The Works Of John Dryden Poems 1681 1684
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Author | : John Dryden |
Publisher | : Univ of California Press |
Total Pages | : 512 |
Release | : 2023-11-15 |
Genre | : Literary Criticism |
ISBN | : 0520905237 |
This volume contains the poems of Dryden extending from 1681 to 1684. Along with the poems of Dryden and associated extensive commentaries and textual notes from the editors, this volume contains the dramatic prologues and epilogues Dryden wrote for the plays of other writers from this period of time.
Author | : John Dryden |
Publisher | : |
Total Pages | : 414 |
Release | : 1955 |
Genre | : |
ISBN | : |
Author | : Heather O'Donoghue |
Publisher | : |
Total Pages | : 257 |
Release | : 2014 |
Genre | : Literary Criticism |
ISBN | : 0199562180 |
English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth - stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja - on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.
Author | : Ingo Berensmeyer |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 354 |
Release | : 2020-06-22 |
Genre | : Literary Criticism |
ISBN | : 311069140X |
This book explores literary culture in England between 1630 and 1700, focusing on connections between material, epistemic, and political conditions of literary writing and reading. In a number of case studies and close readings, it presents the seventeenth century as a period of change that saw a fundamental shift towards a new cultural configuration: neoclassicism. This shift affected a wide array of social practices and institutions, from poetry to politics and from epistemology to civility.
Author | : Jennifer Keith |
Publisher | : University of Delaware Press |
Total Pages | : 244 |
Release | : 2005 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780874138917 |
Poetry and the Feminine from Behn to Cowper revisits the foundations of poetic representation and value for women and men poets of the Restoration and eighteenth century including Aphra Behn, John Dryden, Anne Killigrew, Anne Finch, and Alexander Pope. The author argues that fundamental to poetic innovation in this era are poets' revisions of feminine figures such as the muse and nature. Feminine Nature serves these poets as an infinitely expandable category of form that allows them to redefine poetry and poetic subjectivity. These poetic innovations include exploring the very grounds of mimesis, dismantling the hierarchy of poetic kinds, and using sensibility to yoke aesthetic and ethical values. Using an inclusive framework, the author presents a history of poetic change through women's and men's complex dialogues with poetic contexts and conventions. Jennifer Keith is Associate Professor at the University of North Carolina at Greensboro.
Author | : John Dryden |
Publisher | : Univ of California Press |
Total Pages | : 512 |
Release | : 1956 |
Genre | : Language Arts & Disciplines |
ISBN | : 0520021185 |
This volume contains the poems of Dryden extending from 1681 to 1684. Along with the poems of Dryden and associated extensive commentaries and textual notes from the editors, this volume contains the dramatic prologues and epilogues Dryden wrote for the plays of other writers from this period of time.
Author | : Rebecca Bullard |
Publisher | : Cambridge University Press |
Total Pages | : 295 |
Release | : 2017-03-24 |
Genre | : History |
ISBN | : 1107150469 |
This collection explores for the first time the importance of secret history in the literature of the long eighteenth century.
Author | : Jason J. Gulya |
Publisher | : Springer Nature |
Total Pages | : 107 |
Release | : 2022-12-02 |
Genre | : Literary Criticism |
ISBN | : 303119036X |
This Palgrave Pivot argues for the significance of allegory in Enlightenment writing. While eighteenth-century allegory has often been dismissed as an inadequate form, both in its time and in later scholarship, this short book reveals how Enlightenment writers adapted allegory to the cultural changes of the time. It examines how these writers analyzed earlier allegories with scientific precision and broke up allegory into parts to combine it with other genres. These experimentations in allegory reflected the effects of empiricism, secularization and a modern aesthetic that were transforming Enlightenment culture. Using a broad range of examples – including classics of the genre, eighteenth-century texts and periodicals – this book argues that the eighteenth century helped make allegory the flexible, protean literary form it is today.
Author | : John Dryden |
Publisher | : Edinburgh, Paterson |
Total Pages | : 480 |
Release | : 1882 |
Genre | : English literature |
ISBN | : |
Author | : Rebecca Herissone |
Publisher | : Boydell & Brewer Ltd |
Total Pages | : 374 |
Release | : 2013 |
Genre | : Art |
ISBN | : 1843837404 |
The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.