The Wanderer In Nineteenth Century German Literature
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Author | : Andrew Cusack |
Publisher | : Camden House |
Total Pages | : 272 |
Release | : 2008 |
Genre | : History |
ISBN | : 9781571133861 |
"Using a method based on New Historicism, but with added emphasis on literature as cultural commentary, Andrew Cusack's study traces the motif's intertextual connections, how it receives meaning from non-literary discourses, and how it transmits meaning into the social sphere by molding individual and collective self-conceptions. The study draws on a corpus of ten prose narratives that reflect the vast scope of the motif and show how its function changes. The study pays scrupulous attention to the historical specificity of each work and to its relationship to contemporary aesthetic and philosophical currents, revealing the wanderer motif to be a significant vehicle of cultural memory that sustained the ideas of the Enlightenment and of Romanticism into the latter part of the century."--BOOK JACKET.
Author | : Irving Massey |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 208 |
Release | : 2014-05-14 |
Genre | : Literary Criticism |
ISBN | : 3110935562 |
The work begins with an attempt to understand the philosophy of Nazism and its attendant anti-Semitism, as a necessary prelude to the study of philo-Semitism, which also displays a continuous tradition to the present day. Most of the non-Jewish authors in Germany in the nineteenth century expressed both anti-Semitic and philo-Semitic views (as did most of the German-Jewish authors of that same time); the following work deals with philo-Semitic texts by the non-Jewish authors of the period. The writer who provides the largest body of relevant material is Leopold von Sacher-Masoch, but works by Gutzkow, Bettine von Arnim, Annette von Droste-Hülshoff, Hebbel, Freytag, Raabe, Fontane, Grillparzer, Ebner-Eschenbach, Anzengruber, and Ferdinand von Saar are also examined, as are several tales by the Alsatian authors Erckmann and Chatrian. There is a short chapter on women and philo-Semitism. The conclusion draws attention to the feelings of guilt that are revealed in a number of the texts.
Author | : Daniel Purdy |
Publisher | : Camden House |
Total Pages | : 425 |
Release | : 2010 |
Genre | : Literary Criticism |
ISBN | : 1571134255 |
New articles on topics spanning the Age of Goethe, with a special section of fresh views of Goethe's Faust.
Author | : Andrew Cusack |
Publisher | : Camden House |
Total Pages | : 0 |
Release | : 2013-07 |
Genre | : German literature |
ISBN | : 9781571135148 |
The wanderer is an indispensable part of the German cultural imaginary. The nineteenth-century prominence of the motif owes much to the self-conception of the intellectual pioneers of the day as wanderers. The motif is also a key to interpretation of the social and cultural phenomena of a turbulent century that began with the emancipatory claims of the Enlightenment and ended in untrammeled industrialism. Writers from Goethe to B8chner, Fontane to Holtei were keenly aware of the motif's interpretive value, attempting to grasp with it not only such developments as mass migration and disappearing institutions but also unprecedented opportunities for artistic and scientific innovation. This book re-interprets canonical works such as Goethe's Wilhelm Meister novels, Heine's Harzreise, and B8chner's Lenz, examines underresearched works by Fontane and Raabe, and charts new territory with readings of works by Gotthelf and Holtei -- a selection of texts that reveals the vast scope and changing function of the wanderer motif. Andrew Cusack pays scrupulous attention to the historical specificity of each work and to its relationship to contemporary aesthetic and philosophical currents, revealing the wanderer motif to be a significant vehicle of cultural memory that sustained the ideas of the Enlightenment and of Romanticism. Andrew Cusack is a Lecturer in the Department of Germanic Studies at Trinity College Dublin.
Author | : Thomas Peattie |
Publisher | : Cambridge University Press |
Total Pages | : 233 |
Release | : 2015-04-06 |
Genre | : History |
ISBN | : 110702708X |
In this study Thomas Peattie offers a new account of Mahler's symphonies by considering the composer's reinvention of the genre in light of his career as a conductor and more broadly in terms of his sustained engagement with the musical, theatrical, and aesthetic traditions of the Austrian fin de siècle. Drawing on the ideas of landscape, mobility, and theatricality, Peattie creates a richly interdisciplinary framework that reveals the uniqueness of Mahler's symphonic idiom and its radical attitude toward the presentation and ordering of musical events. The book goes on to identify a fundamental tension between the music's episodic nature and its often-noted narrative impulse and suggests that Mahler's symphonic dramaturgy can be understood as a form of abstract theatre.
