French Theatre in the Neo-classical Era, 1550-1789

French Theatre in the Neo-classical Era, 1550-1789
Author: William Driver Howarth
Publisher: Cambridge University Press
Total Pages: 764
Release: 1997-06-05
Genre: Drama
ISBN: 9780521230131

This 1997 book covers the period which saw the establishment in France of a centralized official theatre - not only the Comédie-Française (the first 'national' theatre), but an Italian theatre and a state opera; the often subversive independent theatres are also discussed. Nearly 1,000 documents deal with censorship and other aspects of external control, company management, the acting profession, dramatic theory and criticism, theatre architecture, settings and costumes, audience composition and behaviour. Over 120 pictorial documents - architectural drawings, technical engravings, frontispieces, portraits, etc. - provide a visual dimension where relevant. A full linking narrative and a copious bibliography help to make this an important reference work and a valuable research tool.

Romantic and Revolutionary Theatre, 1789-1860

Romantic and Revolutionary Theatre, 1789-1860
Author: Donald Roy
Publisher: Cambridge University Press
Total Pages: 592
Release: 2003-06-05
Genre: Drama
ISBN: 9780521250801

Taking as notional parameters the upheaval of the French Revolution and the events leading up to the Unification of Italy, this volume charts a period of political and social turbulence in Europe and its reflection in theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the relationship with audiences. Also covered are technical advances in stage machinery, scenography and lighting, the changing position of the playwright and the continuing importance of various street entertainments, particularly in Italy, where dramatic theatre remained the poor relation of the operatic, and itinerant acting troupes still constituted the norm. The 460 documents, many of them illustrated, have been drawn from sources in Britain, France and Italy and have been annotated, and translated where appropriate.

Historical Dictionary of French Theater

Historical Dictionary of French Theater
Author: Edward Forman
Publisher: Scarecrow Press
Total Pages: 337
Release: 2010-04-27
Genre: Performing Arts
ISBN: 0810874512

The term "French theater" evokes most immediately the glories of the classical period and the peculiarities of the Theater of the Absurd. It has given us the works of Corneille, Racine, and Moliere. In the Romantic era there was Alexander Dumas and surrealist works of Alfred Jarry, and then the Theater of the Absurd erupted in rationalistic France with Samuel Beckett, Eugene Ionesco, and Jean-Paul Sartre. The Historical Dictionary of French Theater relates the history of the French theater through a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, trends, genres, concepts, and literary and historical developments that played a central role in the evolution of French theater.

The Medieval European Stage, 500-1550

The Medieval European Stage, 500-1550
Author: William Tydeman
Publisher: Cambridge University Press
Total Pages: 798
Release: 2001-09-27
Genre: Drama
ISBN: 9780521246095

This volume brings together a wide selection of primary source materials from the theatrical history of the Middle Ages. The focus is on Western Europe between the fall of the Roman Empire and the emergence of markedly Renaissance forms in Italy. Early sections of the volume are devoted to the survival of Classical tradition and the development of the liturgical drama of the Roman Catholic Church, but the main concentration is on the genesis and growth of popular religious drama in the vernacular. Each of the major medieval regions is featured, while a final section covers the pastimes and customs of the people, a record of whose traditional activities often only survives in the margins of official recognition. The documents are compiled by a team of leading scholars in the field and the over 700 documents are all presented in modern English translation.

English Professional Theatre, 1530-1660

English Professional Theatre, 1530-1660
Author: Glynne Wickham
Publisher: Cambridge University Press
Total Pages: 768
Release: 2000
Genre: Drama
ISBN: 9780521230124

This volume explores the professional English theatre from 1530 to 1660. The documents collected here, many published for the first time, chronicle the exciting and flourishing world of the theatre through the reigns of Henry VIII to Charles I. These exciting primary sources offer first-hand accounts, including the daily life and work of the actor, and the most complete coverage yet of all the playhouses, both public and private, including the Rose, the Globe, Red Lion and the Swan. The volume documents the various theatre companies of children, costumes and stage property matters, audience reception and behaviour, and ecclesiastical and governmental legislation. A full linking narrative and extensive bibliography detailing the location of the primary sources, provide an important reference work and valuable research tool.

Aphra Behn’s 'Emperor of the Moon' and its French Source 'Arlequin, Empereur dans la lune'

Aphra Behn’s 'Emperor of the Moon' and its French Source 'Arlequin, Empereur dans la lune'
Author: Judy A. Hayden
Publisher: MHRA
Total Pages: 178
Release: 2019-05-31
Genre: Drama
ISBN: 178188885X

Aphra Behn’s spectacular farce, Emperor of the Moon (1687), so engaged audiences that it was restaged well into the eighteenth century. Her play was largely adapted from Anne Mauduit de Fatouville’s Arlequin, Empereur dans la lune (1684), a commedia dell’arte production by the Comédie-Italienne troupe, a performance which also proved immensely popular with Parisian audiences. Within its witty and amusing three acts, Behn’s play explores a number of contemporary concerns — from commedia dell’arte, to gender and politics, to science and astronomy, including a plurality of worlds, for example — all culminating in the third act’s operatic spectacle. This volume offers a transcription of Behn’s 1687 play with extensive annotations, a critical discussion of Behn’s text, and the first English translation of Fatouville’s eight French and Italian scenes.

A Cultural History of Theatre in the Early Modern Age

A Cultural History of Theatre in the Early Modern Age
Author: Robert Henke
Publisher: Bloomsbury Publishing
Total Pages: 281
Release: 2019-08-08
Genre: History
ISBN: 1350135372

For both producers and consumers of theatre in the early modern era, art was viewed as a social rather than an individual activity. Emerging in the context of new capitalistic modes of production, the birth of the nation state and the rise of absolute monarchies, theatre also proved a highly mobile medium across geolinguistic boundaries. This volume provides a comprehensive and interdisciplinary overview of the cultural history of theatre from 1400 to 1650, and examines the socioeconomically heterodox nature of theatre and performance during this period. Highly illustrated with 48 images, the ten chapters each take a different theme as their focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.

Theatre Histories

Theatre Histories
Author: Phillip B. Zarrilli
Publisher:
Total Pages: 584
Release: 2006
Genre: Performing Arts
ISBN:

Providing a clear journey through centuries of European, North and South American, African and Asian forms of theatre and performance, this introduction helps the reader think critically about this exciting field through fascinating yet plain-speaking essays and case studies.

The Early Modern Grotesque

The Early Modern Grotesque
Author: Liam Semler
Publisher: Routledge
Total Pages: 325
Release: 2018-10-26
Genre: Literary Criticism
ISBN: 0429684789

The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.