a depth of reference not generally available outside the field of film studies itself. Other material covered includes film adaptations of works of literature and analogies between literary and film criticism.
Author | : J. Dudley Andrew |
Publisher | : Oxford University Press |
Total Pages | : 254 |
Release | : 1984-03-15 |
Genre | : Performing Arts |
ISBN | : 0198020511 |
Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.
Author | : Noel Burch |
Publisher | : Princeton University Press |
Total Pages | : 188 |
Release | : 2014-07-14 |
Genre | : Performing Arts |
ISBN | : 1400853362 |
This classic in film theory, presents a systematic study of the techniques of the film medium and of their potential uses for creating formal structures in individual films such as Dovzhenko's Earth, Antonioni's La Notte, Bresson's Au Hasard Balthazar, Renoir's Nana, and Godard's Pierrot le Fou. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Jim Collins |
Publisher | : Routledge |
Total Pages | : 306 |
Release | : 2012-10-02 |
Genre | : Social Science |
ISBN | : 1135216452 |
Film Theory Goes to the Movies fills the gap in film theory literature which has failed to analyze high-grossing blockbusters. The contributors in this volume, however, discuss such popular films as TheSilence of the Lambs, Dances With Wolves, Terminator II,Pretty Woman, Truth or Dare, Mystery Train, and JungleFever. They employ a variety of critical approaches, from industry analysis to reception study, to close readings informed by feminist, deconstructive and postmodernist theory, as well as recent developments in African American and gay and lesbian criticism. An important introduction to contemporary Hollywood, this anthology will be of interest to those involved in the fields of film theory, literary theory, popular culture, and women's studies.
Author | : Béla Balázs |
Publisher | : Createspace Independent Publishing Platform |
Total Pages | : 0 |
Release | : 2015-08-03 |
Genre | : Motion pictures |
ISBN | : 9781515289258 |
This volume contains film theory and industry as a growing art.
Author | : J. Dudley Andrew |
Publisher | : Oxford University Press |
Total Pages | : 329 |
Release | : 1984-03-15 |
Genre | : Performing Arts |
ISBN | : 019028126X |
Concepts in Film Theory is a continuation of Dudley Andrew's classic, The Major Film Theories. In writing now about contemporary theory, Andrew focuses on the key concepts in film study -- perception, representation, signification, narrative structure, adaptation, evaluation, identification, figuration, and interpretation. Beginning with an introductory chapter on the current state of film theory, Andrew goes on to build an overall view of film, presenting his own ideas on each concept, and giving a sense of the interdependence of these concepts. Andrew provides lucid explanations of theories which involve perceptual psychology and structuralism; semiotics and psychoanalysis; hermeneutics and genre study. His clear approach to these often obscure theories enables students to acquire the background they need to enrich their understanding of film -- and of art.
Author | : J. Dudley Andrew |
Publisher | : Oxford University Press |
Total Pages | : 292 |
Release | : 1976-04-15 |
Genre | : Performing Arts |
ISBN | : 0199763488 |
Both a history of film theory and an introduction to the work of the most important writers in the field, Andrew's volume reveals the bases of thought of such major theorists as Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz.