Theater In Modernizing Societies
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| Author | : Haiping Yan |
| Publisher | : M.E. Sharpe |
| Total Pages | : 378 |
| Release | : 1998 |
| Genre | : Performing Arts |
| ISBN | : 9780765633828 |
Chinese spoken drama flourished in the 1980s when it generated a series of national controversies. In important respects, this was the golden age of drama in the People's Republic, as the stage became a most effective arena for exploring long suppressed cultural and political issues, constituting an indispensable dimension of the reform that has been altering the landscape of contemporary Chinese culture and society. The plays in this volume are among the most influential and controversial, having engendered intense cultural debate and political confrontations. They include the only complete English language translation of Bus Stop by Nobel Prize-winning author Gao Xingjian. The film script was chosen from among the most acclaimed contemporary Chinese films for its high significance in the history of Chinese film and its international influence in the cinematic world. For general readers with diverse cultural and artistic interests, this anthology introduces a new world of performing culture that enriches, delights, and challenges. For students and scholars of modern Chinese culture and society, it provides insights into China's profound social, political, and cultural transformation. For students and scholars in theatre and film studies who are increasingly interested in dramatic creations beyond the boundaries of the European tradition, it offers much needed materials for broadening cultural horizons. Yan Haiping, who holds advanced degrees in theater arts from Cornell University, was awarded the First Prize for Excellence in Drama 1980-81 by the Society of Chinese Dramatists and the Ministry of Culture of the PRC for her ten-act historical play Li Shimin, Prince of Qin. contents Plays: WM, by Wang Peigong, playscript revised for performance by Wang Gui, translated by Thomas Moran; Pan Jinlian:The History of a Fallen Woman, by Wei Minglun, translated by Dave Williams with Xiaoxia Williams; Shanshuping Chronicles, by Chen Zidu, Yang Jian, Zhu Xiaoping, translated by Rong Cai; The Bus Stop by Gao Xingjian, translated by Kimberly Besio. Film: ld Well, by Zheng Yi, directed by Wu Tianming, translated by Shiaoling Yu.
| Author | : David Jortner |
| Publisher | : Lexington Books |
| Total Pages | : 316 |
| Release | : 2007 |
| Genre | : Literary Criticism |
| ISBN | : 9780739123003 |
Modern Japanese Theatre and Performance is a collection of sixteen essays on Japanese theatre, including historical overviews of twentieth century theatre, analyses of specific productions and individuals, and consideration of the intercultural nature of modern Japanese theatre. Also included is a new translation of a 'Superkyogen' play.
| Author | : Theodore B. Leinwand |
| Publisher | : Cambridge University Press |
| Total Pages | : 217 |
| Release | : 1999-02-04 |
| Genre | : Literary Criticism |
| ISBN | : 1139425943 |
This interesting study examines emotional responses to socio-economic pressures in early modern England, as they are revealed in plays, historical narratives and biographical accounts of the period. These texts yield fascinating insights into the various, often unpredictable, ways in which people coped with the exigencies of credit, debt, mortgaging and capital ventures. Plays discussed include Shakespeare's The Merchant of Venice and Timon of Athens, Jonson's The Alchemist and Massinger's A New Way to Pay Old Debts. They are paired with writings by and about the finances of the corrupt Earl of Suffolk, the privateer Walter Raleigh, the royal agent Thomas Gresham, theatre entrepreneur James Burbage, and the Lord Treasurer Lionel Cranfield. Leinwand's new readings of these texts reveal a blend of affect and cognition concerning finance that includes nostalgia, anger, contempt, embarrassment, tenacity, bravado and humility.
| Author | : Katherine Brisbane |
| Publisher | : Routledge |
| Total Pages | : 703 |
| Release | : 2005-08-16 |
| Genre | : Performing Arts |
| ISBN | : 1134929781 |
This volume featrues over 250,000 words and more than 125 photographs identifying and defining theatre in more than 30 countries from India to Uzbekistan, from Thailand to New Zealand and featuring extensive documentation on contemporary Chinese, Japanese, Indian and Australian theatre.
| Author | : Marion J. Levy Jr. |
| Publisher | : Routledge |
| Total Pages | : 467 |
| Release | : 2020-03-09 |
| Genre | : Social Science |
| ISBN | : 1000678164 |
In Modernization and the Structure of Societies, Marion Levy shows the interdependencies of societies as a systematic whole in matters that are relevant for international affairs. He distinguishes different types of societies while simultaneously showing elements common to all societies. In a new epilogue being added to this edition, titled "Modernization Exhumed," the author alleges that criticism of modernization theory has generally been ideological or otherwise nonscientific. He provides a strong defense of his hypothesis. In his new introduction, he concentrates on the concept of interdependency. Modernization and the Structure of Societies is crucial to the understanding of contemporary international problems. It is a necessary addition to the personal libraries of sociologists, political scientists, and scholars of international affairs., Levy writes so as to produce strong reactions, but this does not obscure his real contribution. Because of his ambitious effort to synthesize a tremendous amount of available scholarship, the study is certain to last for a long time as a standard reference in the field of comparative sociology."—Morris Janowitz, American Journal of Sociology, "A giant book raising innumerable problems, often an exasperating book, yet important and likely to be much referred to by writers on comparative politics and administration."—Fred W. Riggs, American Political Science Review.
| Author | : J. Thomas Rimer |
| Publisher | : Columbia University Press |
| Total Pages | : 738 |
| Release | : 2014-04-29 |
| Genre | : Drama |
| ISBN | : 0231128304 |
This anthology is the first to survey the full range of modern Japanese drama and make available JapanÕs best and most representative twentieth- and early-twenty-first-century works in one volume. Divided into six chronological sections: ÒThe Age of Taisho DramaÓ; The Tsukiji Tsukiji Little Theater and Its AftermathÓ; ÒWartime and Postwar DramaÓ; ÒThe 1960s and Underground TheaterÓ; ÒThe 1980s and BeyondÓ; and ÒPopular Theater,Ó the collection opens with a comprehensive introduction to Meiji period drama and provides an informal yet complete history of twentieth-century Japanese theater for students, scholars, instructors, and dramatists. The collection features a mix of original and previously published translations of works, among them plays by such writers as Masamune Hakucho (The Couple Next Door), Enchi Fumiko (Restless Night in Late Spring), Abe Kobo (The Man Who Turned into a Stick), Morimoto Kaoru (A WomanÕs Life), Kara Juro (Two Women), Terayama Shuji (Poison Boy), Noda Hideki (Poems for Sale), and Mishima Yukio (The Sardine SellerÕs Net of Love). Leading translators include Donald Keene, J. Thomas Rimer, Mitsuyra Mori, M. Cody Poulton, John Gillespie, Mari Boyd, and Brian Powell. Each section features an introduction to the developments and character of the period, notes on the playsÕ productions, and photographs of their stage performances. The volume complements any course on modern Japanese literature and any study of modern drama in China, Korea, or other Asian or contemporary Western nation.
| Author | : Haiping Yan |
| Publisher | : Routledge |
| Total Pages | : 375 |
| Release | : 2015-02-18 |
| Genre | : Political Science |
| ISBN | : 1317453778 |
Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.
| Author | : Hsiao-t'i Li |
| Publisher | : BRILL |
| Total Pages | : 380 |
| Release | : 2020-10-26 |
| Genre | : History |
| ISBN | : 1684171016 |
"Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward “politicization” was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda.Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi’an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera’s omnipresence completely changed over time."
| Author | : Maite Conde |
| Publisher | : University of Virginia Press |
| Total Pages | : 400 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 0813932130 |
Consuming Visions explores the relationship between cinema and writing in early twentieth-century Brazil, focusing on how the new and foreign medium of film was consumed by a literary society in the throes of modernization. Maite Conde places this relationship in the specific context of turn-of-the-century Rio de Janeiro, which underwent a radical transformation to a modern global city, becoming a concrete symbol of the country's broader processes of change and modernization. Analyzing an array of literary texts, from journalistic essays and popular women's novels to anarchist treatises and vaudeville plays, the author shows how the writers' encounters with the cinema were consistent with the significant changes taking place in the city. The arrival and initial development of the cinema in Brazil were part of the new urban landscape in which early Brazilian movies not only articulated the processes of the city's modernization but also enabled new urban spectators--women, immigrants, a new working class, and a recently liberated slave population--to see, believe in, and participate in its future. In the process, these early movies challenged the power of the written word and of Brazilian writers, threatening the hegemonic function of writing that had traditionally forged the contours of the nation's cultural life. An emerging market of consumers of the new cultural phenomena--popular theater, the department store, the factory, illustrated magazines--reflected changes that not only modernized literary production but also altered the very life and everyday urban experiences of the population. Consuming Visions is an ambitious and engaging examination of the ways in which mass culture can become an agent of intellectual and aesthetic transformation.
| Author | : Joel Schechter |
| Publisher | : Psychology Press |
| Total Pages | : 300 |
| Release | : 2003 |
| Genre | : Theater |
| ISBN | : 9780415258302 |
Bertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction. Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry of Japan to the masked topeng theatre of Bali to South African political satire, the San Francisco Mime Troupe's comic melodramas, and a 'Fun Palace' proposed for London. The book features essays from the archives of The Drama Review and other research. Contributions by Roland Barthes, Hovey Burgess, Marvin Carlson, John Emigh, Dario Fo, Ron Jenkins, Joan Littlewood, Brooks McNamara, Richard Schechner, and others, offer some of the most important, informative, and lively writing available on popular theatre. Introducing both Western and non-Western popular theatre practices, the sourcebook provides access to theatrical forms which have delighted audiences and attracted stage artists around the world.
