The Waning Sword
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| Author | : Edward Pettit |
| Publisher | : Open Book Publishers |
| Total Pages | : 344 |
| Release | : 2020-01-14 |
| Genre | : Fiction |
| ISBN | : 1783748303 |
The image of a giant sword melting stands at the structural and thematic heart of the Old English heroic poem Beowulf. This meticulously researched book investigates the nature and significance of this golden-hilted weapon and its likely relatives within Beowulf and beyond, drawing on the fields of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and comparative mythology. In Part I, Pettit explores the complex of connotations surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may function as a visual motif in which pre-Christian Germanic concepts and prominent Christian symbols coalesce. In Part II, Pettit investigates the broader Germanic background to this image, especially in relation to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across time. Drawing on an eclectic range of narrative and linguistic evidence from Northern European texts, and on archaeological discoveries, Pettit suggests that the image of the giant sword, and the characters and events associated with it, may reflect an elemental struggle between the sun and the moon, articulated through an underlying myth about the theft and repossession of sunlight. The Waning Sword: Conversion Imagery and Celestial Myth in 'Beowulf' is a welcome contribution to the overlapping fields of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. Not only does it present a wealth of new readings that shed light on the craft of the Beowulf-poet and inform our understanding of the poem’s major episodes and themes; it further highlights the merits of adopting an interdisciplinary approach alongside a comparative vantage point. As such, The Waning Sword will be compelling reading for Beowulf-scholars and for a wider audience of medievalists.
| Author | : Edward Pettit |
| Publisher | : Saint Philip Street Press |
| Total Pages | : 558 |
| Release | : 2020-10-09 |
| Genre | : |
| ISBN | : 9781013294402 |
The image of a giant sword melting stands at the structural and thematic heart of the Old English heroic poem Beowulf. This meticulously researched book investigates the nature and significance of this golden-hilted weapon and its likely relatives within Beowulf and beyond, drawing on the fields of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and comparative mythology.In Part I, Pettit explores the complex of connotations surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may function as a visual motif in which pre-Christian Germanic concepts and prominent Christian symbols coalesce.In Part II, Pettit investigates the broader Germanic background to this image, especially in relation to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across time. Drawing on an eclectic range of narrative and linguistic evidence from Northern European texts, and on archaeological discoveries, Pettit suggests that the image of the giant sword, and the characters and events associated with it, may reflect an elemental struggle between the sun and the moon, articulated through an underlying myth about the theft and repossession of sunlight.The Waning Sword: Conversion Imagery and Celestial Myth in 'Beowulf' is a welcome contribution to the overlapping fields of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. Not only does it present a wealth of new readings that shed light on the craft of the Beowulf-poet and inform our understanding of the poem's major episodes and themes; it further highlights the merits of adopting an interdisciplinary approach alongside a comparative vantage point. As such, The Waning Sword will be compelling reading for Beowulf-scholars and for a wider audience of medievalists. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
| Author | : Edward Pettit |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Beowulf |
| ISBN | : 9781783748327 |
"The image of a giant sword melting stands at the structural and thematic heart of the Old English heroic poem Beowulf. This meticulously researched book investigates the nature and significance of this golden-hilted weapon and its likely relatives within Beowulf and beyond, drawing on the fields of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and comparative mythology. In Part I, Pettit explores the complex of connotations surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may function as a visual motif in which pre-Christian Germanic concepts and prominent Christian symbols coalesce. In Part II, Pettit investigates the broader Germanic background to this image, especially in relation to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across time. Drawing on an eclectic range of narrative and linguistic evidence from Northern European texts, and on archaeological discoveries, Pettit suggests that the image of the giant sword, and the characters and events associated with it, may reflect an elemental struggle between the sun and the moon, articulated through an underlying myth about the theft and repossession of sunlight. The Waning Sword: Conversion Imagery and Celestial Myth in 'Beowulf' is a welcome contribution to the overlapping fields of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. Not only does it present a wealth of new readings that shed light on the craft of the Beowulf-poet and inform our understanding of the poem's major episodes and themes; it further highlights the merits of adopting an interdisciplinary approach alongside a comparative vantage point. As such, The Waning Sword will be compelling reading for Beowulf-scholars and for a wider audience of medievalists."--Provided by the publisher
| Author | : Adrian Shubert |
| Publisher | : University of Toronto Press |
| Total Pages | : 481 |
| Release | : 2021 |
| Genre | : Biography & Autobiography |
| ISBN | : 1487508603 |
The Sword of Luchana is the first full-length biography of Baldomero Espartero, the most important figure in Spain's modern history.
