The Works of Henry Purcell: Sacred music, pt. v. Anthems
Author | : Henry Purcell |
Publisher | : |
Total Pages | : 228 |
Release | : 1967 |
Genre | : Dramatic music |
ISBN | : |
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Author | : Henry Purcell |
Publisher | : |
Total Pages | : 228 |
Release | : 1967 |
Genre | : Dramatic music |
ISBN | : |
Author | : Rebecca Herissone |
Publisher | : Routledge |
Total Pages | : 439 |
Release | : 2016-04-01 |
Genre | : Music |
ISBN | : 1317043278 |
The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Author | : Henry Aldrich |
Publisher | : A-R Editions, Inc. |
Total Pages | : 146 |
Release | : 1998-01-01 |
Genre | : Music |
ISBN | : 0895793938 |
Author | : Rebecca Herissone |
Publisher | : Routledge |
Total Pages | : 148 |
Release | : 2017-07-05 |
Genre | : Music |
ISBN | : 1351538950 |
This is the first study to provide a systematic and thorough investigation of continuo realization styles appropriate to Restoration sacred music, an area of performance practice that has never previously been properly assessed. Rebecca Herissone undertakes detailed analysis of a group of organ books closely associated with the major Restoration composers Purcell, Blow and Humfrey, and the London institutions where they spent their professional lives. By investigating the relationship between the organ books' two-stave arrangements and full scores of the same pieces, Herissone demonstrates that the books are subtle sources of information to the accompanist, not just short or skeleton scores. Using this evidence, she formulates a model for continuo realization of this repertory based on the doubling of vocal parts, an approach that differs significantly from that adopted by most modern editors, and which throws into question much of the accepted continuo practice in modern performance of this repertory.
Author | : Amanda Eubanks Winkler |
Publisher | : Cambridge University Press |
Total Pages | : 261 |
Release | : 2020-06-04 |
Genre | : Music |
ISBN | : 1108859968 |
Music, Dance, and Drama in Early Modern English Schools is the first book to systematically analyze the role that the performing arts played in English schools after the Reformation. Although the material record is riddled with gaps, Amanda Eubanks Winkler sheds light on the subject through an innovative methodology that combines rigorous archival research with phenomenological and performance studies approaches. She organizes her study around a series of performance-based questions that demonstrate how the schoolroom intersected with the church, the court, the domicile, the concert room, and the professional theater, which allows her to provide fresh perspectives on well-known canonical operas performed by children, as well as lesser-known works. Eubanks Winkler also interrogates the notion that performance is ephemeral, as she considers how scores and playtexts serve as a conduit between past and present, and demonstrates the ways in which pedagogical performance is passed down through embodied praxis.