The Yoruba of Southwestern Nigeria
Author | : William Russell Bascom |
Publisher | : New York ; Montreal : Holt, Rinehart and Winston |
Total Pages | : 152 |
Release | : 1969 |
Genre | : Social Science |
ISBN | : |
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Author | : William Russell Bascom |
Publisher | : New York ; Montreal : Holt, Rinehart and Winston |
Total Pages | : 152 |
Release | : 1969 |
Genre | : Social Science |
ISBN | : |
Author | : Aribidesi Usman |
Publisher | : Cambridge University Press |
Total Pages | : 519 |
Release | : 2019-07-04 |
Genre | : History |
ISBN | : 1107064600 |
A rich and accessible account of Yoruba history, society and culture from the pre-colonial period to the present.
Author | : J.D.Y. Peel |
Publisher | : Univ of California Press |
Total Pages | : 311 |
Release | : 2016 |
Genre | : History |
ISBN | : 0520285859 |
A free ebook version of this title is available through Luminos, University of California Press’s open access publishing program for monographs. Visit www.luminosoa.org to learn more. The Yoruba of southwestern Nigeria are exceptional for the copresence among them of three religious traditions: Islam, Christianity, and the indigenous orisa religion. In this comparative study, at once historical and anthropological, Peel explores the intertwined character of the three religions and the dense imbrication of religion in all aspects of Yoruba history up to the present. For over 400 years, the Yoruba have straddled two geocultural spheres: one reaching north over the Sahara to the world of Islam, the other linking them to the Euro-American world via the Atlantic. These two external spheres were the source of contrasting cultural influences, notably those emanating from the world religions. However, the Yoruba not only imported Islam and Christianity but also exported their own orisa religion to the New World. Before the voluntary modern diaspora that has brought many Yoruba to Europe and the Americas, tens of thousands were sold as slaves in the New World, bringing with them the worship of the orisa. Peel offers deep insight into important contemporary themes such as religious conversion, new religious movements, relations between world religions, the conditions of religious violence, the transnational flows of contemporary religion, and the interplay between tradition and the demands of an ever-changing present. In the process, he makes a major theoretical contribution to the anthropology of world religions.
Author | : Bukola Adeyemi Oyeniyi |
Publisher | : Cambria Press |
Total Pages | : 304 |
Release | : 2015-09-08 |
Genre | : Social Science |
ISBN | : 1621967190 |
This is a book on the social and cultural history of Yoruba people, a people in southwest Nigeria. As the first to provide a comprehensive treatment of Yoruba dress in historical perspective, this book is an important contribution to African history in general and the Yoruba cultural history in particular. The book illuminates the impact of Christianity, Islam, and British colonialism on the construction of Yoruba identity, and how dress was entangled in that construction. It also provides insightful discussions of the transformations in dress culture since independence and demonstrates the importance of dress as a site for contesting and articulating postcolonial Yoruba identity and class structure within the Nigerian national space. This book provides many insights into these issues and is thus an invaluable addition to Africana studies, anthropology, and history.
Author | : Margaret Thompson Drewal |
Publisher | : Indiana University Press |
Total Pages | : 536 |
Release | : 1992-03-22 |
Genre | : History |
ISBN | : 0253112737 |
Yoruba peoples of southwestern Nigeria conceive of rituals as journeys -- sometimes actual, sometimes virtual. Performed as a parade or a procession, a pilgrimage, a masking display, or possession trance, the journey evokes the reflexive, progressive, transformative experience of ritual participation. Yoruba Ritual is an original and provocative study of these practices. Using a performance paradigm, Margaret Thompson Drewal forges a new theoretical and methodological approach to the study of ritual that is thoroughly grounded in close analysis of the thoughts and actions of the participants. Challenging traditional notions of ritual as rigid, stereotypic, and invariant, Drewal reveals ritual to be progressive, transformative, generative, and reflexive and replete with simultaneity, multifocality, contingency, indeterminacy, and intertextuality. Throughout the book prominence is given to the intentionality of actors as knowledgeable agents who transform ritual itself through play and improvisation. Integral to the narrative are interpolations about performances and their meanings by Kolawole Ositola, a scholar of Yoruba oral tradition, ritual practitioner, diviner, and master performer. Rich descriptions of rituals relating to birth, death, reincarnation, divination, and constructions of gender are rendered all the more vivid by a generous selection of field photos of actual performances.
