The Yemassee
Author | : William Gilmore Simms |
Publisher | : |
Total Pages | : 488 |
Release | : 1843 |
Genre | : Indians of North America |
ISBN | : |
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Author | : William Gilmore Simms |
Publisher | : |
Total Pages | : 488 |
Release | : 1843 |
Genre | : Indians of North America |
ISBN | : |
Author | : William Gilmore Simms |
Publisher | : |
Total Pages | : 494 |
Release | : 1843 |
Genre | : Indians of North America |
ISBN | : |
Author | : William Gilmore Simms |
Publisher | : Univ of South Carolina Press |
Total Pages | : 668 |
Release | : 2003 |
Genre | : History |
ISBN | : 9781570034411 |
Literary writings that reveal nineteenth-century perceptions of Native Americans; Novelist William Gilmore Simms (1806-1870) and the Indians who lived in the southeast United States during the nineteenth century have shared a similar and unfortunate fate - both have been largely neglected in mainstream scholarship of literature and ethnohistory. In a volume that remedies this oversight, John Caldwell Guilds, an authority on Simms, and Charles Hudson, an authority on Southeastern Indians, collaborate to reveal fresh perspectives on both. They offer an anthology of Simms's writings that establishes him as a knowledgeable, prolific, and sympathetic portrayer of Native Americans in fiction and poetry. This groundbreaking anthology identifies more than one hundred works by Simms on Indians, including his best and most representative writings, some of which have never before been published. The passages range from romantic, poetic fantasies to attentive descriptions that are valuable primary resources for historians and anthropologists. Written from Simms's youth in the 1820s until his death in 1870, the selections document the transformation of the South from a frontier where Indians, A
Author | : Dwayne W. Pickett |
Publisher | : Arcadia Publishing |
Total Pages | : 144 |
Release | : 2019-07-01 |
Genre | : History |
ISBN | : 1439667276 |
Author Dwayne W. Pickett details the life of William Hilton, his exploration of the Carolina coast and the founding of an iconic island. Behind the pristine beaches and world renown of Hilton Head Island lies a history that dates back to the early exploration of the nation. In 1663, William Hilton, a mariner born in England, was hired by a group in Barbados to find new lands for them to settle. Hilton led an exploration of the Port Royal Sound area, where he named a high bluff of land Hiltons Head as a navigational marker for future sailors. The island began as a sparsely populated area on the fringe of English settlement in the late seventeenth and early eighteenth centuries, when it was called Trench's Island on some maps.
Author | : Mary Ann Wimsatt |
Publisher | : LSU Press |
Total Pages | : 328 |
Release | : 1999-03-01 |
Genre | : Literary Criticism |
ISBN | : 9780807125267 |
William Gilmore Simms (1806–1870) was the preeminent southern man of letters in the antebellum period, a prolific, talented writer in many genres and an eloquent intellectual spokesman of r his region. During his long career, he wrote plays, poetry, literary criticism, biography and history; but he is best remembered for his numerous novels and tales. Many Ann Wimsatt provides the first significant full-length evaluation of Simms’s achievement in his long fiction, selected poetry, essays, and short fiction. Wimsatt’s chief emphasis is on the thirty-odd novels that Simms published from the mid-1830s until after the Civil War. In bringing his impressive body of work to life, she makes use of biographical and historical information and also of twentieth-century literary theories of the romance, Simm’s principal genre. Through analyses of such seminal works as Guy Rivers, The Yemassee, The Cassique of Kiawah, and Woodcraft, Wimsatt illuminates Simm’s contributions to the romance tradition—contributions misunderstood by previous critics—and suggests how to view his novels within the light of recent literary criticism. She also demonstrates how Simms used the historical conditions of southern culture as well as events of his own life to flesh out literary patterns, and she analyzes his use of low-country, frontier and mountain settings. Although critics praised Simms early in his career as “the first American novelist of the day,” the panic of 1837 and the changes in the book market that it helped foster severely damaged his prospects for wealth and fame. The financial recession, Wimsatt finds, together with shifts in literary taste, contributed to the decline of Simms’s reputation. Simms attempted to adjust to the changing climate for fiction by incorporating two modes of nineteenth-century realism, the satiric portrayal of southern manners and southern backwoods humor, into the framework of his long romances; but his accomplishments in these areas have been undervalued or misunderstood by critics since is time. Wimsatt’s book is the first to survey Simms’s fiction and much of his other writing against the background of his life and literary career and the first to make extensive use of his immense correspondence. It is an important study of a neglected author who once served as the leafing symbol of literary activity in the South. It fills what has heretofore been a serious gap in southern literary studies.
Author | : Julian Alvin Carroll Chandler |
Publisher | : |
Total Pages | : 1192 |
Release | : 1909 |
Genre | : American literature |
ISBN | : |
Author | : Franklin Lafayette Riley |
Publisher | : |
Total Pages | : 550 |
Release | : 1909 |
Genre | : American literature |
ISBN | : |
Author | : Sharada Balachandran Orihuela |
Publisher | : UNC Press Books |
Total Pages | : 249 |
Release | : 2018-04-09 |
Genre | : Literary Criticism |
ISBN | : 1469640937 |
In this book, Sharada Balachandran Orihuela examines property ownership and its connections to citizenship, race and slavery, and piracy as seen through the lens of eighteenth- and nineteenth-century American literature. Balachandran Orihuela defines piracy expansively, from the familiar concept of nautical pirates and robbery in international waters to postrevolutionary counterfeiting, transnational slave escape, and the illegal trade of cotton across the Americas during the Civil War. Weaving together close readings of American, Chicano, and African American literature with political theory, the author shows that piracy, when represented through literature, has imagined more inclusive and democratic communities than were then possible in reality. The author shows that these subjects are not taking part in unlawful acts only for economic gain. Rather, Balachandran Orihuela argues that piracy might, surprisingly, have served as a public good, representing a form of transnational belonging that transcends membership in any one nation-state while also functioning as a surrogate to citizenship through the ownership of property. These transnational and transactional forms of social and economic life allow for a better understanding of the foundational importance of property ownership and its role in the creation of citizenship.
Author | : John Caldwell Guilds |
Publisher | : University of Georgia Press |
Total Pages | : 296 |
Release | : 1997 |
Genre | : Poetry |
ISBN | : 9780820318875 |
William Gilmore Simms (1807-1870), the antebellum South's foremost author and cultural critic, was the first advocate of regionalism in the creation of national literature. This collection of essays emphasizes his portrayal of America's westward migration.
Author | : Stephanie E. Yuhl |
Publisher | : Univ of North Carolina Press |
Total Pages | : 300 |
Release | : 2006-03-08 |
Genre | : History |
ISBN | : 0807876542 |
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the all-white Society for the Preservation of Negro Spirituals--that nurtured architectural preservation, art, literature, and tourism while appropriating African American folk culture. In the process, they translated their selective and idiosyncratic personal, familial, and class memories into a collective identity for the city. The Charleston this group built, Yuhl argues, presented a sanitized yet highly marketable version of the American past. Their efforts invited attention and praise from outsiders while protecting social hierarchies and preserving the political and economic power of whites. Through the example of this colorful southern city, Yuhl posits a larger critique about the use of heritage and demonstrates how something as intangible as the recalled past can be transformed into real political, economic, and social power.