Author | : Carl Niekerk |
Publisher | : Camden House |
Total Pages | : 324 |
Release | : 2010 |
Genre | : Music |
ISBN | : 1571134670 |
Examines literary, philosophical, and cultural influences on Mahler's thought and work from the standpoint of the composer's position in German-Jewish culture.
Author | : John B. Lyon |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 255 |
Release | : 2016-11-17 |
Genre | : Literary Criticism |
ISBN | : 1501332503 |
In late nineteenth-century Germany, the onset of modernity transformed how people experienced place. In response to increased industrialization and urbanization, the expansion of international capitalism, and the extension of railway and other travel networks, the sense of being connected to a specific place gave way to an unsettling sense of displacement. Out of Place analyzes the works of three major representatives of German Realism-Wilhelm Raabe, Theodor Fontane, and Gottfried Keller-within this historical context. It situates the perceived loss of place evident in their texts within the contemporary discourse of housing and urban reform, but also views such discourse through the lens of twentienth-century theories of place. Informed by both phenomenological (Heidegger and Casey) as well as Marxist (Deleuze, Guattari, and Benjamin) approaches to place, John B. Lyon highlights the struggle to address issues of place and space that reappear today in debates about environmentalism, transnationalism, globalization, and regionalism.
Author | : Laurie Ruth Johnson |
Publisher | : Boydell & Brewer |
Total Pages | : 314 |
Release | : 2016 |
Genre | : Performing Arts |
ISBN | : 1571139117 |
Offers not only an analytical study of the films of Herzog, perhaps the most famous living German filmmaker, but also a new reading of Romanticism's impact beyond the nineteenth century and in the present.
Author | : Petra S. McGillen |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 329 |
Release | : 2019-07-25 |
Genre | : Literary Criticism |
ISBN | : 1501351575 |
Winner of the Aldo and Jeanne Scaglione Prize for Studies in Germanic Languages and Literatures (Awarded by the MLA) With an innovative approach that combines material media history, media theory, and literary poetics, this book reconstructs the great German writer Theodor Fontane's creative process. Petra McGillen follows Fontane into the engine room of his text production. Analyzing a wealth of unexplored archival evidence--which includes a collection of the author's 67 extant notebooks, along with an array of other "paper tools," such as cardboard boxes, envelopes, and slips--McGillen demonstrates how Fontane compiled his realist prose works. That is, he assembled them from premediated sources, literally with scissors and glue, in an extraordinarily inorganic and radically intertextual manner that turned "writing" into a process of ongoing remix. By exploring the far-reaching implications of Fontane's creative practices for our understanding of his authorship, originality, and poetics, this book opens up a completely new way to think about his works and, by extension, 19th-century literary realism. This conceptualization of authors' notebooks as creative tools makes a substantial contribution to scholarship on the history of writing media in several disciplines, from German studies and literary studies to media history, and to our understanding of the relationship between mass media and literary creativity in the late 19th century.
Author | : Sabine Wilke |
Publisher | : Hotei Publishing |
Total Pages | : 236 |
Release | : 2015-03-20 |
Genre | : Literary Criticism |
ISBN | : 9004297871 |
Thinking about and relating to the environment – what the Germans call Umwelt, i.e., the world that surrounds us – in the way that we do today has a long tradition within modern German culture. German scientists were among the many European explorers that left Europe in the late eighteenth century on voyages of discovery to then unknown parts of the world. For some explorers, discovery meant the fundamental confirmation of their own superiority vis-à-vis primitive peoples and primitive natures; for others it resulted in a shake-up of their belief in the superiority of European civilization in the face of the achievements of other civilizations, or in the face of spectacular nature scenes that outperformed the temperate European landscapes in terms of scale, sublimity, and grandeur. The documents that contain these stories of discovery left an important impression not only on German culture, but on European civilization at large, defining it vis-à-vis other civilizations and other natures. Europe today is the product of these encounters, including the way we conceive of our Umwelt, the environment that surrounds us. The story told in this book is the story of the rise of the modern German environmental imagination with particular emphasis on its narrative and visual components, complementing and expanding Barbara Stafford’s important work in her seminal study of the illustrated travel account from 1984. Chapters on Georg Forster, Alexander von Humboldt, Albert Bierstadt, Leni Riefenstahl, and Werner Herzog unfold the key stages in a process that constitutes the unfolding of the modern German environmental imagination.