The Witch of Atlas (Esprios Classics)

The Witch of Atlas (Esprios Classics)
Author: Percy Bysshe Shelley
Publisher: Blurb
Total Pages: 34
Release: 2020-10-29
Genre: Poetry
ISBN: 9781715619640

"The Witch of Atlas is a major poetic work of the English romantic poet Percy Bysshe Shelley written in 1820 and published posthumously in 1824 in the Posthumous Poems collection. The poem was written in 78 ottava rima stanzas during the period when Prometheus Unbound and The Cloud were written and reflects similar themes. The theme of the poem is a quest for the perfect union. British composer Sir Granville Bantock wrote a tone poem for orchestra based on the Shelley poem in 1902, The Witch of Atlas: Tone Poem for Orchestra No.5 after Shelley, which was first performed on 10 September 1902."

The Witch of Atlas

The Witch of Atlas
Author: H. Park Bowden
Publisher: Forgotten Books
Total Pages: 312
Release: 2016-11-03
Genre:
ISBN: 9781334156649

Excerpt from The Witch of Atlas: A Ballooning Story His back towards the lamp, this lands man stood idly watching the heaving phosphorescent waters, listening at the same time to the communications of a burly fisherman respecting the winter trawling season, and occasionally making a few comments, or putting a question, in a pleasant tenor voice of refined accent. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Witch of Atlas

The Witch of Atlas
Author: H. Park Bowden
Publisher: Hardpress Publishing
Total Pages: 318
Release: 2012-01
Genre:
ISBN: 9781290275941

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

AUDINT-Unsound:Undead

AUDINT-Unsound:Undead
Author: Steve Goodman
Publisher: MIT Press
Total Pages: 321
Release: 2019-06-18
Genre: Music
ISBN: 1916405215

Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound:Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and holosonic phenomena). For the past seven years the AUDINT group has been researching peripheral sonic perception (unsound) and the ways in which frequencies are utilized to modulate our understanding of presence/non-presence, entertainment/torture, and ultimately life/death. Concurrently, themes of hauntology have inflected the musical zeitgeist, resonating with the notion of a general cultural malaise and a reinvestment in traces of lost futures inhabiting the present. This undead culture has already spawned a Lazarus economy in which Tupac, ODB, and Eazy-E are digitally revivified as laser-lit holograms. The obscure otherworldly dimensions of sound have also been explored in the sonic fictions produced by the likes of Drexciya, Sun Ra, and Underground Resistance, where hauntology is virtually extended: the future appears in the cracks of the present. The contributions to this volume reveal how the sonic nurtures new dimensions in which the real and the imagined (fictional, hyperstitional, speculative) bleed into one another, where actual sonic events collide with spatiotemporal anomalies and time-travelling entities, and where the unsound serves to summon the undead. Contributors Lawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agnès Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.