The Works of His Grace, George Villiers, Late Duke of Buckingham...
Author | : George Villiers Duke of Buckingham |
Publisher | : |
Total Pages | : 428 |
Release | : 1715 |
Genre | : |
ISBN | : |
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Author | : George Villiers Duke of Buckingham |
Publisher | : |
Total Pages | : 428 |
Release | : 1715 |
Genre | : |
ISBN | : |
Author | : George Villiers Duke of Buckingham |
Publisher | : |
Total Pages | : 430 |
Release | : 1721 |
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Author | : George Villiers Duke of Buckingham |
Publisher | : |
Total Pages | : 486 |
Release | : 1754 |
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Author | : George Villiers Duke of Buckingham |
Publisher | : |
Total Pages | : 296 |
Release | : 1752 |
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Author | : Robert D. Hume |
Publisher | : OUP Oxford |
Total Pages | : 601 |
Release | : 2007-03-22 |
Genre | : Literary Collections |
ISBN | : 0191568686 |
George Villiers, Second Duke of Buckingham (1628-1687) was one of the most scandalous and controversial figures of the Restoration period. He was the principal author of The Rehearsal (1671), an enormously successful burlesque play that ridiculed John Dryden and the rhymed heroic drama. Historians remember Buckingham as an opponent who helped topple Clarendon from power in 1667, as a member of the 'Cabal' government in the early 1670s, and as an ally of the Earl of Shaftesbury in the political crisis of 1678-1683. The duke was prominent among the 'court wits' (Rochester, Etherege, Sedley, Dorset, Wycherley, and their circle); he was closely associated with such writers as Butler and Cowley; he was a conspicuous champion of religious toleration and a friend of William Penn. No edition of Buckingham has been published since 1775, partly because his work presents horrendous attribution problems. He was (probably) adapter or co-author of six plays (two of them vastly successful for more than a century) including one in French that appears here in English for the first time. He is also associated with nine topical pieces (variously political, religious, and satiric) and some twenty poems of wildly varying type. The 'Buckingham' commonplace book has previously been published only in fragmentary form. Almost all of these works present major difficulties in both attribution and annotation, here seriously addressed for the first time. This edition is a companion venture to Harold Love's important edition of Rochester (OUP, 1999).
Author | : Thomas Brown |
Publisher | : |
Total Pages | : 388 |
Release | : 1720 |
Genre | : Erotic literature |
ISBN | : |
Author | : Carly Watson |
Publisher | : Springer Nature |
Total Pages | : 300 |
Release | : 2021-03-26 |
Genre | : Literary Criticism |
ISBN | : 3030370666 |
This book is a critical study of the ancestors of contemporary poetry anthologies: the poetic miscellanies of the late seventeenth and eighteenth centuries. It argues that miscellanies are a distinctive kind of literary collection and that their popularity in the period 1680–1800 had a far-reaching impact on authors, publishers, and readers of poetry. This study expands the definition of miscellanies to include single-author collections called miscellanies as well as the multiple-author collections that have traditionally been the focus of scholarly attention. It shows how multiple-author miscellanies fostered different kinds of literary community and explores the neglected role of single-author miscellanies in the self-fashioning of eighteenth-century writers. Later chapters examine miscellanies’ relationships with periodicals, their contribution to the formation of the literary canon, and their reception and transformation in the hands of readers. The book draws on newly available digital data as well as evidence from hundreds of printed miscellanies to shed new light on how poetry was written, published, and read in the long eighteenth century.