The Walking Dead #161

The Walking Dead #161
Author: Robert Kirkman
Publisher: Image Comics
Total Pages: 32
Release: 2016-12-07
Genre: Comics & Graphic Novels
ISBN:

"THE WHISPERER WAR," Part Five

Witchblade #161

Witchblade #161
Author: Tim Seeley
Publisher: Image Comics
Total Pages: 32
Release: 2012-10-31
Genre: Comics & Graphic Novels
ISBN:

CHRISTOPHER 'APPARITIONS' Private detective Sara Pezzini's recent exploits have had an unintended, but not all together negative side effect - she's now actually getting paid to investigate paid supernatural cases! However she may make an enemy of another one of Chicago's supernatural agents in the process. Meanwhile, all around her forces move in a much larger, sinister symphonyÉ

Image+ #6 - December 2016

Image+ #6 - December 2016
Author: Various
Publisher: Image Comics
Total Pages: 68
Release: 2016-10-26
Genre: Comics & Graphic Novels
ISBN:

IMAGE+ is a monthly magazine featuring Image's upcoming releases, as well as bonus creator-owned comics content. Each issue features an original, four-page THE WALKING DEAD story concerning Negan's origins, and created by New York Times bestselling team ROBERT KIRKMAN and CHARLIE ADLARD, for a total of 48 pages of backstory! IMAGE+ showcases interviews, spotlight features, bonus never-before-seen preview pages, editorials from industry voices, and more in-depth, insightful and provocative comics coverage curated by David Brothers, Branding Manager at Image Comics. IMAGE+ is fans' premiere source for all things creator-owned. - See more at: https://imagecomics.com/comics/releases/image-6-december-2016#sthash.k34eIqW3.dpuf

Return to Twin Peaks

Return to Twin Peaks
Author: Jeffrey Andrew Weinstock
Publisher: Springer
Total Pages: 262
Release: 2015-11-17
Genre: Social Science
ISBN: 1137556951

Return to Twin Peaks offers new critical considerations and approaches to the Twin Peaks series, as well as reflections on its significance and legacy. With texts that analyze the ways in which readers and viewers endow texts with meaning in light of historically situated and culturally shared emphases and interpretive strategies, this volume showcases the ways in which new theoretical paradigms can reinvigorate and enrich understanding of what Twin Peaks was and what it has become since it went off the air in 1991.

Zombies Are Us

Zombies Are Us
Author: Christopher M. Moreman
Publisher: McFarland
Total Pages: 230
Release: 2011-10-10
Genre: Performing Arts
ISBN: 0786488085

On the surface, the zombie seems the polar opposite of the human--they are the living dead; we, in essence, are the dying alive. But the zombie is also "us." Although decaying, it looks like us, dresses like us, and sometimes (if rarely) acts like us. In this volume, essays by scholars from a range of disciplines examine the zombie as a thematic presence in literature, film, video games, legal language, and philosophy, exploring topics including zombies and the environment, litigation, the afterlife, capitalism, and the erotic. Through this wide-ranging examination of the zombie phenomenon, the authors seek to discover what the zombie can teach us about being human. Instructors considering this book for use in a course may request an examination copy here.

Race and Gender in Electronic Media

Race and Gender in Electronic Media
Author: Rebecca Ann Lind
Publisher: Routledge
Total Pages: 532
Release: 2016-10-04
Genre: Language Arts & Disciplines
ISBN: 1317266129

This volume examines the consequences, implications, and opportunities associated with issues of diversity in the electronic media. With a focus on race and gender, the chapters represent diverse approaches, including social scientific, humanistic, critical, and rhetorical. The contributors consider race and gender issues in both historical and contemporary electronic media, and their work is presented in three sections: content, context (audiences, effects, and reception), and culture (media industries, policy, and production). In this book, the authors investigate, problematize, and theorize a variety of concerns which at their core relate to issues of difference. How do we use media to construct and understand different social groups? How do the media represent and affect our engagement with and responses to different social groups? How can we understand these processes and the environment within which they occur? Although this book focuses on the differences associated with race and gender, the questions raised by and the theoretical perspectives presented in the chapters are applicable to other forms of socially-constructed difference. Chapters 5, 10, 12, and 19 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

