Theo Van Rysselberghe
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| Author | : Théo van Rysselberghe |
| Publisher | : Exhibitions International |
| Total Pages | : 272 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : |
The Belgian painter Théo Van Rysselberghe (1862-1926) is one of the most emblematic figures of the neo-Impressionist movement, together with Georges Seurat and Paul Signac. With his delicate touch, refined chromatic sense and great elegance--above all in his portraits--he produced some of the finest works of Divisionism. Yet Van Rysselberghe's oeuvre is not limited to his best-known works of his neo-Impressionist period (1888-96). Distancing himself from the strict division of colors, he subsequently moved towards a more fluid style that nevertheless retained his signature luminosity. His portraits and female nudes, the landscapes he brought back from his numerous trips to Morocco, France, Italy, Spain and the Netherlands, all reveal an insatiable curiosity and an immense talent, coupled with a rare sensibility. This generous new catalogue presents many works that have never been published before.
| Author | : Russell T. Clement |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 414 |
| Release | : 1999-09-30 |
| Genre | : Art |
| ISBN | : 0313032181 |
This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.
| Author | : Cornelia Homburg |
| Publisher | : Yale University Press |
| Total Pages | : 209 |
| Release | : 2014-01-01 |
| Genre | : Art |
| ISBN | : 0300190832 |
A beautifully illustrated investigation of Neo-Impressionism in late 19th-century Paris and Brussels This stunning catalogue explores the creative exchange between Neo-Impressionist painters and Symbolist writers and composers in the late 1880s and early 1890s. Symbolism, with its emphasis on subjectivity, dream worlds, and spirituality, has often been considered at odds with Neo-Impressionism's approach to portraying color and light. This book repositions the relationship between these movements and looks at how Neo-Impressionist artists such as Maximilien Luce, Georges Seurat, Paul Signac, and Henry van de Velde created evocative landscape and figural scenes by depicting emptiness, contemplative moods, Arcadia, and other themes. Beautifully illustrated with 130 color images, this book reveals the vibrancy and depth of the Neo-Impressionist movement in Paris and Brussels in the late 19th century.
| Author | : Gilles Genty |
| Publisher | : Editions Hazan, Paris |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Art |
| ISBN | : 9780300251982 |
A magnificently illustrated showcase of works by artists in Paris at the dawn of the 20th century In Paris at the turn of the 20th century, an artistic revolution was underway. The Salon des Indépendants was organized in 1884 by a group of artists and thinkers that included Albert Dubois-Pillet, Odilon Redon, Georges Seurat, and Paul Signac, who was the organization's president from 1908 to his death in 1935. They chose as their slogan "neither jury nor reward" (ni jury ni récompenses), and for the following three decades their annual exhibitions set new trends that profoundly changed the course of Western art. This beautifully illustrated volume features paintings and graphic works by an impressive range of artists who exhibited at these avant-garde gatherings where Impressionists (Monet and Morisot), Fauves (Dury, Friesz, and Marquet), Symbolists (Gauguin, Mucha, and Redon), Nabis (Bonnard, Denis, and Lacombe), and Neo-Impressionists (Cross, Pissarro, and Seurat) all came together. Distributed for Editions Hazan, Paris Exhibition Schedule: Montreal Museum of Fine Arts (July 4-November 15, 2020)
| Author | : Marina Bocquillon-Ferretti |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Art, Belgian |
| ISBN | : 9780724103645 |
An absorbing examination of the birth and development of this extraordinary art movement in France and Belgium from the 1880s through to the outbreak of the First World War.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 469 |
| Release | : 2021-11-29 |
| Genre | : Literary Criticism |
| ISBN | : 9004459987 |
Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.
| Author | : Michel Draguet |
| Publisher | : Agrarian Studies |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Art, Belgian |
| ISBN | : 9780300246506 |
A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siècle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings. Distributed for Mercatorfonds
| Author | : Jane Block |
| Publisher | : Yale University Press |
| Total Pages | : 257 |
| Release | : 2014-03-25 |
| Genre | : Art |
| ISBN | : 0300190840 |
"Published on the occasion of the exhibition Face to Face: Neo-Impressionist Portraits, 1886-1904. ING Cultural Centre, Brussels, February 19-May 18, 2014, Indianapolis Museum of Art, June 13-September 7, 2014."
| Author | : Richard Thomson |
| Publisher | : Yale University Press |
| Total Pages | : 282 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 9780300104653 |
This fascinating book examines how artists in fin-de-siècle France dealt with four hotly debated issues in society: national decadence, crowds and mass unrest, religious imagery, and revenge against Germany.
| Author | : Kathleen Adler |
| Publisher | : National Gallery Publications Limited |
| Total Pages | : 288 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9781857093018 |
John White Alexander, Cecilia Beaux, James Carroll Beckwich, Frank Weston Benson, Nelson Norris Bickford, John Leslie Breck, Dennis Miller Bunker, Mary Stevenson Cassatt, Jefferson David Chalfant, William Merritt Chase, Charles Courtney Curran, Thomas Eakins, Mary Fairchild, Elizabeth Jane Gardner, Abbott Fuller Graves, Ellen Day Hale, Frederick Childe Hassam, Winslow Homer, Thomas Hovenden, William Morris Hunt, Anna Elizabeth Klumpke, Willard Leroy Metcalf, Hermann Dudley Murphy, Elizabeth Nourse, Charles Sprague Pearce, Maurice Brazil Prendergast, Theodore Robinson, John Singer Sargent, Julius LeBlanc Stewart, Henry Ossawa Tanner, Edmund Charles Tarbell, John Henry Twachtman, Harry van der Weyden, Frederic Porter Vinton, Robert Vonnoh, Julian Alden Weir, James Abbott McNeill Whistler.
