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| Author | : |
| Publisher | : Wildside Press LLC |
| Total Pages | : 138 |
| Release | : 1989-01-01 |
| Genre | : Fiction |
| ISBN | : 1557420327 |
A popular and enthusiastic guide to the major continuing western hero characters of the American pulp magazine era, complete with bibliography, index, and illustrations of pulp covers, and with a new introduction by well-known Western writer, Ryerson Johnson.
| Author | : John A. Dinan |
| Publisher | : Bearmanor Media |
| Total Pages | : 180 |
| Release | : 2000-09 |
| Genre | : Literary Criticism |
| ISBN | : 9781593930035 |
The working cowboy would never be found in great abundance in the pulp magazines, or in the dime novels, in hard- or soft-cover books, or something else. A man for all seasons, the cowboy of fiction survives because of the genius of first-rate authors like James Fenimore Cooper and such modern masters of the art as Fred Glidden (Luke Short) and Ernest Haycox, and in spite of the works of hacks like Edward Judson (Ned Buntline). This book covers a generation, the pulp era of the 1920s, 30s, and 40s of pulp fictioneers who cranked out millions, perhaps even hundreds of millions, or words for the several hundred western pulp magazines then active. It also provides a short history of the origins of Western American fiction, plus a brief commentary on the genres evolution into the paperback era.
| Author | : Steven S Long |
| Publisher | : |
| Total Pages | : 346 |
| Release | : 2019-04-27 |
| Genre | : |
| ISBN | : 9781583660577 |
The Twenties and Thirties were a golden age of adventure as two-fisted heroes and daring explorers came to life in the pages of pulp magazines. Now you can create roleplaying games and characters set in this thrilling era!
| Author | : Julie Sasse |
| Publisher | : |
| Total Pages | : |
| Release | : 2022-03-17 |
| Genre | : |
| ISBN | : 9780911611472 |
Brad Kahlhamer: 11:59 to Tucson is a solo exhibition at the Tucson Museum of Art of works by Tucson-born, Mesa/New York-based Brad Kahlhamer (b. 1956), who creates highly personal narratives that are both autobiographical reflections on his life and quixotic reveries about his identity.
| Author | : Ed Brubaker |
| Publisher | : Image Comics |
| Total Pages | : 80 |
| Release | : 2020-07-29 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1534318437 |
A gorgeous original graphic novel from the bestselling creators of KILL OR BE KILLED, MY HEROES HAVE ALWAYS BEEN JUNKIES, and CRIMINAL. Max Winters, a pulp writer in 1930s New York, finds himself drawn into a story not unlike the tales he churns out at five cents a word—tales of a Wild West outlaw dispensing justice with a six-gun. But will Max be able to do the same when pursued by bank robbers, Nazi spies, and enemies from his past? One part thriller, one part meditation on a life of violence, PULP is unlike anything award-winning BRUBAKER & PHILLIPS have ever done before. This celebration of pulp fiction set in a world on the brink is another must-have hardcover from one of comics’ most acclaimed teams. “Like Scorsese and De Niro, BRUBAKER and PHILLIPS are the unmatched masters of a certain kind of storytelling. A new title from the sharpshooters behind Fatale and Criminal is reason enough to go on living.” —Joe Hill (Locke & Key)
| Author | : Jeremy Agnew |
| Publisher | : McFarland |
| Total Pages | : 245 |
| Release | : 2014-11-19 |
| Genre | : Literary Criticism |
| ISBN | : 1476618143 |
As business interests have commercialized the American West and publishers and studios have created compelling imagery, the expectations of readers and moviegoers have influenced perceptions of the cowboy as a hero. This book describes the evolution of the cowboy hero as a mythic persona created by dime novels, television and Hollywood. Much of our concept of the cowboy comes to us from movies and the book's main focus is his changing image in cinema. The development of the hero image and the fictional West is traced from early novels and films to the present, along with shifting audience expectations and economic pressures.
