The Works Of The Late Aaron Hill V4 1753
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Aaron Hill
Author | : Christine Gerrard |
Publisher | : Oxford University Press, USA |
Total Pages | : 290 |
Release | : 2003 |
Genre | : Biography & Autobiography |
ISBN | : 9780198183884 |
During his lifetime Aaron Hill was one of the most lively cultural patrons and brokers on the London literary scene - an image hard to square with the company of undistinguished scribblers to which Pope relegated him in the Dunciad. Aaron Hill: The Muses' Projector, 1685-1750, the firstbiography of this fascinating figure for nearly a century, aims to correct the distorted picture of the Augustan cultural scene which Pope passed down to posterity. Hill deliberately confronted Pope in his attempt to free poetry's sublime and visionary potential from the stale platitudes ofneo-classical convention. An early champion of women poets, he also enjoyed close relationships with Eliza Haywood and Martha Fowke, and brought his three writing daughters Urania, Astrea, and Minerva into close contact with his lifelong friend the novelist Samuel Richardson. In 1711 Hill, as stagemanager and librettist, introduced Handel to the English stage, as well as lobbying tirelessly for innovation in the eighteenth-century theatre. His entrepreneurial energies, directed at both commercial and cultural projects, mirror the zeitgeist of early Hanoverian Britain.
The Printed Reader
Author | : Amelia Dale |
Publisher | : Rutgers University Press |
Total Pages | : 231 |
Release | : 2019-06-21 |
Genre | : Literary Criticism |
ISBN | : 1684481023 |
The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. The collection brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism.
Here Be Dragons
Author | : David Koerner |
Publisher | : Oxford University Press |
Total Pages | : 448 |
Release | : 2001-11-15 |
Genre | : Science |
ISBN | : 019514600X |
A wealth of new astronomical techniques and space missions may provide this evidence early in the next century."--BOOK JACKET.
Landon Carter's Uneasy Kingdom
Author | : Rhys Isaac |
Publisher | : Oxford University Press |
Total Pages | : 448 |
Release | : 2004-07-15 |
Genre | : History |
ISBN | : 0199728658 |
Landon Carter, a Virginia planter, left behind one of the most revealing of all American diaries. In this astonishingly rich biography, Isaac mines this remarkable document--and many other sources--to reconstruct Carter's interior world as it plunged into revolution. The aging patriarch, though a fierce supporter of American liberty, was deeply troubled by the rebellion and its threat to established order. His diary, originally a record of plantation business, began to fill with angry stories of revolt in his own little kingdom. Carter writes at white heat, his words sputtering from his pen as he documents the terrible rupture that the Revolution meant to him. Indeed, Carter felt in his heart that he was chronicling a world in decline, the passing of the order that his revered father had bequeathed to him. Not only had Landon's king betrayed his subjects, but Landon's own household betrayed him: his son showed insolent defiance, his daughter Judith eloped with a forbidden suitor, all of his slaves conspired constantly, and eight of them made an armed exodus to freedom. The seismic upheaval he helped to start had crumbled the foundations of Carter's own home. In Landon Carter's Uneasy Kingdom Rhys Isaac unfolds not only the life, but also the mental world of our countrymen in a long-distant time. Moreover, in this presentation of Landon Carter's passionate narratives, the diarist becomes an arresting new character in the world's literature, a figure of Shakespearean proportions, the Lear of his own tragic kingdom. This long-awaited work will be seen both as a major contribution to Revolution history and a triumph of the art of biography.
James Thomson
Author | : Richard Terry |
Publisher | : Liverpool University Press |
Total Pages | : 300 |
Release | : 2000-01-01 |
Genre | : Literary Collections |
ISBN | : 9780853239543 |
James Thomson: Essays for the Tercentenary is the first collection of essays devoted exclusively to the works of the eighteenth-century Scottish poet James Thomson. The volume is divided into two sections, the first addressing Thomson’s writings themselves, and the second the reception of his works after his death and their influence on later writers. The first section contains essays analyzing the politics and aesthetics of Thomson’s major poems and also a reevaluation of Thomson as a heroic dramatist. The second section capitalizes on the certainty felt by many in Thomson’s own century that the poet, especially through his most successful poem The Seasons, had won for himself an indelible fame. This volume provides a definitive reappraisal of his achievement for our own times.
Rehearsal from Shakespeare to Sheridan
Author | : Tiffany Stern |
Publisher | : Clarendon Press |
Total Pages | : 354 |
Release | : 2000-05-18 |
Genre | : Drama |
ISBN | : 0191567183 |
Up until now, facts about theatrical rehearsal have been considered irrecoverable. But in this groundbreaking new study, Tiffany Stern gathers together two centuries' worth of historical material which shows how actors received and responded to their parts, and how rehearsal affected the creation and revision of plays. Plotting theatrical change over time, from the mid-sixteenth to the late eighteenth century, this book will revolutionize the fields of textual and theatre history alike.
Dramatic Character in the English Romantic Age
Author | : Joseph W. Donohue Jr. |
Publisher | : Princeton University Press |
Total Pages | : 447 |
Release | : 2015-03-08 |
Genre | : Performing Arts |
ISBN | : 1400873029 |
This was the age of the star. For the first time in the history of the theater, the playwright took second place to the actor; the interpretation of the role assumed primary importance in a assessing a performance. It was Mr. Kean's Hamlet first, and Mr. Shakespeare's second. What effects did this highly subjective, interpretive emphasis have on the drama? Where did it originate and how did it evolve? These questions are considered at length in the author's analysis of the nature of Romanticism itself as revealed in essays, novels, criticism, and by the actors themselves. The Jacobean origins of this revolutionary period are reviewed, followed by a close scrutiny of the critical writing of such contemporary thinkers as Hazlitt, Coleridge, Shelley, and Keats. This entirely new concept provides an important link between the practical theater and the contemporary philosophical thought of the time. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Correspondence with Aaron Hill and the Hill Family
Author | : Samuel Richardson |
Publisher | : Cambridge University Press |
Total Pages | : 721 |
Release | : 2013-12-19 |
Genre | : Literary Criticism |
ISBN | : 1107729009 |
Samuel Richardson (1689–1761) was an established master printer when, at the age of 51, he published his first novel, Pamela, and immediately became one of the most influential and admired writers of his time. Not only were all Richardson's novels written in epistolary form: he was also a prolific letter-writer himself. This volume in the first ever full edition of Richardson's correspondence includes his letters to and from Aaron Hill, the poet, dramatist and entrepreneur (1685–1750). Hill was Richardson's earliest literary friend and advisor as he embarked on a new career as a novelist. This correspondence offers fascinating insight into the compositional processes not just of the two Pamela novels, but of Richardson's later novels Clarissa and The History of Sir Charles Grandison. The volume also contains Richardson's correspondence with Hill's three literary daughters, which forms an invaluable chapter in the history of women's writing and literary criticism.
Representing China on the Historical London Stage
Author | : Dongshin Chang |
Publisher | : Routledge |
Total Pages | : 348 |
Release | : 2015-02-11 |
Genre | : Performing Arts |
ISBN | : 1135007500 |
This book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.