The Life of Benvenuto Cellini
Author | : Benvenuto Cellini |
Publisher | : London : J.C. Nimmo |
Total Pages | : 432 |
Release | : 1888 |
Genre | : Art, Renaissance |
ISBN | : |
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Author | : Benvenuto Cellini |
Publisher | : London : J.C. Nimmo |
Total Pages | : 432 |
Release | : 1888 |
Genre | : Art, Renaissance |
ISBN | : |
Author | : Dino S. Cervigni |
Publisher | : Longo Angelo |
Total Pages | : 206 |
Release | : 1979 |
Genre | : Literary Criticism |
ISBN | : |
Author | : M. Gallucci |
Publisher | : Springer |
Total Pages | : 240 |
Release | : 2016-09-27 |
Genre | : History |
ISBN | : 1137122080 |
Celebrated goldsmith and sculptor of the Italian Renaissance, Benvenuto Cellini (1500-71) fits the conventional image of a Renaissance man: a skillful virtuoso and courtier; an artist who worked in marble, bronze, and gold; and a writer and poet. Using the methodologies of New Historicism, social history, and gender and sexuality studies, this book places Cellini and his cultural production in the context of contemporary discourses about sexuality, law, magic, masculinity, and honor. In his life and literary oeuvre, the notorious artist, rogue, and sodomite aligned himself with the transgressive and oppositional voices of his day.
Author | : Michael W. Cole |
Publisher | : Cambridge University Press |
Total Pages | : 262 |
Release | : 2002-10-14 |
Genre | : Art |
ISBN | : 9780521813211 |
Benvenuto Cellini is an incomparable source on the nature of artmaking in sixteenth century Italy. A practicing artist who worked in gold, bronze, marble, as well as on paper, he was also the author of treatises, discourses, poems and letters about his own work and the works of contemporaries. By examining how Cellini and those around him viewed the act of sculpture in the late Renaissance, Michael Cole demonstrates his continuing relevance to the broader study of artistic theory and practice in his time.
Author | : Benvenuto Cellini |
Publisher | : Oxford University Press, USA |
Total Pages | : 516 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780192828491 |
"Thus spoke Pope Paul III on learning that Cellini had murdered a fellow artist, so great was Cellini's reputation in Renaissance Italy. A renowned sculptor and goldsmith, whose works include the famous salt-cellar made for the King of France, and the statue of Perseus with the head of the Medusa, Cellini's life was as vivid and enthralling as his creations.
Author | : Benvenuto Cellini |
Publisher | : Penguin UK |
Total Pages | : 380 |
Release | : 2004-06-24 |
Genre | : Biography & Autobiography |
ISBN | : 0141911999 |
Benvenuto Cellini was a celebrated Renaissance sculptor and goldsmith - a passionate craftsman who was admired and resented by the most powerful political and artistic personalities in sixteenth-century Florence, Rome and Paris. He was also a murderer and a braggart, a shameless adventurer who at different times experienced both papal persecution and imprisonment, and the adulation of the royal court. Inn-keepers and prostitutes, kings and cardinals, artists and soldiers rub shoulders in the pages of his notorious autobiography: a vivid portrait of the manners and morals of both the rulers of the day and of their subjects. Written with supreme powers of invective and an irrepressible sense of humour, this is an unrivalled glimpse into the palaces and prisons of the Italy of Michelangelo and the Medici.
Author | : Girolamo Cardano |
Publisher | : New York Review of Books |
Total Pages | : 322 |
Release | : 2002-10-31 |
Genre | : Biography & Autobiography |
ISBN | : 9781590170168 |
A bright star of the Italian Renaissance, Girolamo Cardano was an internationally-sought-after astrologer, physician, and natural philosopher, a creator of modern algebra, and the inventor of the universal joint. Condemned by the Inquisition to house arrest in his old age, Cardano wrote The Book of My Life, an unvarnished and often outrageous account of his character and conduct. Whether discussing his sex life or his diet, the plots of academic rivals or meetings with supernatural beings, or his deep sorrow when his beloved son was executed for murder, Cardano displays the same unbounded curiosity that made him a scientific pioneer. At once picaresque adventure and campus comedy, curriculum vitae, and last will, The Book of My Life is an extraordinary Renaissance self-portrait—a book to set beside Montaigne's Essays and Benvenuto Cellini's Autobiography.
Author | : Vittore Branca |
Publisher | : University of Toronto Press |
Total Pages | : 418 |
Release | : 2015-01-01 |
Genre | : History |
ISBN | : 1442637145 |
The birthplace of Boccaccio, Machiavelli, and the powerful Medici family, Florence was also the first great banking and commercial centre of continental Europe. The city's middle-class merchants, though lacking the literary virtuosity of its most famous sons, were no less prolific as writers of account books, memoirs, and diaries. Written by ordinary men, these first-hand accounts of commercial life recorded the everyday realities of their businesses, families, and personal lives alongside the high drama of shipwrecks, plagues, and political conspiracies. Published in Italian in 1986, Vittore Branca's collection of these accounts established the importance of the genre to the study of Italian society and culture. This new English translation of Merchant Writers includes all the texts from the original Italian edition in their entirety. Moreover, it offers a gripping personal introduction to the mercantile world of medieval and Renaissance Florence.
Author | : James R. Farr |
Publisher | : Springer Nature |
Total Pages | : 324 |
Release | : 2022-01-12 |
Genre | : History |
ISBN | : 3030824837 |
This volume historicizes the study of life-writing and egodocuments, focusing on early modern European reflections on the self, self-fashioning, and identity. Life-writing and the study of egodocuments currently tend to be viewed as separate fields, yet the individual as a purposive social actor provides significant common ground and offers a vehicle, both theoretical and practical, for a profitable synthesis of the two in a historical context. Echoing scholars from a wide-range of disciplines who recognize the uncertainty of the nature of the self, these essays question the notion of the autonomous self and the attendant idea of continuous identity unfolding in a unified personality. Instead, they suggest that the early modern self was variable and unstable, and can only be grasped by exploring selves situated in specific historical and social/cultural contexts and revealed through the wide range of historical documents considered here. The three sections of the volume consider: first, the theoretical contexts of understanding egodocuments in early modern Europe; then, the practical ways egodocuments from the period may be used for writing life-histories today; and finally, a wider range of historical documents that might be added to what are usually seen as egodocuments.