Theatrum Arbitri
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| Author | : C. Panayotakis |
| Publisher | : BRILL |
| Total Pages | : 256 |
| Release | : 2018-07-17 |
| Genre | : Literary Criticism |
| ISBN | : 900432951X |
Theatrum Arbitri is a literary study dealing with the possible influence of Roman comic drama (comedies of Plautus and Terence, theatre of the Greek and Roman mimes, and fabula Atellana) on the surviving fragments of Petronius' Satyrica. The theatrical assessment of this novel is carried out at the levels of plot-construction, characterization, language, and reading of the text as if it were the narrative equivalent of a farcical staged piece with the theatrical structure of a play produced before an audience. The analysis follows the order of each of the scenes in the novel. The reader will also find a brief general commentary on the less discussed scenes of the Satyrica, and a comprehensive account of the theatre of the mimes and its main features.
| Author | : Costas Panayotakis |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1993 |
| Genre | : Latin drama (Comedy) |
| ISBN | : |
| Author | : Costas Panayotakis |
| Publisher | : Cambridge University Press |
| Total Pages | : 543 |
| Release | : 2010-02-11 |
| Genre | : History |
| ISBN | : 1139485458 |
This is a newly revised, critical text of the fragments attributed to the Roman knight and mimographer Decimus Laberius, a witty and crudely satirical contemporary of Cicero and Caesar. Laberius is perhaps the most celebrated comic playwright of the late Republic, and the fragments of plays attributed to him comprise the overwhelming majority of the extant evidence for what we conventionally call 'the literary Roman mime'. The volume also includes a survey of the characteristics and development of the Roman mime, both as a literary genre and as a type of popular theatrical entertainment, as well as a re-evaluation of the place of Laberius' work within its historical and literary context. This is the first English translation of all the fragments, and the first detailed English commentary on them from a linguistic, metrical, and (wherever possible) theatrical perspective.
| Author | : Gottskálk Jensson |
| Publisher | : Barkhuis |
| Total Pages | : 344 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : 9080739081 |
While nineteenth-century scholars debated whether the fragmentary Satyrica of Petronius should be regarded as a traditional or an original work in ancient literary history, twentieth-century Petronian scholarship tended to take for granted that the author was a unique innovator and his work a synthetic composition with respect to genre. The consequence of this was an excessive emphasis on authorial intention as well as a focus on parts of the text taken out of the larger context, which has increased the already severe state of fragmentation in which today's reader finds the Satyrica. The present study offers a reading of the Satyrica as the mimetic performance of its fictional auctor Encolpius; as an ancient road novel told from memory by a Greek exile who relates how on his travels through Italy he had dealings with people who told stories, gave speeches, recited poetry and made other statements, which he then weaves into his own story and retells through the performance technique of vocal impersonation. The result is a skillfully made narrative fabric, a travelogue carried by a desultory narrative voice that switches identity from time to time to deliver discursively varied and often longish statements in the personae of encountered characters.This study also makes a renewed effort to reconstruct the story told in the Satyrica and to explain how it relates to the identity and origin of its fictional auctor, a poor young scholar who volunteered to act the scapegoat in his Greek home city, Massalia (ancient Marseille), and was driven into exile in a bizarre archaic ritual. Besides relating his erotic suffering on account of his love for the beautiful boy Giton, Encolpius intertwines the various discourses and character statements of his narrative into a subtle brand of satire and social criticism (e.g. a critique of ancient capitalism) in the style of Cynic popular philosophy. Finally, it is argued that Petronius' Satyrica is a Roman remake of a lost Greek text of the same title and belongs - together with Apuleius' Metamorphoses - to the oldest type of Greco-Roman novel, known to antiquity as Milesian fiction. Supplementum 2 in Ancient Narrative
| Author | : John M. McMahon |
| Publisher | : BRILL |
| Total Pages | : 296 |
| Release | : 2018-07-17 |
| Genre | : Literary Criticism |
| ISBN | : 9004330968 |
This volume explores the literary representation of male sexual dysfunction and discusses the natural and supernatural elements of an ancient folk medical system based on conceptual associations between male sexuality and specific plants, animals and minerals. The work incorporates material from both literary and scientific sources to draw parallels between ancient and modern paradigms of healing. The literary depiction of attempts to remedy impotence demonstrates how an accessibility to cures contributes to the sexual and social reintegration of the sufferer. The Satyrica of Petronius echoes this process by means of the text itself and so effects similar ends. The book provides new insights into literature and the ancient belief systems underlying it with its original and integrative approach to disciplines such as philology, botany, mineralogy, zoology and medicine.
