Theatre Closure And The Paradoxical Rise Of English Renaissance Drama
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Author | : Heidi Craig |
Publisher | : Cambridge University Press |
Total Pages | : 257 |
Release | : 2023-02-28 |
Genre | : Literary Criticism |
ISBN | : 1009224042 |
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King.
Author | : Heidi Craig |
Publisher | : |
Total Pages | : 0 |
Release | : 2023 |
Genre | : Authors and readers |
ISBN | : 9781009224055 |
"Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the "death" of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King"--
Author | : Amrita Sen |
Publisher | : Springer Nature |
Total Pages | : 121 |
Release | : 2022-11-08 |
Genre | : Literary Criticism |
ISBN | : 3031047877 |
Digital Shakespeares from the Global South re-directs current conversations on digital appropriations of Shakespeare away from its Anglo-American bias. The individual essays examine digital Shakespeares from South Africa, India, and Latin America, addressing questions of accessibility and the digital divide. This book will be of interest to students and academics working on Shakespeare, adaptation studies, digital humanities, and media studies. Included in this volume, the chapter on “Finding and Accessing Shakespeare Scholarship in the Global South: Digital Research and Bibliography” by Heidi Craig and Laura Estill is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author | : Richard Bradford |
Publisher | : John Wiley & Sons |
Total Pages | : 389 |
Release | : 2024-03-21 |
Genre | : Literary Criticism |
ISBN | : 1119409896 |
The first critical survey of its kind devoted solely to literary evaluation Companion to Literary Evaluation bridges the gap between the non-academic literary world, where evaluation is deeply ingrained, and the world of academia, where evaluation is rarely considered. Encouraging readers to formulate and articulate arguments that balance instinctive judgment and reasoned assessment, this unique volume addresses key issues regarding literary values from the perspective of analytical aesthetics and the philosophy of literature. Bringing together a diverse panel of contributors, the Companion explores competing theories of literary evaluation, the reasons for evaluating theater and lyric poetry in performance, the question of value in literary theory, debates over Modernism's negative impact on literature, the possibility of evaluating aesthetic beauty through scientific and formalist methods, the nature and status of literary evaluation as a branch of criticism, aesthetics in applied and community theater, evaluation outside academia, the perils of extreme relativism and subjectivism in literary evaluation, evaluation in schools and much more. Contributors question and reassess the reputations of authors across the canon, from Shakespeare and James Shirley to T S Eliot, Kathleen Raine, Virginia Woolf, Joyce and Beckett amongst others. The Companion: Illustrates how seemingly divergent perspectives on the artistic qualities and value of literature can sometimes overlap Covers the standard range of literary genres, while including others such as unfinished novels, freelance journalism, and lyric poetry in performance Offers methodologies that demonstrate why literature can be treated as something different from other forms of language and therefore assessed as art Explores the importance of maintaining clarity and specificity in the evaluation of literary works Companion to Literary Evaluation is a must-read for undergraduates, research students, lecturers, and academics in search of fresh perspectives on standard literary critical issues.
Author | : Anna Maria Montanari |
Publisher | : Amsterdam University Press |
Total Pages | : 311 |
Release | : 2019-08-23 |
Genre | : History |
ISBN | : 9048537231 |
This book considers some of the main adaptations of the character of Cleopatra for the Renaissance stage, travelling from Italy to England to arrive finally to Shakespeare. It shows how each reading of the story of Cleopatra is unique to and expressive of the culture which produced it, even as writers drew from the same sources from Antiquity. For the first time texts belonging to different cultures, rigorously presented, are brought into dialogue on such questions as moral standpoint, gender and the representation of the exotic. Moreover, through the fascinating figure of Cleopatra, the reader is able to explore the development of Renaissance tragedy, in its commercial and non-commercial versions. Ultimately both questions at the heart of this study - concerning Cleopatra's identity and her translation into theatre - converge to be (dis)solved by Shakespeare.
Author | : Simon Barker |
Publisher | : Psychology Press |
Total Pages | : 484 |
Release | : 2003 |
Genre | : Drama |
ISBN | : 9780415187343 |
"Each play is prefaced by an introductory headnote discussing the thematic focus of the play and its textual history, and is cross-referenced to other plays of the period that relate thematically and generically."--BOOK JACKET.
Author | : Eugenio Barba |
Publisher | : BRILL |
Total Pages | : 420 |
Release | : 2019-02-11 |
Genre | : Drama |
ISBN | : 9004392939 |
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
Author | : Fredric M. Litto |
Publisher | : Kent, Ohio] : Kent State University Press |
Total Pages | : 518 |
Release | : 1969 |
Genre | : Education |
ISBN | : |
Author | : Bruce R. Smith |
Publisher | : |
Total Pages | : 0 |
Release | : 2016 |
Genre | : LITERARY CRITICISM |
ISBN | : 9781107057258 |
This transhistorical, international and interdisciplinary work will be of interest to students, theater professionals and Shakespeare scholars.
Author | : Michelle M. Dowd |
Publisher | : Cambridge University Press |
Total Pages | : 305 |
Release | : 2015-05-19 |
Genre | : Literary Criticism |
ISBN | : 1107099773 |
The first full-length study of the ways in which Shakespearean drama influenced and expanded notions of inheritance in early modern England.