| Author | : Marda Dunsky |
| Publisher | : Columbia University Press |
| Total Pages | : 457 |
| Release | : 2008-02-06 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0231508263 |
As world attention is renewed and refocused on the Israeli-Palestinian conflict at the sixtieth anniversary of its seminal year of 1948, Marda Dunsky takes a close look at how more than two dozen major American print and broadcast outlets have reported the conflict in recent years. Beginning with the failed Camp David summit of July 2000 through the waning of the second Palestinian uprising in the summer of 2004, she finds that the media omit two key contextual elements: the significant impact that U.S. policy has had and continues to have on the trajectory of the conflict, and the way international law and consensus have addressed the key issues of Israeli settlement and annexation policies and Palestinian refugees. Dunsky explores how reports of the conflict routinely take on the contours of American policy and rarely challenge the premises of this "Washington consensus." She also examines the media's responses to allegations of biased coverage and gauges the effect that mainstream news reporting has on public opinion and U.S. foreign policy.
| Author | : Terry Brooks |
| Publisher | : Random House |
| Total Pages | : 609 |
| Release | : 2024-09-10 |
| Genre | : Fiction |
| ISBN | : 0593725441 |
The Elfstones of Shannara is the second volume of the classic series that has become one of the most popular fantasy tales of all time. Thousands of years after the destruction of the age of man and science, new races and magic now rule the world, but an imminent danger threatens. A horde of evil Demons is beginning to escape and bring death upon the land. Only Wil Ohmsford, the last of the Shannara bloodline, has the power to guard the Elven Princess Amberle on a perilous quest to the save the world, while the leader of the Demon force aims to stop their mission at any cost.
| Author | : Michael Desch |
| Publisher | : Princeton University Press |
| Total Pages | : 364 |
| Release | : 2021-09-28 |
| Genre | : Political Science |
| ISBN | : 069122899X |
How professionalization and scholarly “rigor” made social scientists increasingly irrelevant to US national security policy To mobilize America’s intellectual resources to meet the security challenges of the post–9/11 world, US Secretary of Defense Robert M. Gates observed that “we must again embrace eggheads and ideas.” But the gap between national security policymakers and international relations scholars has become a chasm. In Cult of the Irrelevant, Michael Desch traces the history of the relationship between the Beltway and the Ivory Tower from World War I to the present day. Recounting key Golden Age academic strategists such as Thomas Schelling and Walt Rostow, Desch’s narrative shows that social science research became most oriented toward practical problem-solving during times of war and that scholars returned to less relevant work during peacetime. Social science disciplines like political science rewarded work that was methodologically sophisticated over scholarship that engaged with the messy realities of national security policy, and academic culture increasingly turned away from the job of solving real-world problems. In the name of scientific objectivity, academics today frequently engage only in basic research that they hope will somehow trickle down to policymakers. Drawing on the lessons of this history as well as a unique survey of current and former national security policymakers, Desch offers concrete recommendations for scholars who want to shape government work. The result is a rich intellectual history and an essential wake-up call to a field that has lost its way.