| Author | : Shadi Bartsch |
| Publisher | : University of Chicago Press |
| Total Pages | : 334 |
| Release | : 2017-07-21 |
| Genre | : History |
| ISBN | : 022637730X |
People in the ancient world thought of vision as both an ethical tool and a tactile sense, akin to touch. Gazing upon someone—or oneself—was treated as a path to philosophical self-knowledge, but the question of tactility introduced an erotic element as well. In The Mirror of the Self, Shadi Bartsch asserts that these links among vision, sexuality, and self-knowledge are key to the classical understanding of the self. Weaving together literary theory, philosophy, and social history, Bartsch traces this complex notion of self from Plato’s Greece to Seneca’s Rome. She starts by showing how ancient authors envisioned the mirror as both a tool for ethical self-improvement and, paradoxically, a sign of erotic self-indulgence. Her reading of the Phaedrus, for example, demonstrates that the mirroring gaze in Plato, because of its sexual possibilities, could not be adopted by Roman philosophers and their students. Bartsch goes on to examine the Roman treatment of the ethical and sexual gaze, and she traces how self-knowledge, the philosopher’s body, and the performance of virtue all played a role in shaping the Roman understanding of the nature of selfhood. Culminating in a profoundly original reading of Medea, The Mirror of the Self illustrates how Seneca, in his Stoic quest for self-knowledge, embodies the Roman view, marking a new point in human thought about self-perception. Bartsch leads readers on a journey that unveils divided selves, moral hypocrisy, and lustful Stoics—and offers fresh insights about seminal works. At once sexy and philosophical, The Mirror of the Self will be required reading for classicists, philosophers, and anthropologists alike.
| Author | : L. L. Welborn |
| Publisher | : A&C Black |
| Total Pages | : 342 |
| Release | : 2005-07-19 |
| Genre | : Religion |
| ISBN | : 9780567030429 |
Welborn argues that Paul's acceptance of the role of a 'fool', and his evaluation of the message of the cross as 'foolishness', are best understood against the background of the popular theatre and the fool's role in the mime. Welborn's investigation demonstrates that the term 'folly' (moria) was generally understood as a designation of the attitude and behaviour of a particular social type -û the lower class buffoon. As a source of amusement, these lower class types were widely represented on the stage in the vulgar and realistic comedy known as the mime. Paul's acceptance of the role of the fool mirrors the strategy of a number of intellectuals in the early Empire who exploited the paradoxical freedom that the role permitted for the utterance of a dangerous truth. Welborn locates Paul's exposition of the 'folly' of the message about the cross in a submerged intellectual tradition that connects Cynic philosophy, satire, and the mime. In this tradition, the world is viewed from the perspective of the poor, the dishonoured, the outsiders. The hero of this tradition is the 'wise fool,' who, in grotesque disguise, is allowed to utter critical truths about authority. The book demonstrates that Paul participates fully in this tradition in his discourse about the folly of the word of the cross. The major components of Paul's argument in 1 Corinthians 1-4 find their closest analogies in the tradition that valorizes Socrates, Aesop, and the mimic fool. JSNTS 293 and ECC
| Author | : Geraldine Herbert-Brown |
| Publisher | : OUP Oxford |
| Total Pages | : 352 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780198154754 |
This ground-breaking book celebrates the bimillennial anniversary of the inception of Ovid's Fasti by offering a variety of approaches to Ovid's poem on the Roman religious calendar. The volume does not aim at consensus but brings together experts from around the world without allowing any single prejudice to prevail.
| Author | : Regine May |
| Publisher | : OUP Oxford |
| Total Pages | : 400 |
| Release | : 2006-12-07 |
| Genre | : Literary Criticism |
| ISBN | : 0191513970 |
Regine May discusses the use of drama as an intertext in the work of the 2nd century Latin author Apuleius, who wrote the only complete extant Latin novel, the Metamorphoses, in which a young man is turned into a donkey by magic. Apuleius uses drama, especially comedy, as a basic underlying texture, and invites his readers to use their knowledge of contemporary drama in interpreting the fate of his protagonist and the often comic or tragic situations in which he finds himself. May employs a close study of the Latin text and detailed comparison with the corpus of dramatic texts from antiquity, as well as discussion of stock features of ancient drama, especially of comedy, in order to explain some features of the novel which have so far baffled Apuleian scholarship, including the enigmatic ending. All Latin and Greek has been translated into English.
| Author | : Stephen Harrison |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 198 |
| Release | : 2015-10-05 |
| Genre | : Literary Criticism |
| ISBN | : 1443884006 |
This is the first volume dedicated to the topic of characterisation in Apuleius’ Metamorphoses, the Latin novel from the second century CE. The subject has not been ignored in recent scholarship on individual characters in the work, but the lack of an earlier general overview of the topic reflects the general history of scholarship on the Metamorphoses. Literature on Apuleius’ novel until the 1960s centred around the issue of his general literary quality, and some key scholars held distinctly low estimates of Apuleius’ talents. Since 1970, most critics have seen Apuleius as a conscious and effective literary artist, and this is reflected in the emergence of this volume. The volume’s contributors are a distinguished collection of international scholars, many of whom have worked together on the long-established Groningen Commentaries on Apuleius, a project which is currently coming to completion. No ideological line has been imposed, and contributors have been free to offer their thoughts on how the text of the novel presents particular characters, including divine ones. The volume covers the whole of the novel and all the significant characters, and will constitute a substantial contribution to the interpretation of the most important Latin novel to survive complete from the ancient world.
