The Worlds Olio

The Worlds Olio
Author: Margaret Cavendish Duchess of Newcastle
Publisher:
Total Pages: 460
Release: 1671
Genre:
ISBN:

Olio O

Olio O
Author: Tyehimba Jess
Publisher:
Total Pages: 0
Release: 2016
Genre: Music
ISBN: 9781940696201

With ambitious manipulations of poetic forms, Jess presents the sweat and story behind America's blues, worksongs and church hymns.

Paper Bodies

Paper Bodies
Author: Margaret Cavendish
Publisher: Broadview Press
Total Pages: 340
Release: 2000-01-20
Genre: Fiction
ISBN: 9781551111735

Margaret Cavendish was one of the most subversive and entertaining writers of the seventeenth century. She invented new genres, challenged gender roles, and critiqued the new science as well as the mores of society. “Paper Bodies” was the wonderful phrase she used to described her manuscripts, which she hoped would continue to make “a great Blazing Light” after her death. There are connections here to Cavendish’s most famous work, The Description of a New World, Called the Blazing World (1666), a unique tale of a woman travelling through the north pole to a strange new world. In addition to The Blazing World, this volume includes Cavendish’s brief autobiography, A True Relation of My Birth, Breeding and Life (1667), her play The Convent of Pleasure, and selections from her Sociable Letters, her poetry, and her critical writings. A variety of background documents by other seventeenth-century writers helps to set her work in context for the modern reader.

Women Critics 1660-1820

Women Critics 1660-1820
Author: Folger Collective on Early Women Critics (Scholarly group)
Publisher: Indiana University Press
Total Pages: 446
Release: 1995
Genre: Literary Criticism
ISBN: 9780253209634

.."". the anthology is engaging and informative and should stimulate further research into this fascinating yet neglected area."" -- English .."". most interest are newly recovered materials... with several works appearing in English translation for the first time. The excellent introductions and reference notes along with the samplings of writings will pique the interest of students of both literature and history. A good readings text for college students and anyone interested in the development of literature and culture."" -- Library Journal This anthology demonstrates women's participation in the construction of criticism as a literary genre. The selected writings, by forty-one of the women who produced criticism between 1660 and 1820, include writers from England, France, Germany, and the United States.

A Writing Halfway Between Theory and Fiction

A Writing Halfway Between Theory and Fiction
Author: Miriam Wallraven
Publisher: Königshausen & Neumann
Total Pages: 320
Release: 2007
Genre: English literature
ISBN: 9783826035708

"This book is focused on the surprisingly large number of feminist women writers in literary history who use different genres for their feminist ideas while subverting or transgressing established boundaries between fictional and theoretical writing. In particular, texts by such diverse authors as Mary Wollstonecraft, Mary Hays, Mary Robinson, Harriet Martineau, Olive Schreiner, Virginia Woolf, the French Feminists Hélène Cixous and Monique Wittig, Margaret Cavendish, and Michèle Roberts are analysed. This chronological in-depth reading of feminist texts is based on the interrelation of content, genre and discourse. The study provides the first analysis of the phenomenon of the gendering of genre and feminists' troubled involvement in "theory" as well as "literature". In this way, key questions concerning the emergence of feminism during the last four hundred years are presented in a new and revealing light; e.g., for what reason did Mary Wollstonecraft not only write her famous feminist treatise A Vindication of the Rights of Woman, but also a novel in which she tests the arguments of her theoretical treatise by means of fiction? What is the significance of Virginia Woolf?s "Novel-Essay" The Pargiters, which seeks to connect theoretical and fictional parts by juxtaposing them? How can the mixture of genres be interpreted which Catherine Clément attributes to the texts of Hélène Cixous as a "writing halfway between theory and fiction?'--Back cover.

Margaret Cavendish

Margaret Cavendish
Author: Emma Rees
Publisher: Manchester University Press
Total Pages: 225
Release: 2024-06-04
Genre: Literary Criticism
ISBN: 1526184036

Margaret Cavendish was one of the most prolific, complex and misunderstood writers of the seventeenth century. A contemporary of Descartes and Hobbes, she was fascinated by philosophical, scientific and imaginative advances, and struggled to overcome the political and cultural obstacles which threatened to stop her engagement with such discourses. Emma Rees examines how Cavendish engaged with the work of thinkers such as Lucretius, Plato, Homer and Harvey in an attempt to write her way out of the exile which threatened not only her intellectual pursuits but her very existence. What emerges is the image of an intelligent, audacious and intrepid early modern woman whose tale will appeal to specialists and general readers alike.

Leadbelly

Leadbelly
Author: Tyehimba Jess
Publisher: Wave Books
Total Pages: 128
Release: 2005
Genre: Poetry
ISBN:

National Poetry Series winner makes compelling poetry from the tumultuous life of blues singer Leadbelly.

The Blazing World Illustrated

The Blazing World Illustrated
Author: Margaret Cavendish
Publisher:
Total Pages: 138
Release: 2020-12-22
Genre:
ISBN:

The Blazing World, is a 1666 work of prose fiction by the English writer Margaret Cavendish, the Duchess of Newcastle. Feminist critic Dale Spender calls it a forerunner ofScience Fiction-General. It can also be read as a utopian work

The Philosophical and Physical Opinions

The Philosophical and Physical Opinions
Author: Margaret Cavendish Duches Newcastle
Publisher: Legare Street Press
Total Pages: 204
Release: 2021-09-09
Genre:
ISBN: 9781014069009

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Nonsense on Stilts

Nonsense on Stilts
Author: Massimo Pigliucci
Publisher: University of Chicago Press
Total Pages: 340
Release: 2010-05-15
Genre: Science
ISBN: 0226667871

Recent polls suggest that fewer than 40 percent of Americans believe in Darwin’s theory of evolution, despite it being one of science’s best-established findings. More and more parents are refusing to vaccinate their children for fear it causes autism, though this link can been consistently disproved. And about 40 percent of Americans believe that the threat of global warming is exaggerated, despite near consensus in the scientific community that manmade climate change is real. Why do people believe bunk? And what causes them to embrace such pseudoscientific beliefs and practices? Noted skeptic Massimo Pigliucci sets out to separate the fact from the fantasy in this entertaining exploration of the nature of science, the borderlands of fringe science, and—borrowing a famous phrase from philosopher Jeremy Bentham—the nonsense on stilts. Presenting case studies on a number of controversial topics, Pigliucci cuts through the ambiguity surrounding science to look more closely at how science is conducted, how it is disseminated, how it is interpreted, and what it means to our society. The result is in many ways a “taxonomy of bunk” that explores the intersection of science and culture at large. No one—not the public intellectuals in the culture wars between defenders and detractors of science nor the believers of pseudoscience themselves—is spared Pigliucci’s incisive analysis. In the end, Nonsense on Stilts is a timely reminder of the need to maintain a line between expertise and assumption. Broad in scope and implication, it is also ultimately a captivating guide for the intelligent citizen who wishes to make up her own mind while navigating the perilous debates that will affect the future of our planet.