Shaping Ecology

Shaping Ecology
Author: Peter G. Ayres
Publisher: John Wiley & Sons
Total Pages: 233
Release: 2012-05-21
Genre: Science
ISBN: 0470671548

Sir Arthur Tansley was the leading figure in ecology for the first half of the 20th century, founding the field, and forming its first professional societies. He was the first President of the British Ecological Society and the first chair of the Field Studies Council. His work as a botanist is considered seminal and he is recognized as one of the giants of ecology throughout the world. Ecology underpins the principles and practices of modern conservation and the maintenance of biodiversity. It explains the causes of, and offers solutions to, problems of climate change. Yet ecology is a young science, barely 100 years old. Its origins lie in phytogeography, the naming and mapping of plants. Shaping Ecology is a book about a multi-faceted man whose friends included Bertrand Russell, Marie Stopes, Julian Huxley, GM Trevelyan, and Solly Zuckerman. Historical context is provided by Tansley's family for his parents moved in the Fabian-socialist world of John Ruskin and Octavia Hill, both instrumental in the foundation of the National Trust. While Britain was relatively slow to protect its green spaces and wildlife, it did establish in 1913 the first professional Ecological Society in the world. Tansley was its President. Organising the British Vegetation Committee and initiating a series of International Phytogeographic Excursions, he changed phytogeography into ecology.

Institutions of Higher Education

Institutions of Higher Education
Author: Linda Sparks
Publisher: Bloomsbury Publishing USA
Total Pages: 489
Release: 1990-01-24
Genre: Education
ISBN: 0313387788

This bibliography brings together in one comprehensive volume citations of books, dissertations, theses, and ERIC microfiche relating to the history of specific institutions of higher education worldwide. All types of postsecondary institutions--two years colleges, liberal arts colleges, seminaries, specialized institutions, and universities--are included. Entries include the following elements when available: author/editor, title, place of publication, publisher, publication date, and number of pages. Citations from 85 countries are included. Entries are by country, dependency, and territory. The United States has been further divided by state. Names of institutions are in English. References are in the language in which they were written. The majority of the citations should be available in a library somewhere in the United States. Obscure sources that may be difficult to obtain have been included because they are often the only citation. All editions of a title as well as older works are included because of their potential value to a researcher. The book should be a part of all college, university, and large public library collections. College of Education faculty members specializing in higher or comparative education will find much of value here.

Works

Works
Author: John Ruskin
Publisher:
Total Pages: 468
Release: 1912
Genre:
ISBN:

Democratising Beauty in Nineteenth-Century Britain

Democratising Beauty in Nineteenth-Century Britain
Author: Lucy Hartley
Publisher: Cambridge University Press
Total Pages: 317
Release: 2017-08-03
Genre: Literary Criticism
ISBN: 1316878600

Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics.