Theatre Closure And The Paradoxical Rise Of English Renaissance Drama In The Civil Wars
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Author | : Heidi Craig |
Publisher | : |
Total Pages | : 0 |
Release | : 2023 |
Genre | : Authors and readers |
ISBN | : 9781009224055 |
"Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the "death" of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King"--
Author | : Heidi Craig |
Publisher | : Cambridge University Press |
Total Pages | : 257 |
Release | : 2023-02-28 |
Genre | : Literary Criticism |
ISBN | : 1009224042 |
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King.
Author | : Richard Bradford |
Publisher | : John Wiley & Sons |
Total Pages | : 389 |
Release | : 2024-03-21 |
Genre | : Literary Criticism |
ISBN | : 1119409896 |
The first critical survey of its kind devoted solely to literary evaluation Companion to Literary Evaluation bridges the gap between the non-academic literary world, where evaluation is deeply ingrained, and the world of academia, where evaluation is rarely considered. Encouraging readers to formulate and articulate arguments that balance instinctive judgment and reasoned assessment, this unique volume addresses key issues regarding literary values from the perspective of analytical aesthetics and the philosophy of literature. Bringing together a diverse panel of contributors, the Companion explores competing theories of literary evaluation, the reasons for evaluating theater and lyric poetry in performance, the question of value in literary theory, debates over Modernism's negative impact on literature, the possibility of evaluating aesthetic beauty through scientific and formalist methods, the nature and status of literary evaluation as a branch of criticism, aesthetics in applied and community theater, evaluation outside academia, the perils of extreme relativism and subjectivism in literary evaluation, evaluation in schools and much more. Contributors question and reassess the reputations of authors across the canon, from Shakespeare and James Shirley to T S Eliot, Kathleen Raine, Virginia Woolf, Joyce and Beckett amongst others. The Companion: Illustrates how seemingly divergent perspectives on the artistic qualities and value of literature can sometimes overlap Covers the standard range of literary genres, while including others such as unfinished novels, freelance journalism, and lyric poetry in performance Offers methodologies that demonstrate why literature can be treated as something different from other forms of language and therefore assessed as art Explores the importance of maintaining clarity and specificity in the evaluation of literary works Companion to Literary Evaluation is a must-read for undergraduates, research students, lecturers, and academics in search of fresh perspectives on standard literary critical issues.
Author | : Simon Barker |
Publisher | : Psychology Press |
Total Pages | : 484 |
Release | : 2003 |
Genre | : Drama |
ISBN | : 9780415187343 |
"Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically."--BOOK JACKET.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 524 |
Release | : 1873 |
Genre | : |
ISBN | : |
Author | : Ronald Carter |
Publisher | : Psychology Press |
Total Pages | : 598 |
Release | : 2001 |
Genre | : English language |
ISBN | : 9780415243179 |
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
Author | : Bruce R. Smith |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : LITERARY CRITICISM |
ISBN | : 9781107057258 |
This transhistorical, international and interdisciplinary work will be of interest to students, theater professionals and Shakespeare scholars.
Author | : Hans-Thies Lehmann |
Publisher | : Routledge |
Total Pages | : 225 |
Release | : 2006-09-27 |
Genre | : Performing Arts |
ISBN | : 1134496834 |
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Author | : Gustave Le Bon |
Publisher | : |
Total Pages | : 680 |
Release | : 1897 |
Genre | : Crowds |
ISBN | : |
Author | : Gillian Wright |
Publisher | : Cambridge University Press |
Total Pages | : 285 |
Release | : 2013-04-18 |
Genre | : Biography & Autobiography |
ISBN | : 1107037921 |
Gillian Wright combines literary and bibliographical approaches to examine the work of five English women poets in the period 1600-1730.