The Politics of Race, Gender and Sexuality in The Walking Dead

The Politics of Race, Gender and Sexuality in The Walking Dead
Author: Elizabeth Erwin
Publisher: McFarland
Total Pages: 201
Release: 2018-09-04
Genre: Performing Arts
ISBN: 1476668493

From the beginning, both Robert Kirkman's comics and AMC's series of The Walking Dead have brought controversy in their presentations of race, gender and sexuality. Critics and fans have contended that the show's identity politics have veered toward the decidedly conservative, offering up traditional understandings of masculinity, femininity, heterosexuality, racial hierarchy and white supremacy. This collection of new essays explores the complicated nature of relationships among the story's survivors. In the end, characters demonstrate often-surprising shifts that consistently comment on identity politics. Whether agreeing or disagreeing with critics, these essays offer a rich view of how gender, race, class and sexuality intersect in complex new ways in the TV series and comics.

Rethinking Horror in the New Economies of Television

Rethinking Horror in the New Economies of Television
Author: Stella Marie Gaynor
Publisher: Springer Nature
Total Pages: 267
Release: 2022-06-07
Genre: Performing Arts
ISBN: 3030975894

This book explores the cycle of horror on US television in the decade following the launch of The Walking Dead, considering the horror genre from an industrial perspective. Examining TV horror through rich industrial and textual analysis, this book reveals the strategies and ambitions of cable and network channels, as well as Netflix and Shudder, with regards to horror serialization. Selected case studies; including American Horror Story, The Haunting of Hill House, Creepshow, Ash vs Evil Dead, and Hannibal; explore horror drama and the utilization of genre, cult and classic horror texts, as well as the exploitation of fan practice, in the changing economic landscape of contemporary US television. In the first detailed exploration of graphic horror special effects as a marker of technical excellence, and how these skills are used for the promotion of TV horror drama, Gaynor makes the case that horror has become a cornerstone of US television.

The Wild and the Wicked

The Wild and the Wicked
Author: Benjamin Hale
Publisher: MIT Press
Total Pages: 329
Release: 2016-12-10
Genre: Science
ISBN: 0262035405

A brief foray into a moral thicket, exploring why we should protect nature despite tsunamis, malaria, bird flu, cancer, killer asteroids, and tofu. Most of us think that in order to be environmentalists, we have to love nature. Essentially, we should be tree huggers—embracing majestic redwoods, mighty oaks, graceful birches, etc. We ought to eat granola, drive hybrids, cook tofu, and write our appointments in Sierra Club calendars. Nature's splendor, in other words, justifies our protection of it. But, asks Benjamin Hale in this provocative book, what about tsunamis, earthquakes, cancer, bird flu, killer asteroids? They are nature, too. For years, environmentalists have insisted that nature is fundamentally good. In The Wild and the Wicked, Benjamin Hale adopts the opposite position—that much of the time nature can be bad—in order to show that even if nature is cruel, we still need to be environmentally conscientious. Hale argues that environmentalists needn't feel compelled to defend the value of nature, or even to adopt the attitudes of tree-hugging nature lovers. We can acknowledge nature's indifference and periodic hostility. Deftly weaving anecdote and philosophy, he shows that we don't need to love nature to be green. What really ought to be driving our environmentalism is our humanity, not nature's value. Hale argues that our unique burden as human beings is that we can act for reasons, good or bad. He claims that we should be environmentalists because environmentalism is right, because we humans have the capacity to be better than nature. As humans, we fail to live up to our moral potential if we act as brutally as nature. Hale argues that despite nature's indifference to the plight of humanity, humanity cannot be indifferent to the plight of nature.

The Subversive Zombie

The Subversive Zombie
Author: Elizabeth Aiossa
Publisher: McFarland
Total Pages: 195
Release: 2018-02-23
Genre: Art
ISBN: 1476666733

Historically, zombies have been portrayed in films and television series as mindless, shuffling monsters. In recent years, this has changed dramatically. The undead are fast and ferocious in 28 Days Later... (2002) and World War Z (2013). In Warm Bodies (2013) and In the Flesh (2013-2015), they are thoughtful, sensitive and capable of empathy. These sometimes radically different depictions of the undead (and the still living) suggest critical inquiries: What does it mean to be human? What makes a monster? Who survives the zombie apocalypse, and why? Focusing on classic and current movies and TV shows, the author reveals how the once-subversive modern zombie, now more popular than ever, has been co-opted by the mainstream culture industry.