The Whale And His Captors
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Author | : Henry T. Cheever |
Publisher | : University Press of New England |
Total Pages | : 358 |
Release | : 2018-05-01 |
Genre | : History |
ISBN | : 1512602663 |
The Whale and His Captors is an important firsthand account of the golden age of American whaling, chronicling both its lore and science as practiced from the inception of the fishery to the mid-1800s. Late in the composition of Moby-Dick, Herman Melville found inspiration in Cheever and his writings that would provide the final flourishes for one of America's classic novels. After exhausting other whaling sources - Beale, Scoresby, Bennett, and Browne - Melville turned to Cheever for chapter titles and organization as well as passages that helped shape, define, and elucidate his great work. This is the first scholarly edition of The Whale and His Captors, accompanied by an introduction and apparatus that clearly elucidates Cheever's treatise on whaling and demonstrates how his writings contributed both to the course of American literature and to our burgeoning understanding of literature's engagement with the natural world.
Author | : Henry Theodore Cheever |
Publisher | : |
Total Pages | : 362 |
Release | : 1864 |
Genre | : |
ISBN | : |
Author | : Henry Theodore Cheever |
Publisher | : New York : Harper & Bros. |
Total Pages | : 340 |
Release | : 1850 |
Genre | : Cetacea |
ISBN | : |
Author | : Alexander Starbuck |
Publisher | : |
Total Pages | : 794 |
Release | : 1878 |
Genre | : Technology & Engineering |
ISBN | : |
Author | : D. Graham Burnett |
Publisher | : Princeton University Press |
Total Pages | : 299 |
Release | : 2007 |
Genre | : History |
ISBN | : 0691146152 |
D. Graham Burnett recovers the strange story of Maurice v. Judd, an 1818 trial that pitted the new sciences of taxonomy against the then-popular--and biblically sanctioned--view that the whale was a fish. The immediate dispute was mundane: whether whale oil was fish oil and therefore subject to state inspection. But the trial fueled a sensational public debate in which nothing less than the order of nature--and how we know it--was at stake. Burnett vividly re-creates the trial, during which a parade of experts--pea-coated whalemen, pompous philosophers, Jacobin lawyers--took the witness stand, brandishing books, drawings, and anatomical reports, and telling tall tales from whaling voyages. Falling in the middle of the century between Linnaeus and Darwin, the trial dramatized a revolutionary period that saw radical transformations in the understanding of the natural world. Out went comfortable biblical categories, and in came new sorting methods based on the minutiae of interior anatomy--and louche details about the sexual behaviors of God's creatures. - Publisher.
Author | : R. D. Madison |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 391 |
Release | : 2016-03-28 |
Genre | : Literary Criticism |
ISBN | : |
This fascinating anthology introduces readers to the literary side of Herman Melville's whaling world with an unprecedented collection of the original whaling texts from which Melville drew to create his masterpiece, Moby-Dick. The notorious 1820 sinking of the whaleship Essex inspired Herman Melville's Moby-Dick, as recounted in Nathaniel Philbrick's bestselling book In the Heart of the Sea: The Tragedy of the Whaleship Essex—now a major motion picture. But how exactly did Melville transmute the historic tragedy of the Essex into what is arguably the "Great American Novel"? Here, for the first time, R.D. Madison collects together Melville's personal "library" of whaling and whale-lore into a single volume and presents these primary sources in a way that readers can readily see how a horrific whaling tragedy became a literary masterpiece. But where did Moby-Dick begin? Prompted by sailor-author Richard Henry Dana, Jr., Melville supplemented his own firsthand experience as a whaleman in the South Pacific with "libraries" of books that he "swum through" to create his whaling masterpiece. Scholars and lay readers alike have long wondered how he did it, and over the past 60 years, a very tight theory of inspiration and creation has emerged. It is very likely wrong. This volume gathers together for the first time all of the main texts that Melville encountered, including the accounts of the unique sinking of the Essex by a sperm whale that provided the climax for Moby-Dick. Melville scholar R. D. Madison examines what critics have said about Melville's response to the sinking and offers the challenging thesis that Melville did not even begin the book at all until spurred on by Dana in the spring of 1850.
Author | : Mark H. Dunkelman |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 288 |
Release | : 1999-04-30 |
Genre | : History |
ISBN | : 0313003807 |
He was found dead on the battlefield at Gettysburg, an unknown soldier with nothing to identify him but an ambrotype of his three children, clutched in his fingers. With the photograph as the single, sad clue to his identity, a publicity campaign to locate his family swept the North. Within a month, the bereaved widow and children were located in Portville, New York, and the devoted father was revealed to be Sergeant Amos Humiston of the 154th New York Volunteers. Using many previously untapped sources, this book tells the tale of 19th-century war, sentiment, and popular culture in greater detail than ever before. The Humiston story touched deep emotions in Civil War America, and inspired a flood of heartfelt prose, poetry, and song. Amid a vast outpouring of public sympathy, a charitable drive evolved to assist the bereft family. At the end of the war, the crusade was expanded to establish a home at Gettysburg for orphans of deceased soldiers. The first residents of the institution were Amos Humiston's widow Philinda and her three children: Franklin, Alice, and Frederick. In this extensive account, a full portrait emerges of Amos Humiston, the loving husband and father destined to be remembered for his death tableau, and his family, the widow and orphans who struggled for the rest of their lives with celebrity born of tragedy.
