The White Savannahs

The White Savannahs
Author: W.E. Collin
Publisher: University of Toronto Press
Total Pages: 329
Release: 1975-12-15
Genre: Literary Criticism
ISBN: 1442654910

The White Savannahs, originally published in 1936, is the first study of Canadian poetry from a modern point of view. It contains essays on Archibald Lampman, Marjorie Pickthall, E.J. Pratt, Leo Kennedy, A.M. Klein, A.J.M. Smith, F.R. Scott, Marie Le Franc, and Dorothy Livesay. The contributions are based on a series of analytical essays originally published in the Canadian Forum and in the University of Toronto Quarterly. Professor Collin's work added much to the establishment of a new climate of opinion among readers and publishers of poetry in Canada.

Selected Writings

Selected Writings
Author: A.J.M. Smith
Publisher: Dundurn
Total Pages: 170
Release: 2006-09-23
Genre: Literary Criticism
ISBN: 1550029363

Arthur James Marshall Smith — prize-winning poet, essayist, influential anthologist, and critic — died in 1980. His last book, The Classic Shade: Selected Poems, on which Selected Writings is based, stands as his final intention in the world of literature.To this long out of print book the editor has added original material by Smith in which he defined and advanced modernism in Canadian writing. This edition also includes annotation, anextended introduction, and a bibliography.

The Fiddlehead Moment

The Fiddlehead Moment
Author: Tony Tremblay
Publisher: McGill-Queen's Press - MQUP
Total Pages: 324
Release: 2019-12-05
Genre: Literary Criticism
ISBN: 0228000548

For many Canadians, the small province of New Brunswick on Canada's scenic east coast is "a nice place to visit but no place to live," plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group of literary modernists who set out to change the meaning of New Brunswick in the national lexicon. Alfred Bailey, Desmond Pacey, Fred Cogswell, and a formidable group of local poets and cultural workers – collectively, New Brunswick's Fiddlehead School – sought to restore New Brunswick's literary reputation by adapting avant-garde modernist practices to the contours of the province, opening it to the contemporary world while also encouraging writers to make it their subject. The result was a non-urban form of modernism that was as responsive to technical innovation as to the human geographies of New Brunswick. By placing New Brunswick writers and critics at the forefront of Canadian literature in the midcentury modernist project, Tremblay adds an important new chapter to our understanding of Canadian modernism. The Fiddlehead Moment is the first critical examination of this group's considerable influence. Whether through Bailey's ethnomethodology, Pacey's critical ordering, or Cogswell's editorial eclecticism in the Fiddlehead magazine and Fiddlehead Poetry Books, authors in New Brunswick, Tremblay argues, had a profound impact on writing in Canada.

Avant-Garde Canadian Literature

Avant-Garde Canadian Literature
Author: Gregory Betts
Publisher: University of Toronto Press
Total Pages: 329
Release: 2013-02-27
Genre: Literary Criticism
ISBN: 1442696915

In Avant-Garde Canadian Literature, Gregory Betts draws attention to the fact that the avant-garde has had a presence in Canada long before the country's literary histories have recognized, and that the radicalism of avant-garde art has been sabotaged by pedestrian terms of engagement by the Canadian media, the public, and the literary critics. This book presents a rich body of evidence to illustrate the extent to which Canadians have been producing avant-garde art since the start of the twentieth century. Betts explores the radical literary ambitions and achievements of three different nodes of avant-garde literary activity: mystical revolutionaries from the 1910s to the 1930s; Surrealists/Automatists from the 1920s to the 1960s; and Canadian Vorticists from the 1920s to the 1970s. Avant-Garde Canadian Literature offers an entrance into the vocabulary of the ongoing and primarily international debate surrounding the idea of avant-gardism, providing readers with a functional vocabulary for discussing some of the most hermetic and yet energetic literature ever produced in this country.

Northrop Frye on Canada

Northrop Frye on Canada
Author: Northrop Frye
Publisher: University of Toronto Press
Total Pages: 810
Release: 2003-01-01
Genre: Literary Collections
ISBN: 9780802037107

Brings together all of the writings of Northrop Frye, both published and unpublished, on the subject of Canadian literature and culture, from his early book reviews of the 1930s and 1940s through his cultural commentaries of the 60s, 70s, and 80s.