| Author | : Matthew Gordon |
| Publisher | : SUNY Press |
| Total Pages | : 332 |
| Release | : 2001-01-01 |
| Genre | : History |
| ISBN | : 9780791447963 |
A portrait of the Samarran Turk community while in the employ of the 'Abbasid caliphate during the ninth century.
| Author | : Mike Shackle |
| Publisher | : Gollancz |
| Total Pages | : 492 |
| Release | : 2019-08-08 |
| Genre | : Fiction |
| ISBN | : 147322523X |
Dive into an epic fantasy full of crunching revolutionary action, twisted magic, and hard choices in dark times. The war is over. The enemy won. Jia's people learned the hard way that there are no second chances. The Egril, their ancient enemy, struck with magic so devastating that Jia's armies were wiped out. Now terror reigns in the streets, and friend turns on friend just to live another day. Somehow Tinnstra - a deserter, a failure, nothing but a coward - survived. She wants no more than to hide from the chaos. But dragged into a desperate plot to retake Jia, surrounded by people willing to do anything to win the fight, this time Tinnstra will need to do more than hide. If Jia is to get a second chance after all, this time she will need to be a hero. With all the grit of Joe Abercrombie, Mark Lawrence and Ed McDonald, this is a debut epic fantasy with the sharpest of edges. * * * * * * * * * * Readers can't put down We Are the Dead: 'The next Game of Thrones' Glen Cook, author of The Black Company 'Tarantino crossed with David Gemmell' Peter McLean, author of Priest of Bones 'A powerful debut' Gavin Smith, author of The Bastard Legion 'So much bloodshed and actions, Shackle's debut is fast-paced, grim, and unputdownable' Novel Notions 'This is a fantastic story that I think everyone would enjoy. Every aspect, from prose to characters to plot is just superbly crafted' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'Utterly gripping, original fantasy that really must be counted amongst the best in the genre' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'If you are looking for a fantasy read with phenomenal magic, battle scenes that are so vividly described that you experience them through all of your senses, villains who are entirely despicable, and a compelling story filled with crushing heartbreak and glorious redemption, then you need to pick up WE ARE THE DEAD right now' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'A fantastic tale of rebellion against an occupying force . . . I really loved how this one all pulled together, and seeing the rebellion from different viewpoints was a real treat' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'This is a fast paced and intense story that never lets up in its brutality and dark environment' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ 'From start to finish this will keep you on the edge of your seat . . . This is an outstanding debut, you don't want to miss it' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐ THE LAST WAR Book One: We Are the Dead Book Two: A Fool's Hope Book Three: Until the Last
| Author | : Sue Brunning |
| Publisher | : Anglo-Saxon Studies |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Swords |
| ISBN | : 9781783274062 |
A wide-ranging study of the significance of swords throughout the whole Anglo-Saxon period, offering valuable insights into the meaning of and attitude towards swords. Swords were special in Anglo-Saxon England. Their names, deeds and pedigrees were enshrined in writing. Many were curated for generations, revealed by their worn and mended condition. Few ended their lives as casual discards, placed instead in graves, hoards and watercourses as part of ritualised acts. Contemporary sources leave no doubt that complex social meanings surrounded these weapons, transcending their use on the battlefield; but they have yet to transcend the traditional view that their primary social function was as status symbols. Even now, half a century after the first major study of Anglo-Saxon swords, their wider significance within their world has yet to be fully articulated. This book sets out to meet the challenge. Eschewing modern value judgements, it focuses instead on contemporary perceptions - exploring how those who made, used and experienced swords really felt about them. It takes a multidisciplinary and holistic approach, bringing together insights from art, archaeology and literature. Comparison with Scandinavia adds further nuance, revealing what was (and was not) distinctive of Anglo-Saxon views of these weapons. Far from elite baubles, swords are revealed to have been dynamic "living" artefacts with their own identities, histories and places in social networks - ideas fuelled by their adaptability, durability and unique rolein bloodshed. Sue Brunning is Curator of European Early Medieval Collections at The British Museum.
