The Writer In Politics
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Author | : George Orwell |
Publisher | : Renard Press Ltd |
Total Pages | : 15 |
Release | : 2021-01-01 |
Genre | : Literary Collections |
ISBN | : 1913724263 |
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Author | : William H. Gass |
Publisher | : SIU Press |
Total Pages | : 224 |
Release | : 1996 |
Genre | : Politics and literature |
ISBN | : |
William H. Gass and Lorin Cuoco here present an edited but uncut record of the proceedings of the first international conference convened by the International Writers Center at Washington University in St. Louis. The topic—the writer in politics—was divided into three parts: politics as material for the writers’ work ("The Writer in Politics"), politics as a threatening power over the pen ("The Writer under a Politics"), and politics as a viewpoint held by writers ("The Writer with a Politics"). Major addresses were delivered by Breyten Breytenbach, a white South African who was an early critic of apartheid serving seven years in jail before being exiled from his homeland; Nuruddin Farah, the Somali author of a number of internationally recognized novels, including the trilogy Variations on the Theme of an African Dictatorship, who has also suffered exile; Carolyn Forché, an American poet whose experiences as a Guggenheim Fellow in El Salvador led to her noted second book of poetry, The Country Between Us; Antonio Skarmeta, the Chilean short story writer, screen writer, and novelist whose Insurrection deals with the Nicaraguan Revolution; Luisa Valenzuela, an Argentine novelist and journalist who fled her home country in 1979 and returned a decade later after the restoration of democracy only to find remnants of the former military regime still a legitimate target for her absurdist prose; and Mario Vargas Llosa, the widely acclaimed Peruvian novelist who founded Libertad, the political party under whose banner he unsuccessfully ran for president of his country. The Writer in Politics also includes edited transcriptions of the panel discussions that followed each of the six major addresses. Panelists included Irish poet Eavan Boland, author of seven books of poetry, including In a Time of Violence; Marc Chenetier, professor of American literature at l’Ecole Normale Supérieure in Paris and translator of numerous American authors—including Gass—into French; Robert Coover, writer-in-residence at Brown University and author of such works as Origin of the Brunists and A Public Burning; Ron Himes, founder of the St. Louis Black Repertory Company, which produces African American and Third World playwrights; Liu Binyan, former special correspondent for China’s official newspaper and author of China’s Crisis, China’s Hope; poet Eric Pankey, whose books include Apocrypha and This Reliquary World; Anton Shammas, Palestinian Israeli author whose works include the novel Arabesque; and Richard Watson, professor of philosophy at Washington University and author of The Philosopher’s Demise: Learning French and the novel Niagara.
Author | : Ngũgĩ wa Thiongʼo |
Publisher | : East African Publishers |
Total Pages | : 156 |
Release | : 1981 |
Genre | : Literary Criticism |
ISBN | : 9780435917517 |
Author | : Lyde Cullen Sizer |
Publisher | : Univ of North Carolina Press |
Total Pages | : 372 |
Release | : 2000 |
Genre | : History |
ISBN | : 9780807848852 |
This study explores the lives of nine Northern American female writers of the Civil War period. It examines how, through their writing, they engaged in the national debates of the time. The author shows how they and others used their writing to make sense of topics like war, womanhood and slavery.
Author | : William H. Gass |
Publisher | : SIU Press |
Total Pages | : 224 |
Release | : 1996 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780809320509 |
Six essays and panel transcriptions from The Writer in Politics conference, Washington University, October, 1992, featuring writers describing their place in the political arena. The presenters have "walked the walk" and include Mario Vargas Llosa, Luisa Valenzuela, Nuruddin Farah, and Carolyn Forche who collectively have run for political office, been exiled, jailed, or active as witnesses in a political life. Their insights are a fascinating examination of the role writers play can play as critics, resistors, and contributors to a society's evolution. Annotation copyright by Book News, Inc., Portland, OR
Author | : George Orwell |
Publisher | : Renard Press Ltd |
Total Pages | : |
Release | : 2021-01-01 |
Genre | : Literary Collections |
ISBN | : 1913724271 |
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Author | : John Rodden |
Publisher | : Cambridge University Press |
Total Pages | : 250 |
Release | : 2007-06-21 |
Genre | : Literary Collections |
ISBN | : 9780521675079 |
Author | : Zukiswa Wanner |
Publisher | : Oshun Books |
Total Pages | : 210 |
Release | : 2006 |
Genre | : South Africa |
ISBN | : 1770070583 |
Author | : Zukiswa Wanner |
Publisher | : Nb Pub Limited |
Total Pages | : 219 |
Release | : 2010 |
Genre | : Fiction |
ISBN | : 9780795702983 |
A fascinating novel about three men out from three worlds. Mfundo the musician and dad, Mzi - gay, but married, and Tinyae – a displaced Zimbabwean in South Africa. Modern chick-lit from an author named one of South Africa’s ‘Phenomenal Women’.
Author | : Jacques Rancière |
Publisher | : Stanford University Press |
Total Pages | : 192 |
Release | : 2004 |
Genre | : Philosophy |
ISBN | : 9780804740784 |
This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh. But the word become flesh is not, or no longer, a theological already-given. It is a millennial goal or telos toward which each text strives. Both witty and immensely erudite, Jacques Rancière leads the critical reader through a maze of arrivals toward the moment, perhaps always suspended, when the word finds its flesh. That is what he, a valiant and good-humored companion to these texts, goes questing for through seven essays examining a wide variety of familiar and unfamiliar works. A text is always a commencement, the word setting out on its excursions through the implausible vicissitudes of narrative and the bizarre phantasmagorias of imagery, Don Quixote's unsent letter reaching us through generous Balzac, lovely Rimbaud, demonic Althusser. The word is on its way to an incarnation that always lies ahead of the writer and the reader both, in this anguished democracy of language where the word is always taking on its flesh.