The Volunteer; or, The Maid of Monterey

The Volunteer; or, The Maid of Monterey
Author: Ned Buntline
Publisher: Lulu.com
Total Pages: 136
Release: 2020-03-02
Genre: Education
ISBN: 1678185760

Ned Buntline was the pseudonym of the American publisher, journalist, and writer, Edward Zane Carroll Judson Sr., who was an instigator of the Astor Place Riot, the nativist riot in St. Louis, and vocal member of the Know Nothing Party. Published in 1847, during the midst of the U.S.-Mexican war, as one critic argued, the author used "the conventions of romance to turn the invasion of Mexico into a chivalric U.S. rescue mission." This novel highlights the politics and growth of nineteenth-century American imperialism and anti-immigration sentiment.

The Volunteer

The Volunteer
Author: Ned Buntline
Publisher: Independently Published
Total Pages: 134
Release: 2020-06-15
Genre:
ISBN:

Ned Buntline was the pseudonym of the American publisher, journalist, and writer, Edward Zane Carroll Judson Sr., who was an instigator of the Astor Place Riot, the nativist riot in St. Louis, and vocal member of the Know Nothing Party. Published in 1847, during the midst of the U.S.-Mexican war, as one critic argued, the author used "the conventions of romance to turn the invasion of Mexico into a chivalric U.S. rescue mission." This novel highlights the politics and growth of nineteenth-century American imperialism and anti-immigration sentiment.

Calypso Magnolia

Calypso Magnolia
Author: John Wharton Lowe
Publisher: UNC Press Books
Total Pages: 464
Release: 2016-02-08
Genre: Literary Criticism
ISBN: 1469626217

In this far-reaching literary history, John Wharton Lowe remakes the map of American culture by revealing the deep, persistent connections between the ideas and works produced by writers of the American South and the Caribbean. Lowe demonstrates that a tendency to separate literary canons by national and regional boundaries has led critics to ignore deep ties across highly permeable borders. Focusing on writers and literatures from the Deep South and Gulf states in relation to places including Mexico, Haiti, and Cuba, Lowe reconfigures the geography of southern literature as encompassing the "circumCaribbean," a dynamic framework within which to reconsider literary history, genre, and aesthetics. Considering thematic concerns such as race, migration, forced exile, and colonial and postcolonial identity, Lowe contends that southern literature and culture have always transcended the physical and political boundaries of the American South. Lowe uses cross-cultural readings of nineteenth- and twentieth-century writers, including William Faulkner, Martin Delany, Zora Neale Hurston, George Lamming, Cristina Garcia, Edouard Glissant, and Madison Smartt Bell, among many others, to make his argument. These literary figures, Lowe argues, help us uncover new ways of thinking about the shared culture of the South and Caribbean while demonstrating that southern literature has roots even farther south than we realize.

The Literatures of the U.S.-Mexican War

The Literatures of the U.S.-Mexican War
Author: Jaime Javier Rodríguez
Publisher: University of Texas Press
Total Pages: 320
Release: 2010-05-01
Genre: Literary Criticism
ISBN: 0292774575

The literary archive of the U.S.-Mexican War (1846–1848) opens to view the conflicts and relationships across one of the most contested borders in the Americas. Most studies of this literature focus on the war's nineteenth-century moment of national expansion. In The Literatures of the U.S.-Mexican War, Jaime Javier Rodríguez brings the discussion forward to our own moment by charting a new path into the legacies of a military conflict embedded in the cultural cores of both nations. Rodríguez's groundbreaking study moves beyond the terms of Manifest Destiny to ask a fundamental question: How do the war's literary expressions shape contemporary tensions and exchanges among Anglo Americans, Mexicans, and Mexican Americans. By probing the war's traumas, anxieties, and consequences with a fresh attention to narrative, Rodríguez shows us the relevance of the U.S.-Mexican War to our own era of demographic and cultural change. Reading across dime novels, frontline battle accounts, Mexican American writings and a wide range of other popular discourse about the war, Rodríguez reveals how historical awareness itself lies at the center of contemporary cultural fears of a Mexican "invasion," and how the displacements caused by the war set key terms for the ways Mexican Americans in subsequent generations would come to understand their own identities. Further, this is also the first major comparative study that analyzes key Mexican war texts and their impact on Mexico's national identity.

Slavery and Silence

Slavery and Silence
Author: Paul D. Naish
Publisher: University of Pennsylvania Press
Total Pages: 300
Release: 2017-06-30
Genre: History
ISBN: 0812294300

In the thirty-five years before the Civil War, it became increasingly difficult for Americans outside the world of politics to have frank and open discussions about the institution of slavery, as divisive sectionalism and heated ideological rhetoric circumscribed public debate. To talk about slavery was to explore—or deny—its obvious shortcomings, its inhumanity, its contradictions. To celebrate it required explaining away the nation's proclaimed belief in equality and its public promise of rights for all, while to condemn it was to insult people who might be related by ties of blood, friendship, or business, and perhaps even to threaten the very economy and political stability of the nation. For this reason, Paul D. Naish argues, Americans displaced their most provocative criticisms and darkest fears about the institution onto Latin America. Naish bolsters this seemingly counterintuitive argument with a compelling focus on realms of public expression that have drawn sparse attention in previous scholarship on this era. In novels, diaries, correspondence, and scientific writings, he contends, the heat and bluster of the political arena was muted, and discussions of slavery staged in these venues often turned their attention south of the Rio Grande. At once familiar and foreign, Cuba, Brazil, Haiti, and the independent republics of Spanish America provided rhetorical landscapes about which everyday citizens could speak, through both outright comparisons or implicit metaphors, what might otherwise be unsayable when talking about slavery at home. At a time of ominous sectional fracture, Americans of many persuasions—Northerners and Southerners, Whigs and Democrats, scholars secure in their libraries and settlers vulnerable on the Mexican frontier—found unity in their disparagement of Latin America. This displacement of anxiety helped create a superficial feeling of nationalism as the country careened toward disunity of the most violent, politically charged, and consequential sort.

American Sensations

American Sensations
Author: Shelley Streeby
Publisher: Univ of California Press
Total Pages: 402
Release: 2002-05-10
Genre: Literary Criticism
ISBN: 052093587X

This innovative cultural history investigates an intriguing, thrilling, and often lurid assortment of sensational literature that was extremely popular in the United States in 1848--including dime novels, cheap story paper literature, and journalism for working-class Americans. Shelley Streeby uncovers themes and images in this "literature of sensation" that reveal the profound influence that the U.S.-Mexican War and other nineteenth-century imperial ventures throughout the Americas had on U.S. politics and culture. Streeby's analysis of this fascinating body of popular literature and mass culture broadens into a sweeping demonstration of the importance of the concept of empire for understanding U.S. history and literature. This accessible, interdisciplinary book brilliantly analyzes the sensational literature of George Lippard, A.J.H Duganne, Ned Buntline, Metta Victor, Mary Denison, John Rollin Ridge, Louisa May Alcott, and many other writers. Streeby also discusses antiwar articles in the labor and land reform press; ideas about Mexico, Cuba, and Nicaragua in popular culture; and much more. Although the Civil War has traditionally been a major period marker in U.S. history and literature, Streeby proposes a major paradigm shift by using mass culture to show that the U.S.-Mexican War and other conflicts with Mexicans and Native Americans in the borderlands were fundamental in forming the complex nexus of race, gender, and class in the United States.