Author | : Ryan Tucker Jones |
Publisher | : University of Hawaii Press |
Total Pages | : 336 |
Release | : 2022-07-31 |
Genre | : History |
ISBN | : 0824892135 |
More than any other locale, the Pacific Ocean has been the meeting place between humans and whales. From Indigenous Pacific peoples who built lives and cosmologies around whales, to Euro-American whalers who descended upon the Pacific during the nineteenth century, and to the new forms of human-cetacean partnerships that have emerged from the late twentieth century, the relationship between these two species has been central to the ocean’s history. Across Species and Cultures: Whales, Humans, and Pacific Worlds offers for the first time a critical, wide-ranging geographical and temporal look at the varieties of whale histories in the Pacific. The essay contributors, hailing from around the Pacific, present a wealth of fascinating stories while breaking new methodological ground in environmental history, women’s history, animal studies, and Indigenous ontologies. In the process they reveal previously hidden aspects of the story of Pacific whaling, including the contributions of Indigenous people to capitalist whaling, the industry’s exceptionally far-reaching spread, and its overlooked second life as a global, industrial slaughter in the twentieth century. While pointing to striking continuities in whaling histories around the Pacific, Across Species and Cultures also reveals deep tensions: between environmentalists and Indigenous peoples, between ideas and realities, and between the North and South Pacific. The book delves in unprecedented ways into the lives and histories of whales themselves. Despite the worst ravages of commercial and industrial whaling, whales survived two centuries of mass killing in the Pacific. Their perseverance continues to nourish many human communities around and in the Pacific Ocean where they are hunted as commodities, regarded as signs of wealth and power, act as providers and protectors, but are also ancestors, providing a bridge between human and nonhuman worlds.
Author | : Herman Melville |
Publisher | : Northwestern University Press |
Total Pages | : 1072 |
Release | : 1988-09-09 |
Genre | : Fiction |
ISBN | : 0810102692 |
In Moby Dick Melville set out to write a "mighty book" on "a mighty theme." The editors of this critical text affirm that he succeeded. Nevertheless, their prolonged examination of the novel reveals textual flaws and anomalies that help to explain Melville's fears that his great work was in some ways a hash or a botch. A lengthy historical note also gives a fresh account of Melville's earlier literary career and his working conditions as he wrote; it also analyzes the book's contemporary reception and outlines how it finally achieved fame. Other sections review theories of the book's genesis, detail the circumstances of its publication, and present documents closely relating to the story. This scholarly edition is based on collations of both editions published during Melville's lifetime, it adopts 185 revisions and corrections from the English edition and incorporates 237 emendations by the series editors. This is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).
Author | : Owen Chase |
Publisher | : Zenith Press |
Total Pages | : 224 |
Release | : 2015-03-20 |
Genre | : History |
ISBN | : 1627886184 |
Read Owen Chase's memoir which inspired Moby-Dick and In the Heart of the Sea, the major motion picture from Ron Howard, released December 2015. Owen Chase was the first mate on the ill-fated American whaling ship Essex, which was attacked and sunk by a sperm whale in the southern Pacific Ocean in 1820. The crew spent months at sea in leaking boats and endured the blazing sun, attacks by killer whales, and lack of food. The men were forced to resort to cannibalism before the final eight survivors were rescued. Herman Melville based his 1851 novel, Moby-Dick, on the sinking. Chase recorded the tale of the ship's sinking and the following events with harrowing clarity in the Wreck of the Whale Ship Essex. "I turned around and saw him about one hundred rods [500 m or 550 yards] directly ahead of us, coming down with twice his ordinary speed of around 24 knots (44 km/h), and it appeared with tenfold fury and vengeance in his aspect. The surf flew in all directions about him with the continual violent thrashing of his tail. His head about half out of the water, and in that way he came upon us, and again struck the ship." - Owen Chase. Filled with art, photographs, maps, and artifacts, this is a richly illustrated edition of Chase's memoir, augmented with memoirs of other participants, as well as the perspectives of historians, contemporary and modern. "If you are interested in a coffee-table book which covers the importance of the whaling industry and the wreck that influenced Herman Melville to write the American classic Moby-Dick, then get the Complete Illustrated Edition: Wreck of the Whale Ship Essex." - William Connery, Author of Civil War Northern Virginia 1861