Author | : Yomi Ola |
Publisher | : |
Total Pages | : 0 |
Release | : 2013 |
Genre | : Art |
ISBN | : 9781611630374 |
Yoruba artists have long employed the visual arts to criticize dictatorial and ineffectual governments. This book examines satires of power in Yoruba visual culture from the precolonial to the postcolonial periods of Nigerian history. Prior to the imposition of British colonial rule between 1893 and 1960, there were manifestations of parodies of power in the Yoruba satirical masking as well as in the carvings of some of the leading artists of the era, including the renowned Olowe of Ise, who worked predominantly for many kings in southwestern Nigeria. By the 1940s, Yoruba artists began to use the Western modernist media of editorial cartooning and photography as tools of social and political commentary. This text explores the visual commentaries on colonialism by Akinola Lasekan and the critiques of postcolonial military and civilian leaderships conceived by prominent cartoonists such as Kenny Adamson, Josy Ajiboye, dele jegede, Bisi Ogunbadejo, Boye Gbenro, and Tayo Fatunla. And in the global arena, the book further explores the triad of identity, power, and parody in the postmodern photographs and installations of Rotimi Fani-Kayode and Yinka Shonibare, two London-based artists of Yoruba descent. While this book complements previous studies of satire among the Yoruba as an aspect of ritualized performance traditions, it departs from such studies by exploring its appropriations in secular spaces of contemporary visual culture. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "In original, compelling arguments, Ola considers both direct and oblique influences that the Yoruba trickster deity Esu has had on specific works by each artist. Summing up: Recommended." -- CHOICE Magazine
Author | : Toyin Falola |
Publisher | : Boydell & Brewer |
Total Pages | : 400 |
Release | : 2006 |
Genre | : History |
ISBN | : 9781580462198 |
Yorùbá Identity and Power Politics covers the major issues in Yorùbá history and politics, offering through narratives of the past and present a solid understanding of one of the most popular ethnic groups in Africa. Yorùbá Identity and Power Politics covers the major issues on Yorùbá history and politics, thus offering a solid understanding of one of the most popular ethnic groups in Africa. With a careful blend of sources and methods, narratives on the past and present, the book manages to present a long history as the backdrop to complicated contemporary politics. Contributors: Tunde M. Akinwumi, Olufunke A. Adeboye, R. T. Akinyele, Aribidesi Usman, Tunde Oduwobi, Olufemi Vaughan, Abolade Adeniji, Jean-Luc Martineau, Ann O'Hear, Rasheed Olaniyi, Charles Temitope Adeyanju, Julius O. Adekunle, Funso Afolayan, Olayiwola Abegunrin. Toyin Falola is the Jacob and Frances Sanger Mossiker Chair in the Humanities and University Distinguished Teaching Professor at the University of Texas at Austin. Ann Genova is a Ph.D. candidate at the University of Texas at Austin.
Author | : Oyeronke Olajubu |
Publisher | : State University of New York Press |
Total Pages | : 187 |
Release | : 2012-02-01 |
Genre | : Religion |
ISBN | : 0791486117 |
Drawing on a wide range of oral and written sources, this book shows that women occupy a central place in the religious worldview and life of the Yoruba people and shows how men and women engage in mutually beneficial roles in the Yoruba religious sphere. It explores how gender issues play out in two Yoruba religious traditions—indigenous religion and Christianity in Southwestern Nigeria. Rather than shy away from illuminating the tensions between the prominent roles of Yoruba women in religion and their perceived marginalization, author Oyeronke Olajubu underscores how Yoruba women have challenged marginalization in ways unprecedented in other world religions.
