The Wiriyamu Massacre
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| Author | : Mustafah Dhada |
| Publisher | : Bloomsbury Academic |
| Total Pages | : 257 |
| Release | : 2020-02-20 |
| Genre | : History |
| ISBN | : 1350119962 |
Using interviews as primary sources this book shines a light on the infamous Portuguese massacre of Wiriyamu in colonial Mozambique in 1972. Twenty-four carefully curated testimonies are presented, covering Portugal's last colonial war in Mozambique, and the nationalist response that led to the massacre. Survivors share with you their escape from Wiriyamu, while data collectors, priests and journalists tell of their struggle to collect evidence and defend the truth about the killings in the international press. The Wiriyamu Massacre contextualizes the unique importance of the oral evidence it contains and reveals the in-depth interview methods used to gather the oral testimonies, and subsequently curate the transcript into readable texts. This is the horrific story of Wiriyamu, and what it can tell you about European colonialism, genocide and the darkness in humanity, spoken by the people who were there and who tried to tell the world.
| Author | : Mustafah Dhada |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 257 |
| Release | : 2020-02-20 |
| Genre | : History |
| ISBN | : 1350120006 |
Using interviews as primary sources this book shines a light on the infamous Portuguese massacre of Wiriyamu in colonial Mozambique in 1972. Twenty-four carefully curated testimonies are presented, covering Portugal's last colonial war in Mozambique, and the nationalist response that led to the massacre. Survivors share with you their escape from Wiriyamu, while data collectors, priests and journalists tell of their struggle to collect evidence and defend the truth about the killings in the international press. The Wiriyamu Massacre contextualizes the unique importance of the oral evidence it contains and reveals the in-depth interview methods used to gather the oral testimonies, and subsequently curate the transcript into readable texts. This is the horrific story of Wiriyamu, and what it can tell you about European colonialism, genocide and the darkness in humanity, spoken by the people who were there and who tried to tell the world.
| Author | : Mostafa Minawi |
| Publisher | : Stanford University Press |
| Total Pages | : 240 |
| Release | : 2016-06-15 |
| Genre | : History |
| ISBN | : 0804799296 |
The Ottoman Scramble for Africa is the first book to tell the story of the Ottoman Empire's expansionist efforts during the age of high imperialism. Following key representatives of the sultan on their travels across Europe, Africa, and Arabia at the close of the nineteenth century, it takes the reader from Istanbul to Berlin, from Benghazi to Lake Chad Basin to the Hijaz, and then back to Istanbul. It turns the spotlight on the Ottoman Empire's expansionist strategies in Africa and its increasingly vulnerable African and Arabian frontiers. Drawing on previously untapped Ottoman archival evidence, Mostafa Minawi examines how the Ottoman participation in the Conference of Berlin and involvement in an aggressive competition for colonial possessions in Africa were part of a self-reimagining of this once powerful global empire. In so doing, Minawi redefines the parameters of agency in late-nineteenth-century colonialism to include the Ottoman Empire and turns the typical framework of a European colonizer and a non-European colonized on its head. Most importantly, Minawi offers a radical revision of nineteenth-century Middle East history by providing a counternarrative to the "Sick Man of Europe" trope, challenging the idea that the Ottomans were passive observers of the great European powers' negotiations over solutions to the so-called Eastern Question.
| Author | : Maria do Carmo Piçarra |
| Publisher | : Peter Lang Limited, International Academic Publishers |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Africa |
| ISBN | : 9781787073180 |
Cover -- Contents -- List of Figures -- Acknowledgements -- Foreword (Lúcia Nagib) -- Colonial Reflections, Post-Colonial Refractions: Film and the Moving Image in the Portuguese (Post- )Colonial Situation (Maria do Carmo Piçarra and Teresa Castro) -- Part I The Birth [through Images] of African Nations -- 1"Ruy Duarte: A Cinema of the Word Aspiring to Imagine Angolanness (Maria do Carmo Piçarra) -- 2"Between the Visible and the Invisible: Mueda, Memória e Massacre by Ruy Guerra and the Cultural Forms of the Makonde Plateau (Raquel Schefer) -- 3"Clear Lines on an Internationalist Map: Foreign Filmmakers in Angola at Independence (Ros Gray) -- 4"The Many Returns to Wiriyamu: Audiovisual Testimony and the Negotiation of Colonial Violence (Robert Stock) -- Part II The Fall of the Portuguese Empire: Foreign Gazes during the Cold War -- 5 'Rarely penetrated by camera or film': NBC's Angola:Journey to a War (1961) (Afonso Ramos) -- 6"The US and Portuguese Colonialism as Imagined through Television Drama (Rui Lopes) -- 7"African Independence and the Socialist Republic of Romania's Photographic Archive (Iolanda Vasile) -- Part III Moving Images, Post-Colonial Representations and the Archive -- 8"Colonial Collection of the Portuguese Film Archive: Shot, Reverse Shot, Off-Screen (José Manuel Costa) -- 9"A Decolonizing Impulse: Artists in the Colonial and Post-Colonial Archive, Or the Boxes of Departing Settlers between Maputo, Luanda and Lisbon (Ana Balona de Oliveira) -- 10"In-Between Memory and History: Artists' Films and the Portuguese Colonial Archive (Teresa Castro) -- Part IV Rethinking (Post- )Colonial Narratives: Artistic Takes -- 11 Drawing and Undrawing my Genealogy (Daniel Barroca) -- 12"A Grin without Marker (Filipa César) -- 13"Hotel Globo (Mónica de Miranda) -- Notes on Contributors -- Index
