Theatre Of The Self
Download Theatre Of The Self full books in PDF, epub, and Kindle. Read online free Theatre Of The Self ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
| Author | : James R. Lawler |
| Publisher | : Harvard University Press |
| Total Pages | : 266 |
| Release | : 1992 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9780674770751 |
In a new interpretation of a poet who has swayed the course of modern poetry--in France and elsewhere--James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his identity and his art. A drama emerges in Lawler's urbane and resourceful reading. The thinking, feeling, acting Drunken Boat is an early theatrical projection of the poet's self; the Inventor, the Memorialist, and the Ing nu assume distinct roles in his later verse. It is, however, in Illuminations and Une Saison en enfer that Rimbaud enacts most powerfully his grandiose dreams. Here the poet becomes Self Creator, Self-Critic, Self-Ironist; he takes the parts of Floodmaker, Oriental Storyteller, Dreamer, Lover; and he recounts his descent into Hell in the guise of a Confessor. In delineating and exploring the poet's "theatre of the self" Lawler shows us the tragic lucidity and the dramatic coherence of Rimbaud's work.
| Author | : Delpha Hudson |
| Publisher | : |
| Total Pages | : |
| Release | : 2020 |
| Genre | : Artists' books |
| ISBN | : 9781838286811 |
| Author | : Susana Pendzik |
| Publisher | : Springer |
| Total Pages | : 272 |
| Release | : 2017-01-10 |
| Genre | : Performing Arts |
| ISBN | : 1137535938 |
This book is the first to examine the performance of autobiographical material as a theatrical form, a research subject, and a therapeutic method. Contextualizing personal performance within psychological and theatrical paradigms, the book identifies and explores core concepts, such as the function of the director/therapist throughout the creative process, the role of the audience, and the dramaturgy involved in constructing such performances. It thus provides insights into a range of Autobiographic Therapeutic Performance forms, including Self-Revelatory and Autoethnographic Performance. Addressing issues of identity, memory, authenticity, self-reflection, self-indulgence, and embodied self-representation, the book presents, with both breadth and depth, a look at this fascinating field, gathering contributions by notable professionals around the world. Methods and approaches are illustrated with case examples that range from clients in private practice in California, through students in drama therapy training in the UK, to inmates in Lebanese prisons.
| Author | : Erving Goffman |
| Publisher | : Anchor |
| Total Pages | : 272 |
| Release | : 2021-09-29 |
| Genre | : Social Science |
| ISBN | : 0593468295 |
A notable contribution to our understanding of ourselves. This book explores the realm of human behavior in social situations and the way that we appear to others. Dr. Goffman uses the metaphor of theatrical performance as a framework. Each person in everyday social intercourse presents himself and his activity to others, attempts to guide and cotnrol the impressions they form of him, and employs certain techniques in order to sustain his performance, just as an actor presents a character to an audience. The discussions of these social techniques offered here are based upon detailed research and observation of social customs in many regions.
| Author | : Robert James Belton |
| Publisher | : |
| Total Pages | : 210 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : |
Explores the life and work of Canadian artist Ronald (1926-98), a member of the group Painters Eleven, which helped change the course of abstract art in the country. Belton (history of art and aesthetic theory, Okanagan U. College) traces his life from childhood and adolescence to international acclaim. Janine Butler sets out his exhibition history from 1951-90. Eight of the illustrations are color plates. Canadian card order number: C98-910933-X. Annotation copyrighted by Book News, Inc., Portland, OR.
| Author | : Gerhard Fischer |
| Publisher | : Rodopi |
| Total Pages | : 478 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : 9042022574 |
The thirty chapters of this innovative international study are all devoted to the topic of the play within the play. The authors explore the wide range of aesthetic, literary-theoretical and philosophical issues associated with this rhetorical device, not only in terms of its original meta-theatrical setting - from the baroque idea of a theatrum mundi onward to contemporary examples of postmodern self-referential dramaturgy - but also with regard to a variety of different generic applications, e.g. in narrative fiction, musical theatre and film. The authors, internationally recognized specialists in their respective fields, draw on recent debates in such areas as postcolonial studies, game and systems theories, media and performance studies, to analyze the specific qualities and characteristics of the play within the play: as ultimate affirmation of the 'self' (the 'Hamlet paradigm'), as a self-reflective agency of meta-theatrical discourse, and as a vehicle of intermedial and intercultural transformation. The challenging study, with its underlying premise of play as a key feature of cultural anthropology and human creativity, breaks new ground by placing the play within the play at the centre of a number of intersecting scholarly discourses on areas of topical concern to scholars in the humanities.