Author | : Stephen Adebanji Akintoye |
Publisher | : Amalion Publishing |
Total Pages | : 710 |
Release | : 2010-01-01 |
Genre | : History |
ISBN | : 2359260278 |
A History of the Yoruba People is an audacious comprehensive exploration of the founding and growth of one of the most influential groups in Africa. In this commendable book, S. Adebanji Akintoye deploys four decades of historiography research with current interpretation and analyses to present the most complete and authoritative volume on the Yoruba to date. This exceptionally lucid account gathers and imparts a wealth of research and discourses on Yoruba studies for a wider group of readership than ever before. Very few attempts have tried to grapple fully with the historical foundations and development of a group that has contributed to shaping the way African communities are analysed from prehistoric to modern times. “A wondrous achievement, a profound pioneering breakthrough, a reminder to New World historians of what ‘proper history’ is all about – a recount which draws the full landed and spiritual portrait of a people from its roots up – A History of the Yoruba People is yet another superlative work of brilliant chronicling and persuasive interpretation by an outstanding scholar and historiographer of Africa.~ Prof Michael Vickers, author of Ethnicity and Sub-Nationalism in Nigeria: Movement for a Mid-West Stateand Phantom Trail: Discovering Ancient America. “This book is more than a 21st century attempt to (re)present a comprehensive history of the Yoruba ... shifting the focus to a broader and more eclectic account. It is a far more nuanced, evidentially-sensitive, systematic account.” ~ Wale Adebanwi, Assist. Prof., African American and African Studies, UC Davis, USA. “Akintoye links the Yoruba past with the present, broadening and transcending Samuel Johnson in scope and time, and reviving both the passion and agenda that are over a century old, to reveal the long history and definable identity of a people and an ethnicity...Here is an accessible book, with the promise of being ageless, written by the only person who has sustained an academic interest in this subject for nearly half a century, providing the treasures of accumulated knowledge, robust encounters with received wisdom, and mature judgement about the future.” ~ Toyin Falola, The Frances Higginbotham Nalle Professor in History, University of Texas at Austin, USA.
Author | : Yaovi, Soede Nathanael |
Publisher | : Langaa RPCIG |
Total Pages | : 588 |
Release | : 2018-09-17 |
Genre | : Religion |
ISBN | : 9956550035 |
The dynamic nature of Christianity has necessitated its movement from the cathedral to the mountain top. This has occasioned a proliferation of Prayer Mountains throughout Africa. In Yorubaland of southwestern Nigeria, Prayer Mountain is known as Ori-Oke. Like many communities in Africa, the Yoruba are confronted with fundamental challenges in life for which people do not rest until they find solutions. Within the praxis of Nigerian Christian lexicon Ori-Oke is synonymous with the enactment of a sacred space on a mountain top characterised by various prayer regimes, rituals, exorcism and religious practices, aimed at eliciting the help of the divine to alleviate the existential challenges of devotees. This book explores the resacralisation of space on the mountains, highlighting how humans and the divine interact in Yorubaland. It brings into conversation 35 empirically rich scholarly essays on the role of Ori-Oke to those seeking divine intervention in their lives. Today, Ori-Oke have become centres of pilgrimage as a result of the lived experiences of devotees, creating unique religious value quite distinct from the aesthetic value of these mountain tops. The spirituality of Ori-Oke is anchored on the absolute belief in God and the infusion of traditional African worldview sensibilities in religious rites and worship. Ori-Oke spirituality employs resources of Christian tradition, introduced by the formal agents of Christianity, synthesised with traditional culture, to develop a life based on the precepts of an African Christianity. The book is an intellectual discourse on Ori-Oke spirituality, reflecting its contemporary relevance in a context of religious innovation and competition.