Theatergeschichte Europas
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Naturalism and Symbolism in European Theatre 1850-1918
Author | : Claude Schumacher |
Publisher | : Cambridge University Press |
Total Pages | : 568 |
Release | : 1996-09-26 |
Genre | : Drama |
ISBN | : 9780521230148 |
This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.
European Theatre Performance Practice, 1580-1750
Author | : Robert Henke |
Publisher | : Routledge |
Total Pages | : 815 |
Release | : 2016-12-05 |
Genre | : Performing Arts |
ISBN | : 1351938320 |
This volume presents foundational and representative essays of the last half century on theatre performance practice during the period 1580 to 1750. The particular focus is on the nature of playing spaces, staging, acting and audience response in professional theatre and the selection of previously published research articles and book chapters includes significant works on topics such as Shakespearean staging, French and Spanish theatre audiences, the challenging aspects of the evolution of Italian renaissance acting practice, and the ’hidden’ dimensions of performance. The essays provide coherent transnational coverage as well as detailed treatments of their individual topics. Considerations of theatre practice in Italy, Spain and France, as well as England, place Shakespeare’s theatre in its European context to reveal surprising commonalities and salient differences in the performance practice of early modern Europe’s major professional theatres. This volume is an indispensable reference work for university libraries, lecturers, researchers and practitioners and offers a coherent overview of early modern comparative performance practice, and a deeper understanding of the field’s major topics and developments.
European Theatre Performance Practice, 1750–1900
Author | : Jim Davis |
Publisher | : Routledge |
Total Pages | : 539 |
Release | : 2016-12-05 |
Genre | : Performing Arts |
ISBN | : 1351938304 |
This volume contains key articles and chapters which represent both seminal and innovative scholarship on European theatre performance practice from 1750 to 1900. The selected topics focus on acting and performance, staging (including set design and lighting), and audiences, and are approached with a broad perspective as well as with in-depth, focussed analysis. The volume captures the rich, dynamic and variegated nature of European theatre throughout the late-eighteenth and nineteenth centuries and provides a carefully selected body of significant texts on this important period of theatre history.