| Author | : John Emigh |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 372 |
| Release | : 1996 |
| Genre | : Crafts & Hobbies |
| ISBN | : 9780812213362 |
Growing out of a series of articles written over a 15 year period, and illustrated with over 100 photos, this volume offers a narrowed focus examination of various performing traditions that rely on the expressive power and imagination of masks. It explores the redefinition of self into "other," when the mask is worn, and examines actors and their performances in Papua New Guinea, Orissa, India, and Bali.
| Author | : Grzegorz Ziółkowski |
| Publisher | : Routledge |
| Total Pages | : 320 |
| Release | : 2020-02-13 |
| Genre | : Art |
| ISBN | : 0429602227 |
A Cruel Theatre of Self-Immolations investigates contemporary protest self-burnings and their echoes across culture. The book provides a conceptual frame for the phenomenon and an annotated, comprehensive timeline of suicide protests by fire, supplemented with notes on artworks inspired by or devoted to individual cases. The core of the publication consists of six case studies of these ultimate acts, augmented with analyses and interpretations hailing from the visual arts, film, theatre, architecture, and literature. By examining responses to these events within an interdisciplinary frame, Ziółkowski highlights the phenomenon’s global reach and creates a broad, yet in-depth, exploration of the problems that most often prompt these self-burnings, such as religious discrimination and harassment, war and its horrors, the brutality and indoctrination of authoritarian regimes and the apathy they produce, as well as the exploitation of the so-called "subalterns" and their exclusion from mainstream economic systems. Of interest to scholars from an array of fields, from theatre and performance, to visual art, to religion and politics, A Cruel Theatre of Self-Immolations offers a unique look at voluntary, demonstrative, and radical performances of shock and subversion.
| Author | : Gina Masucci MacKenzie |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2008 |
| Genre | : English drama |
| ISBN | : |
The Theatre of the Real: Yeats, Beckett, and Sondheim traces the thread of jouissance (the simultaneous experience of radical pleasure and pain) through three major theatre figures of the twentieth century. Gina Masucci MacKenzie's work engages theatrical text and performance in dialogue with the Lacanian Real, so as to re-envision modern theatre as the cultural site where author, actor, and audience come into direct contact with personal and collective traumas. By showing how a transgressively free subject may be formed through theatrical experience, MacKenzie concludes that modern theatre can liberate the individual from the socially constructed self. The Theatre of the Real revises views of modern theatre by demonstrating how it can lead to a collaborative effort required for innovative theatrical work. By foregrounding Yeats's "dancer" plays, the author shows how these intimate pieces contribute to the historical development of musical as well as modern theatre. Beckett's universal dramas then pave the way for Sondheim's postmodern cacophonies of idea and spirit as they introduce comic abjection into modernism's tragic mode. This exciting work from a new author will leave readers with fresh insight to theatrical performance and its necessity in our lives.
| Author | : Robert Cross |
| Publisher | : Manchester University Press |
| Total Pages | : 258 |
| Release | : 2004-04-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780719062544 |
Steven Berkoff is a playwright, director and actor largely disregarded by theater scholars. Since the 1960s, however, this notorious Cockney enfant terrible and "scourge of the Shakespeare industry" has left an imprint on modern British theatre that has been as impossible to ignore as his in-your-face stage presence. Steven Berkoff and the Theatre of Self-Performance, the first thorough and in-depth study of this contentious artist, examines the wide-ranging strategies adopted by Berkoff in the construction and projection of his larger-than-life public persona.