| Author | : Deep Halder |
| Publisher | : Harper Collins |
| Total Pages | : 122 |
| Release | : 2019-05-25 |
| Genre | : History |
| ISBN | : 9353025885 |
'When the house of history is on fire, journalists are often the first-responders, pulling victims away from the flames. Deep Halder is one of them.' - Amitava KumarIn 1978, around 1.5 lakh Hindu refugees, mostly belonging to the lower castes, settled in Marichjhapi an island in the Sundarbans, in West Bengal. By May 1979, the island was cleared of all refugees by Jyoti Basu's Left Front government. Most of the refugees were sent back to the central India camps they came from, but there were many deaths: of diseases, malnutrition resulting from an economic blockade, as well as from violence unleashed by the police on the orders of the government. Some of the refugees who survived Marichjhapi say the number of those who lost their lives could be as high as 10,000, while the-then government officials maintain that there were less than ten victims.How does an entire island population disappear? How does one unearth the truth and the details of one of the worst atrocities of post-Independent India? Journalist Deep Halder reconstructs the buried history of the 1979 massacres through his interviews with survivors, erstwhile reporters, government officials and activists with a rare combination of courage, conscientiousness and empathy.
| Author | : Mustafah Dhada |
| Publisher | : |
| Total Pages | : 368 |
| Release | : 1993 |
| Genre | : History |
| ISBN | : |
Mustafah Dhada's compelling account of Guinea's struggle for independence from Portuguese rule. A Cape Verdian agronomist fully committed to nationalist unity in Luso-Africa and to the independence of Guinea, Amilar Lopes Cabral helped form the African Independence Party of Guinea Verde (PAIGC) (Partido Africano da Guine e Cabo). Through PAIGC's efforts, a nationalist army was established, a guerilla war was launched, and a protracted drive for a nation-state mounted. WARRIORS AT WORK addresses for the first time key questions regarding the fight to free Guinea: Was the PAIGC the only nationalist movement to emerge in Guinea? Was the mobilisation drive and nationalist war a straightforward march to victory with the PAIGC calling the shots? Was the campaign for statehood instigated solely to forge a new social order? Dhada cuts through revolutionary rhetoric to reveal a remarkable human drama fought at the front lines and beyond.
| Author | : Stephen Gray |
| Publisher | : Puffin Books |
| Total Pages | : 440 |
| Release | : 1989 |
| Genre | : Fiction |
| ISBN | : |
Gathers poems by writers from South Africa, Zimbabwe, Swaziland, Mozambique, Angola, Malawi, Namibia, and Zambia.
| Author | : Luis Rafael |
| Publisher | : Roman |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Mozambican poetry (Portuguese) |
| ISBN | : 9789380905082 |
With an acute attention to detail "Stained Glass" is the first collection of Mozambican poetry of its kind which tries to encompass the entire literary landscape with its variety and multiplicity. Translated from original Portuguese.
| Author | : Eric Burton |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 406 |
| Release | : 2021-06-08 |
| Genre | : History |
| ISBN | : 3110623544 |
This edited volume examines entanglements and disentanglements between Africa and East Germany during and after the Cold War from a global history perspective. Extending the view beyond political elites, it asks for the negotiated and plural character of socialism in these encounters and sheds light on migration, media, development, and solidarity through personal and institutional agency. With its distinctive focus on moorings and unmoorings, the volume shows how the encounters, albeit often brief, significantly influenced both African and East German histories.
| Author | : Nancy Rose Hunt |
| Publisher | : Duke University Press |
| Total Pages | : 223 |
| Release | : 2015-12-30 |
| Genre | : History |
| ISBN | : 0822375249 |
In A Nervous State, Nancy Rose Hunt considers the afterlives of violence and harm in King Leopold’s Congo Free State. Discarding catastrophe as narrative form, she instead brings alive a history of colonial nervousness. This mood suffused medical investigations, security operations, and vernacular healing movements. With a heuristic of two colonial states—one "nervous," one biopolitical—the analysis alternates between medical research into birthrates, gonorrhea, and childlessness and the securitization of subaltern "therapeutic insurgencies." By the time of Belgian Congo’s famed postwar developmentalist schemes, a shining infertility clinic stood near a bleak penal colony, both sited where a notorious Leopoldian rubber company once enabled rape and mutilation. Hunt’s history bursts with layers of perceptibility and song, conveying everyday surfaces and daydreams of subalterns and colonials alike. Congolese endured and evaded forced labor and medical and security screening. Quick-witted, they stirred unease through healing, wonder, memory, and dance. This capacious medical history sheds light on Congolese sexual and musical economies, on practices of distraction, urbanity, and hedonism. Drawing on theoretical concepts from Georges Canguilhem, Georges Balandier, and Gaston Bachelard, Hunt provides a bold new framework for teasing out the complexities of colonial history.
