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Author | : Robert Kirkman |
Publisher | : Image Comics |
Total Pages | : 48 |
Release | : 2017-05-03 |
Genre | : Comics & Graphic Novels |
ISBN | : |
"A CERTAIN DOOM" Is it possible, could it be, that the inevitable can somehow be...avoided? Rick and Andrea have a tough decision to make.
Author | : Robert Kirkman |
Publisher | : Image Comics |
Total Pages | : 40 |
Release | : 2019-06-05 |
Genre | : Comics & Graphic Novels |
ISBN | : |
"AFTERMATH" Carl fights for the Commonwealth but who is he fighting against?
Author | : Robert Kirkman |
Publisher | : Image Comics |
Total Pages | : 32 |
Release | : 2017-11-01 |
Genre | : Comics & Graphic Novels |
ISBN | : |
"FINAL FIGHT" Jesus is confronted on the road
Author | : Mark Haddon |
Publisher | : Anchor Canada |
Total Pages | : 182 |
Release | : 2009-02-24 |
Genre | : Fiction |
ISBN | : 0307371565 |
A bestselling modern classic—both poignant and funny—narrated by a fifteen year old autistic savant obsessed with Sherlock Holmes, this dazzling novel weaves together an old-fashioned mystery, a contemporary coming-of-age story, and a fascinating excursion into a mind incapable of processing emotions. Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. At fifteen, Christopher’s carefully constructed world falls apart when he finds his neighbour’s dog Wellington impaled on a garden fork, and he is initially blamed for the killing. Christopher decides that he will track down the real killer, and turns to his favourite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents’ marriage. As Christopher tries to deal with the crisis within his own family, the narrative draws readers into the workings of Christopher’s mind. And herein lies the key to the brilliance of Mark Haddon’s choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotions. The effect is dazzling, making for one of the freshest debut in years: a comedy, a tearjerker, a mystery story, a novel of exceptional literary merit that is great fun to read.
Author | : Robert Kirkman |
Publisher | : Image Comics |
Total Pages | : 40 |
Release | : 2017-02-01 |
Genre | : Comics & Graphic Novels |
ISBN | : |
NEW STORY ARC CONQUERED In the aftermath of The Whisperer War: ALL IS LOST. ALSO, HOLY CRAP! THIS ISSUE IS 99¢ CENTS TO CELEBRATE THE 25th ANNIVERSARY OF IMAGE COMICS!
Author | : Dahlia Schweitzer |
Publisher | : Rutgers University Press |
Total Pages | : 294 |
Release | : 2018-03-09 |
Genre | : Performing Arts |
ISBN | : 0813593166 |
Outbreak narratives have proliferated for the past quarter century, and now they have reached epidemic proportions. From 28 Days Later to 24 to The Walking Dead, movies, TV shows, and books are filled with zombie viruses, bioengineered plagues, and disease-ravaged bands of survivors. Even news reports indulge in thrilling scenarios about potential global pandemics like SARS and Ebola. Why have outbreak narratives infected our public discourse, and how have they affected the way Americans view the world? In Going Viral, Dahlia Schweitzer probes outbreak narratives in film, television, and a variety of other media, putting them in conversation with rhetoric from government authorities and news organizations that have capitalized on public fears about our changing world. She identifies three distinct types of outbreak narrative, each corresponding to a specific contemporary anxiety: globalization, terrorism, and the end of civilization. Schweitzer considers how these fears, stoked by both fictional outbreak narratives and official sources, have influenced the ways Americans relate to their neighbors, perceive foreigners, and regard social institutions. Looking at everything from I Am Legend to The X Files to World War Z, this book examines how outbreak narratives both excite and horrify us, conjuring our nightmares while letting us indulge in fantasies about fighting infected Others. Going Viral thus raises provocative questions about the cost of public paranoia and the power brokers who profit from it. Supplemental Study Materials for "Going Viral": https://www.rutgersuniversitypress.org/going-viral-dahlia-schweitzer Dahlia Schweitzer- Going Viral: https://www.youtube.com/watch?v=5xF0V7WL9ow
Author | : Alexandra Heller-Nicholas |
Publisher | : McFarland |
Total Pages | : 245 |
Release | : 2014-05-08 |
Genre | : Performing Arts |
ISBN | : 0786470771 |
As the horror subgenre du jour, found footage horror's amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror's dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre's stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube's popular rise in sparking the subgenre's recent renaissance.
Author | : Robert Kirkman |
Publisher | : Image Comics |
Total Pages | : 32 |
Release | : 2017-04-05 |
Genre | : Comics & Graphic Novels |
ISBN | : |
"NO SURRENDER" Dwight must defend the ruins of Alexandria against the Saviors--but what exactly are they fighting over?
Author | : Robert C. Bell |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 209 |
Release | : 2017-10-19 |
Genre | : Literary Criticism |
ISBN | : 1628924632 |
Are we inside the era of disasters or are we merely inundated by mediated accounts of events categorized as catastrophic? America's Disaster Culture offers answers to this question and a critical theory surrounding the culture of “natural” disasters in American consumerism, literature, media, film, and popular culture. In a hyper-mediated global culture, disaster events reach us with great speed and minute detail, and Americans begin forming, interpreting, and historicizing catastrophes simultaneously with fellow citizens and people worldwide. America's Disaster Culture is not policy, management, or relief oriented. It offers an analytical framework for the cultural production and representation of disasters, catastrophes, and apocalypses in American culture. It focuses on filling a need for critical analysis centered upon the omnipresence of real and imagined disasters, epidemics, and apocalypses in American culture. However, it also observes events, such as the Dust Bowl, Hurricane Katrina, and 9/11, that are re-framed and re-historicized as “natural” disasters by contemporary media and pop culture. Therefore, America's Disaster Culture theorizes the very parameters of classifying any event as a “natural” disaster, addresses the biases involved in a catastrophic event's public narrative, and analyzes American culture's consumption of a disastrous event. Looking toward the future, what are the hypothetical and actual threats to disaster culture? Or, are we oblivious that we are currently living in a post-apocalyptic landscape?
Author | : Ahmet Atay |
Publisher | : Rowman & Littlefield |
Total Pages | : 212 |
Release | : 2019-11-13 |
Genre | : Language Arts & Disciplines |
ISBN | : 1498568718 |
Mediated Critical Communication Pedagogy explores the role of both traditional and new media in critical communication pedagogy. This edited volume addresses not only how new and other forms of media serve as tools towards social justice in the communication classroom, but also how those media transform the classroom interaction itself in empowering and disempowering ways. Contributors describe and assess how particular instances of media use—particularly the use of new media technologies—support or challenge critical communication pedagogy. Each chapter engages in critical analysis of how to effectively use particular mediums in the classroom, how classroom communication is affected by uses of new media, and particular instances of critical communication pedagogy in teaching. Scholars of communication and education will find this book particularly useful.