The Gay[Grey Moose

The Gay[Grey Moose
Author: D.M.R. Bentley
Publisher: University of Ottawa Press
Total Pages: 341
Release: 1992-01-01
Genre: Literary Collections
ISBN: 0776617141

The Gay]Grey Moose is a collection of essays presenting a comprehensive view of English poetry in Canada from the early colonial period to the Post-Modern era. From a wide range of poets, this book provides fresh contexts for viewing and discussing three centuries of English Canadian poetry. Both national and regional in its orientation, it seeks to discover the relationship between poetry and landscape in a poetic continuity that stretches from the late 17th century to the present.

A History of Canadian Literature

A History of Canadian Literature
Author: William H. New
Publisher: McGill-Queen's Press - MQUP
Total Pages: 496
Release: 2003
Genre: Literary Criticism
ISBN: 9780773525979

"New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts." Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how – from early records of oral tales to the writing strategies of the early twenty-first century – writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers representations of the "real," whether in documentary, fantasy, or satire; historical romance and the social construction of Nature and State; and ironic subversions of power, the politics of cultural form, and the relevance of the media to a representation of community standard and individual voice. New suggests some ways in which writers of the later twentieth century codified such issues as history, gender, ethnicity, and literary technique itself. In this second edition, he adds a lengthy chapter that considers how writers at the turn of the twenty-first century have reimagined their society and their roles within it, and an expanded chronology and bibliography. Some of these writers have spoken from and about various social margins (dealing with issues of race, status, ethnicity, and sexuality), some have sought emotional understanding through strategies of history and memory, some have addressed environmental concerns, and some have reconstructed the world by writing across genres and across different media. All genres are represented, with examples chosen primarily, but not exclusively, from anglophone and francophone texts. A chronology, plates, and a series of tables supplement the commentary.

Battle Lines

Battle Lines
Author: Joel Baetz
Publisher: Wilfrid Laurier Univ. Press
Total Pages: 192
Release: 2018-05-25
Genre: Literary Criticism
ISBN: 1771123214

For Canadians, the First World War was a dynamic period of literary activity. Almost every poet wrote about the war, critics made bold predictions about the legacy of the period’s poetry, and booksellers were told it was their duty to stock shelves with war poetry. Readers bought thousands of volumes of poetry. Twenty years later, by the time Canada went to war again, no one remembered any of it. Battle Lines traces the rise and disappearance of Canadian First World War poetry, and offers a striking and comprehensive account of its varied and vexing poetic gestures. As eagerly as Canadians took to the streets to express their support for the war, poets turned to their notebooks, and shared their interpretations of the global conflict, repeating and reshaping popular notions of, among others, national obligation, gendered responsibility, aesthetic power, and deathly presence. The book focuses on the poetic interpretations of the Canadian soldier. He emerges as a contentious poetic subject, a figure of battle romance, and an emblem of modernist fragmentation and fractiousness. Centring the work of five exemplary Canadian war poets (Helena Coleman, John McCrae, Robert Service, Frank Prewett, and W.W.E. Ross), the book reveals their latent faith in collective action as well as conflicting recognition of modernist subjectivities. Battle Lines identifies the Great War as a long-overlooked period of poetic ferment, experimentation, reluctance, and challenge.

Alan Crawley and Contemporary Verse

Alan Crawley and Contemporary Verse
Author: Joan McCullagh
Publisher: UBC Press
Total Pages: 119
Release: 2011-11-01
Genre: Literary Criticism
ISBN: 0774844337

Little magazines like Alan Crawley's Contemporary Verse are the life blood of literary culture. They provide an ongoing forum in which both well established and new poets can experiment and present their latest work, and it is often with the little magazines, therefore, that litearary change and oringiality have their beginnings. In this book Joan McCullagh shows how, between 1941 and 1952, the magazine charted the establishment of modernism in Canadian poetry by publishing, even before 1947, the largest, most impressive, and most representative collection of early forties' poetry in the country. Her extensive quotation from the hitherto unbpublished correspondence between Crawley and nearly every major poet of the forties also shows how important and valued a literary influence Crawley himself was as a critic and advisor behind the scenes.