| Author | : Jeremy Agnew |
| Publisher | : McFarland |
| Total Pages | : 245 |
| Release | : 2014-12-16 |
| Genre | : Literary Criticism |
| ISBN | : 078647839X |
As business interests have commercialized the American West and publishers and studios have created compelling imagery, the expectations of readers and moviegoers have influenced perceptions of the cowboy as a hero. This book describes the evolution of the cowboy hero as a mythic persona created by dime novels, television and Hollywood. Much of our concept of the cowboy comes to us from movies and the book's main focus is his changing image in cinema. The development of the hero image and the fictional West is traced from early novels and films to the present, along with shifting audience expectations and economic pressures.
| Author | : Ed Hulse |
| Publisher | : Createspace Independent Publishing Platform |
| Total Pages | : 220 |
| Release | : 2017-09-11 |
| Genre | : |
| ISBN | : 9781976273452 |
The Shadow, The Spider, The Avenger, Doc Savage, The Black Bat, The Phantom Detective - these swashbuckling heroes of mid-20th-century pulp fiction all had one thing in common: They fought crime from outside the law, unhindered by red tape and unmindful of such legal niceties as due process. They fought with fists and guns, for the most part hiding their true identities beneath outlandish costume and grotesque disguises. This collection of essays by distinguished pulp-fiction aficionados chronicles the era of single-character magazines from offbeat angles and with keen insight. The pieces herein analyze key stories and characters while offering rare, behind-the-scenes glimpses of authors and editors at work, crafting and polishing the pulp-paper fever dreams that enthralled millions of young readers during the Great Depression, World War II, and beyond. Ed Hulse, editor of BLOOD 'N' THUNDER, the award-winning journal of adventure, mystery and melodrama, has assembled these affectionate essays with loving care and a discerning eye for the high-water marks in this phase of American popular culture. This third volume in the series BLOOD 'N' THUNDER PRESENTS, like its predecessors, is profusely illustrated with pulp-magazine covers and original artwork.
| Author | : Maxim Jakubowski |
| Publisher | : C & R Crime |
| Total Pages | : 671 |
| Release | : 2014-02-20 |
| Genre | : Fiction |
| ISBN | : 147211180X |
Pulp fiction has been looked down on as a guilty pleasure, but it offers the perfect form of entertainment: the very best storytelling filled with action, surprises, sound and fury. In short, all the exhiliration of a roller-coaster ride. The 1920s in America saw the proliferation of hundreds of dubiously named but thrillingly entertaining pulp magazines in America – Black Mask, Amazing, Astounding, Spicy Stories, Ace-High, Detective Magazine, Dare-Devil Aces. It was in these luridly-coloured publications, printed on the cheapest pulp paper, that the first gems began to appear. The one golden rule for writers of pulp fiction was to adhere to the art of storytelling. Each story had to have a beginning, an end, economically-etched characters, but plenty going on, both in terms of action and emotions. Pulp magazines were the TV of their day, plucking readers from drab lives and planting them firmly in thrilling make-believe, successors to the Victorian penny dreadfuls of writers such as Sir Arthur Conan Doyle and Charles Dickens. These stories exemplify the best of crime and mystery pulp fiction – its zest, speed, rhythm, verve and commitment to straightforward storytelling – spanning seven decades of popular writing.
| Author | : Jeremy Agnew |
| Publisher | : McFarland |
| Total Pages | : 243 |
| Release | : 2018-07-25 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 147663257X |
From the dime novels of the Civil War era to the pulp magazines of the early 20th century to modern paperbacks, lurid fiction has provided thrilling escapism for the masses. Cranking out formulaic stories of melodrama, crime and mild erotica--often by uncredited authors focused more on volume than quality--publishers realized high profits playing to low tastes. Estimates put pulp magazine circulation in the 1930s at 30 million monthly. This vast body of "disposable literature" has received little critical attention, in large part because much of it has been lost--the cheaply made books were either discarded after reading or soon disintegrated. Covering the history of pulp literature from 1850 through 1960, the author describes how sensational tales filled a public need and flowered during the evolving social conditions of the Industrial Revolution.
