The Works Of Henrik Ibsen Hedda Gabler The Master Builder From Ibsens Workshop Notes Scenarios And Drafts Of The Modern Plays
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The National Union Catalog, Pre-1956 Imprints
Author | : Library of Congress |
Publisher | : |
Total Pages | : 712 |
Release | : 1973 |
Genre | : Catalogs, Union |
ISBN | : |
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 584 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |
Oscar Wilde's Plagiarism
Author | : Florina Tufescu |
Publisher | : |
Total Pages | : 216 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : |
Oscar Wilde's plagiarism practices across genres are seen as part of a neo-classical tradition. His allegory of plagiarism in An Ideal Husband is compared to those created by fellow playwrights, including Ibsen and G. B. Shaw. Wilde's polemical imitation of Shakespeare's cut-and-paste method in The Portrait of Mr. W.H. inspires Joyce to experiment with the erasure of quotation marks in Ulysses. The blatant collage of Wilde's poetry anticipates T. S. Eliot's The Waste Land, just as it recalls Manet's paintings, which provocatively assert artistic status by drawing attention to their flatness. The mosaic-like structure of The Picture of Dorian Gray is akin to that of other anti-individualist masterpieces, notably Goethe's Faust and D. M. Thomas's The White Hotel. The extent of sophisticated plagiarism in the canonical works and the impressive list of its apologists from Ackroyd to Zola indicate the need for new models of authorship and intellectual property, models that would benefit scholarly and artistic creativity and solve the paradox of plagiarism as simultaneously one of the most serious and most common of literary crimes.
Ibsen, Scandinavia and the Making of a World Drama
Author | : Narve Fulsås |
Publisher | : Cambridge University Press |
Total Pages | : 294 |
Release | : 2017-11-16 |
Genre | : Literary Criticism |
ISBN | : 1316992799 |
Henrik Ibsen's drama is the most prominent and lasting contribution of the cultural surge seen in Scandinavian literature in the later nineteenth century. When he made his debut in Norway in 1850, the nation's literary presence was negligible, yet by 1890 Ibsen had become one of Europe's most famous authors. Contrary to the standard narrative of his move from restrictive provincial origins to liberating European exile, Narve Fulsås and Tore Rem show how Ibsen's trajectory was preconditioned on his continued embeddedness in Scandinavian society and culture, and that he experienced great success in his home markets. This volume traces how Ibsen's works first travelled outside Scandinavia and studies the mechanisms of his appropriation in Germany, Britain and France. Engaging with theories of book dissemination and world literature, and re-assessing the emergence of 'peripheral' literary nations, this book provides new perspectives on the work of this major figure of European literature and theatre.
The Modern Ibsen
Author | : Hermann John Weigand |
Publisher | : |
Total Pages | : 432 |
Release | : 1925 |
Genre | : Dramatists, Norwegian |
ISBN | : |
The Works of Henrik Ibsen: Hedda Gabler ; The master builder
Author | : Henrik Ibsen |
Publisher | : |
Total Pages | : 468 |
Release | : 1912 |
Genre | : Dramatists, Norwegian |
ISBN | : |
The Master Builder and Other Plays
Author | : Henrik Ibsen |
Publisher | : Penguin UK |
Total Pages | : 369 |
Release | : 2014-10-02 |
Genre | : Drama |
ISBN | : 0141964189 |
Ibsen's greatest late plays in superb modern translations, part of the new Penguin Ibsen series. This volume includes The Master Builder, Little Eyolf, John Gabriel Borkman and When We Dead Awaken - Ibsen's last four plays, written in his old age in Oslo. In The Master Builder, a married, middle-aged architect becomes bewitched by a strange young woman who claims to have known him for years. A sudden death in Little Eyolf is the catalyst that drives a couple into a greater understanding of themselves. In John Gabriel Borkman, a banker recently released from prison must choose between his wife and her sister, while a sculptor on holiday is reunited with the woman who inspired his greatest art in When We Dead Awaken. The new Penguin series of Ibsen's major plays offer the best available editions in English, under the general editorship of Tore Rem. All the plays have been freshly translated by leading translators and are based on the definitive Norwegian edition of Ibsen's works. This volume includes an introduction by Toril Moi on the themes of death and human limitation in the plays, and additional editorial apparatus by Tore Rem. Henrik Ibsen (1828-1906) is often called 'the Father of Modern Drama'. Born in the small Norwegian town of Skien, he left Norway in 1864 for a twenty-one-year long voluntary exile in Italy and Germany. After successes with the verse dramas Brand and Peer Gynt, he turned to prose, writing his great twelve-play cycle of society dramas between 1877 and 1899. This included The Pillars of Society, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, The Lady from the Sea, Hedda Gabler, The Master Builder, Little Eyolf, John Gabriel Borkman, and, finally, When We Dead Awaken. Ibsen returned to Norway in 1891 and died there at the age of seventy-eight. Barbara J. Haveland and Anne-Marie Stanton-Ife are both freelance literary translators. Toril Moi is Professor of English, Theater Studies and Philosophy at Duke University. Her books include Henrik Ibsen and the Birth of Modernism (2006). Tore Rem is Professor of British literature at the University of Oslo and author of Henry Gibson/Henrik Ibsen (2006).
Letters of Henrik Ibsen
Author | : Henrik Ibsen |
Publisher | : |
Total Pages | : 480 |
Release | : 1905 |
Genre | : Authors, Norwegian |
ISBN | : |