The Weaver God He Weaves
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Author | : Christopher Sten |
Publisher | : Kent State University Press |
Total Pages | : 388 |
Release | : 1996 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780873385374 |
In this book, the author sets out to dispel the idea that Melville was an author of raw genius who knew, or cared little, about the art of the novel. Rather, he shows how Melville not only knew about the novelist's craft, but also appropriated and transformed a series of distinct genres.
Author | : Herman Melville |
Publisher | : |
Total Pages | : 538 |
Release | : 1902 |
Genre | : Ahab, Captain (Fictitious character) |
ISBN | : |
Author | : Christopher Sten |
Publisher | : Kent State University Press |
Total Pages | : 108 |
Release | : 1996 |
Genre | : Literary Criticism |
ISBN | : 9780873385602 |
An account of Christopher Sten's close encounter of Moby Dick. This work argues that Melville was not only familiar with traditional forms of narrative but that he refined them and appropriated them to his own original purposes.
Author | : Peggy Osterkamp |
Publisher | : |
Total Pages | : |
Release | : 2020-08-15 |
Genre | : |
ISBN | : 9780976885542 |
Illustrated guide for step-by-step beginning and advanced weaving. 424 pages; over 600 illustrations; indexed
Author | : Michael Jonik |
Publisher | : Cambridge University Press |
Total Pages | : 279 |
Release | : 2018-02-22 |
Genre | : Literary Criticism |
ISBN | : 1108369049 |
Studies of the writing of Herman Melville are often divided among those that address his political, historical, or biographical dimensions and those that offer creative theoretical readings of his texts. In Herman Melville and the Politics of the Inhuman, Michael Jonik offers a series of nuanced and ambitious philosophical readings of Melville that unite these varied approaches. Through a careful reconstruction of Melville's interaction with philosophy, Jonik argues that Melville develops a notion of the 'inhuman' after Spinoza's radically non-anthropocentric and relational thought. Melville's own political philosophy, in turn, actively disassembles differences between humans and nonhumans, and the animate and inanimate. Jonik has us rethink not only how we read Melville, but also how we understand our deeply inhuman condition.
Author | : Sacvan Bercovitch |
Publisher | : Cambridge University Press |
Total Pages | : 472 |
Release | : 1986 |
Genre | : Literary Criticism |
ISBN | : 9780521273091 |
For more than a decade, Americanists have been concerned with the problem of ideology, and have undertaken a broad reassessment of American literature and culture. This volume brings together some of the best work in this area.
Author | : Janet Reno |
Publisher | : Associated University Presse |
Total Pages | : 182 |
Release | : 1990 |
Genre | : Fiction |
ISBN | : 9780838751718 |
Drawing on studies of survivor psychology, this work provides an illuminating new reading of Moby-Dick. Janet Reno gives Ishmael new prominence and casts light on many of Moby-Dick's structural and thematic features.
Author | : Martin Mühlheim |
Publisher | : Narr Francke Attempto Verlag |
Total Pages | : 1222 |
Release | : 2018-04-23 |
Genre | : Literary Criticism |
ISBN | : 3772000398 |
This study aims to counter right-wing discourses of belonging. It discusses key theoretical concepts for the study of home, focusing in particular on Marxist, feminist, postcolonial, and psychoanalytic contributions. The book also maintains that postmodern celebrations of nomadism and exile tend to be incapable of providing an alternative to conservative, xenophobic appropriations of home. In detailed readings of one film and six novels, a view is developed according to which home, as a spatio-temporal imaginary, is rooted in our species being, and as such constitutes the inevitable starting point for any progressive politics.
Author | : Steven Frye |
Publisher | : Cambridge University Press |
Total Pages | : 293 |
Release | : 2016-04-26 |
Genre | : Literary Criticism |
ISBN | : 131657802X |
This Companion provides a comprehensive introduction to one of the most vibrant and expansive traditions in world literature. The American West occupies a unique place in the global imagination, and the literature it produced transcends the category of 'region' in theme and form. Written by prominent international scholars, the essays cover a diverse group of key texts and authors, including major figures in the Native American, Hispanic, Asian American, and African American movements. Treatments range from environmental and ecopoetic to transnational and transcultural, reflecting the richness of the field. This volume places the literature in deep historical context and features a chronology and a bibliography for further reading. It will be an essential guide for students of literature of the American West and of American literature generally.
Author | : Michael Lynn Crews |
Publisher | : University of Texas Press |
Total Pages | : 357 |
Release | : 2017-09-05 |
Genre | : Literary Criticism |
ISBN | : 1477313486 |
Cormac McCarthy told an interviewer for the New York Times Magazine that "books are made out of books," but he has been famously unwilling to discuss how his own writing draws on the works of other writers. Yet his novels and plays masterfully appropriate and allude to an extensive range of literary works, demonstrating that McCarthy is well aware of literary tradition, respectful of the canon, and deliberately situating himself in a knowing relationship to precursors. The Wittliff Collection at Texas State University acquired McCarthy's literary archive in 2007. In Books Are Made Out of Books, Michael Lynn Crews thoroughly mines the archive to identify nearly 150 writers and thinkers that McCarthy himself references in early drafts, marginalia, notes, and correspondence. Crews organizes the references into chapters devoted to McCarthy's published works, the unpublished screenplay Whales and Men, and McCarthy's correspondence. For each work, Crews identifies the authors, artists, or other cultural figures that McCarthy references; gives the source of the reference in McCarthy's papers; provides context for the reference as it appears in the archives; and explains the significance of the reference to the novel or play that McCarthy was working on. This groundbreaking exploration of McCarthy's literary influences—impossible to undertake before the opening of the archive—vastly expands our understanding of how one of America's foremost authors has engaged with the ideas, images, metaphors, and language of other thinkers and made them his own.